3.5★s
“War art was the public face of the warring nation; their visible response to the conflicts and a reflection of their national grief.”
Eleanor’s Secret is the second novel by British-born Australian author, Caroline Beecham. It’s 1942 and, as well as her volunteer work, Eleanor Roy is holding down two paying jobs and keeping an eye on her fragile younger sister, a trainee nurse. She’s lucky to have work in the field she loves: art. On behalf of the Ministry of Food, she organises artwork for the British Restaurants, to boost the morale of those on the home front; and she works for the War Artists Advisory Committee, commissions from which are referred to by some artists as the Government’s “magic carpet”.
What Eleanor would prefer to be doing, though, is working as a war artist herself, recording what really happens in battle. But she’s a woman and, at this stage, not even allowed to drive herself and the art works around. But her MoF work does introduce her to Jack Valante, a talented but mysterious artist with Latin good looks, a man she can’t get out of her head.
Jack is immediately enchanted by Eleanor, but is already committed to work for his country, work about which he cannot even tell his ailing mother or hard-working sister. His work as a war artist will be his cover for certain covert activities but, until his first tour of duty, he is frustrated that he can’t help Eleanor achieve her dream.
In 2010, Kathryn leaves behind her husband and young son in Melbourne to travel to London. Her grandmother wants her to bring back to her the Jack Valante painting hanging on Kathryn’s wall. Kathryn learns that Eleanor, a long-retired art teacher, has had a purchase enquiry, and is hopeful that the buyer, Jack’s nephew, will put her in contact with Jack. As Kathryn makes enquiries and uncovers traces of the elusive artist, she begins to wonder if her grandmother has shared with her all the facts.
Beecham gives the reader an interesting tale of historical fiction which includes a wealth of information (perhaps too much?) about war artists and their work. The first half of this novel is somewhat slow-moving. It is not until Kathryn gains access to Jack’s journals that the narrative gains pace and interest. However, the finish feels a little rushed. The mystery is intriguing even if, in places, the plot is a little sketchy, and some parts of the resolution feel a bit contrived. Ignoring this, it is a wonderful love story. Fans of historical fiction and art are likely to enjoy this one.
With thanks to Allen & Unwin for this uncorrected proof copy to read and review.