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480 pages, Mass Market Paperback
First published January 1, 1978
Peter was a Sun Sign Gemini--even though I use particular quotes of his to symbolize other signs in this book, a Sun Sign Gemini he was, who desired never to grow up, searching for something he never quite found, forever destined to be sure only of his own shadow, never of another human beinguntil, we trust, through eventual enlightenment, he learned at last the lesson of love.
Wendy was clearly a Cancerian--motherly, possessive, gentle and imaginative, trying out her wings in a flight of fancy under the Full Moon, as Moon Maidens often do. No strong Sun Sign harmony between them, you see, so they quarreled now and then, and each heard a different drummer. Wendy ended up in the final chapter as nearly all Cancerians do, safe and secure. No matter how wistfully her heart longed to fly again, she chose home, marriage and children as her ultimate dreams; while Peter, like nearly all Geminis, continued his eternal search for a brighter rainbow, somewhere beyond...still obsessed by twin desires, longing to settle down with Wendy, yet longing just as fiercely to remain freeand true to himself (Goodman, 2).
Imagine reading a thousand-page book full of paragraphs of this nature, and you have Linda Goodman's Love Signs summarized well.
The book is organized by Sun sign combinations. All the combinations involving Aries go first, followed by the remaining combinations involving Taurus, then all the remaining combinations involving Gemini, and so on in this fashion. The first pairing we see is the Aries/Aries Relationship, followed immediately by Aries Woman/Aries Man. The next entry is the Aries/Taurus Relationship, which precedes Aries Woman/Taurus Man, which itself precedes Aries Man/Taurus Woman. Thus, the Pisces section contains a mere two entries: the Pisces/Pisces Relationship and Pisces Woman/Pisces Man. Strangely, unlike some erotic astrology books that dissuade the reader from starting a relationship with a member of a conflicting Sun sign, Goodman asserts that any pairing can be compatible; the two halves only need to undertake more work to understand each other. This interpretation is quite refreshing, and an approach that more occult books would do well to follow. Of course, it's likely that Goodman refused to let anything obstruct her "love conquers all" message, as is evident from the "Twelve Mysteries of Love" chapter that bridges the introduction and the relationship analyses.
Sadly, this book falls prey to the persistent bugaboo of sexism. Linda Goodman's Sun Signs was a flagrant offender in this regard; the worst of it occurred in the "Taurus Man" and "Pisces Woman" sections. (If you own a copy of the book or know where to obtain one, take a moment to read the respective passages and then wonder how a woman could be so sexist as to write them.) Heteronormativity dogs astrology books consistently, which is not helped by the general assumption in works of the genre that the reader is a heterosexual woman. No book carries the bias quite to the extremes of this one, though. In this book's case, the heteronormativity and gender binarism sometimes combine with the sentimental writing style to produce passages such as this, from the Aries Woman/Aries Man section:
This woman never failed to cry, as a child, when she read about the Prince charging bravely into the woods to find his Princess and awaken her from her lonely slumber with the kiss of True Love. (Aries females invariably get all soft and squishy inside at the mere thought of True Love, their idealism in affairs of the heart being as eternal as Spring itself.) But really now, dear Aries girl, when you're honest with yourself, would it all have been quite so magical if the fiery courageous Princess had come charging bravely into the woods on her horse to claim her Prince and rescue him from the Wicked Witch? The same meditation should be practiced on all the other faerie tales she still believes in, and dreams of every fortnight or so. Imagine dainty Cinderella, red-faced, puffing and perspiring, as she tried to shove a glass Hush-Puppy on her Prince's foot, to see if it fitted him. Mother Nature knows what she's doing. The Aries man-woman relationship will stand a better chance of success if she permits him to steal her Mars thunder (Goodman, 44-45).
According to Shakespeare himself [Goodman claims earlier in this section to have made contact with Shakespeare's ghost], after Petruchio had succeeded in taming Kate, the Lioness (with her Moon in Ariesor vice versa, same thing), into a gentle, submissive mate, who properly admired, appreciated, respected, and obeyed him, he allowed her to accept a part-time job* illuminating old books and manuscripts, a delicate and rare art. Later, after she'd passed that test, without returning to her old, domineering ways, he permitted her to design jewels for the ladies of Padua, as a full-time career. Eventually, she became quite famous and succeesful, which fretted her lover-husband not a whiffle or a trifle because, you see, she never disputed his masculine rights. She always came happily skipping, on-the-double, when her Lord and Master regally commanded, "Come here, and kiss me, Kate!"
Don't forget that Libra is a masculine sign, with a feminine ruler, Venus. No fair allowing one sex to take priority of mention over the other. Everything must be nicely balanced. The sense of poetry and beauty and harmony in Librans extends also to the equality of their relationship. It's clearly not "harmonious" to always name the man firstor place the male's wishes ahead of the female's. Just is just. Male chauvinism is just so...uncoordinated...so unpoetic. Don't you think? (Goodman, 655)