Back when Darby McCormick was just starting out, little Claire Flynn disappeared from Belham one a snowy night. 11 years later and the prime suspect, Father Richard Byrne, is dying. To everyone's surprise, he's saying he finally wants to talk... but only to Darby.
For her, going back home isn't going to be easy, especially when her career has involved publicising and then putting away criminals who were supposedly on the right side of the law: the police. Breaking the silence around Blue Line corruption has her being called 'Rat' and worse. Amidst a very hostile environment, she is forced to use her own initiative rather then relying on traditional resources to investigate a crime to which everyone already seems to have the answer. But are things as obvious as they seem?
What Chris Mooney excels at here is getting inside the mind of not just Darby, but also her first love Micky, the father of the missing girl. His tortured existence is gut wrenching, not only struggling with the loss of his child, but the breakdown of his marriage, alcoholism, and the return of a father who used to be a mob hit man. His anger and despair have pushed him to depths he never before imagined, including putting the man he considers to be responsible for the crime in hospital. Now Byrne seems to be taunting him, forcing him ever closer to the prison place ready and waiting if he slips up.
If it were just the murder mystery alone, it still would have been a good book, but what makes it stand out is the ways in which perceptions, or ideas understood certainties, are shown to determine every aspect of not just a criminal case, but a whole life. Secrets play their own role, but so do truths, especially when the foundations of each become blurred and perhaps revealed to be just plain false. It all adds up to a thrilling manipulation, but also acts as a showcase for the irrationality and stubbornness of human behaviour when we decide we KNOW what's right and just. The realism is further enhanced by the author's unwillingness to portray anything or anyone in black and white. Father Byrne is identified not only as the potential murderer but as a defrocked Catholic priest outed as a paedophile, but he's admitted nothing. While he's been convicted in public opinion, the law needs more, and they just don't have the evidence. He's definitely playing some kind of game and is a nasty piece of work to boot, but does that mean he did it? Evil, maybe. Guilty....?? In the same vein, Micky is a grieving father, but his aggression and aggressive self pity doesn't always hold water. He's not always the likeable person his role seemingly necessitates. The author refuses to allow him a place on any kind of pedestal, him or any of the other characters Darby meets, presenting a picture of complex, messy humanity that clouds every aspect of the case and allows for a cleverly layered story in which the path to finding out what happened to Claire is hindered at every turn. As readers we come in with our own expectations and prejudices, our own 'truths' factoring into how we see and feel about each character before we even get to know them, maybe even holding on to those opinions and emotional responses well past when the evidence points us to something different. In showing us how blinkered each of these characters are, Mooney only underscores how little we all see. It's oh so well done.
This is easily his best work to date, clever and darkly mesmerising. Even if you haven't read anything by the author before, put this on your TBR because as much as it forms part of a long running series, it works just as well as an intro to Darby's world or standalone. Not only that, it's the kind of gripping thriller that will steal hours of your day as you try to work out just what happened. Highly recommended.
ARC via Netgalley