First, the subtitle of "The Last Pass" is more than a little misleading -- though it's billed as "Cousy, Russell, the Celtics and What Matters in the End," it really only connects on two of those four. OK, maybe three with a generous bounce off the rim, but still the missing piece is a big one, figuratively and literally.
The strengths of Gary M. Pomerantz's book, however, deserve first mention. As a child of the West Coast who, like every red-blooded American Boomer grew up rooting for the underdog, for me, the Boston Celtics were as bad as the Yankees. All they did was win, and obnoxiously, so cheering for whoever they were playing was pretty much mandatory -- and frustrating, because those 11 straight NBA titles led to a lot of disappointment.
(Yes, Bill Russell was from Oakland and went to the University of San Francisco, and I even saw him play in college (though I remember almost nothing about it), but that was really before my time so I always though of him as a Celtic. And then Wilt Chamberlain, his foil, played for the Warriors when they moved west, so Russell was never a local hero to me.)
Pomerantz starts earlier than that, though, with Bob Cousy, his upbringing and early career, and that part is especially fascinating. The early days of big-time college basketball and the NBA are shrouded in the mystery of grainy films, white guys shooting weird-looking shots and a game that has little resemblance to the one played today.
Cousy, however, as Pomerantz points out, was the harbinger of the future, the Houdini of the Hardwood (in the style of the day), with one-handed shots, behind-the-back dribbling and spectacular no-look passes. He played the game at a level his peers were unable to imagine, especially in his early days, and even by the time he retired, in the early '60s, the game was still dominated by old-school coaches and old-school ideas.
Red Auerbach, Cousy's coach, was old school, in his way, but he wanted to win above all, and he let Cousy be Cousy -- and he wasn't afraid of breaking the color barrier and bringing Russell to deeply racist Boston in the late '50s. Auerbach was also noted for osentatiously lighting a victory cigar when the game was won, and antagonizing anyone and everyone who annoyed him.
By the time Pomerantz began writing this book, Auerbach was long dead, but Cousy, who's still alive as I write this, was willing to sit down for a long series of interviews -- and its his perspective and concerns that dominate the book. And with Cousy a fading memory to the modern sports fan, who thinks the '90s are pretty much the beginning of time, it's great to hear his own story and that of the rise of basketball from sideshow to main attraction.
But here's where things break down: Russell, in declining health and never that cooperative with the media, would not talk to Pomerantz, so his presence is shadowy at best. Pomerantz quotes from books written about him, and long-ago interviews, but in the end, his voice echoes rather than resonates. And since Pomerantz chooses to spend a lot of time with Cousy mulling about Cousy's relationship with Russell, and blacks in general, the book simply drifts off track too often to be totally successful.
And what does matter in the end? Cousy talks about what matters to him, it appears, though how much of that is Pomerantz emphasizing certain parts of the Cousy interviews to make his point is unclear. It could well be that Cousy is consumed later in life with his perceived failings in his relationship with Russell, but it may be that Russell is more of a footnote in Cousy's view of his long career.
And about that title -- "The Last Pass" refers to a letter Cousy wrote to Russell late in life, an attempt to reach out and communicate with the man who also changed the face of basketball. Russell ignored it for years, perhaps due to age and its inevitable decline, but even when he responded, the exchange was unsatisfying.
And in a way, so is the book itself, primarily because of the title. What Pomerantz promises, he can't really deliver, even though the book he wrote is, in most respects, a good one. The four stars are justified, I think, because if the title had been "Bob Cousy, the Celtics and the Roots of Today's NBA," with attendant shifts in focus, this could have been one of the better sports books I have read.
As it is, however, the play on the blackboard was not the play that was run, and even though it was run reasonably well, in the end, the last pass wasn't exactly where it needed to be and the shot just didn't go down.