Following the death of her mother, Cora and her brother, Stephen, discover they didn’t know everything about their mother. A box containing a key leads them to discover that their mother owned a cottage on the remote Scottish island of Seal. For Cora, handling the key evokes a strange sense of yearning, a feeling a little like déjà vu. Already with her mother’s death, she feels a sense of displacement from her current life – feeling like ‘a stranger in a strange land’. No longer do the busy streets of London fill her with excitement: ‘I’d begin to feel overwhelmed by the noise and the smells if the city.’ Something has changed for Cora. ‘My mum’s death had been like that – a tiny event in the big picture of things, no more than a minute shift of the axis, and yet it had brought a monumental change in my life, a change to everything I was, everything I loved, everything I’d built up to then....I existed in a world that had changed all its rules.’
The cottage offers the prospect of a new start, leaving behind her grief at her mother’s death, failed relationships, a struggle to make progress with the book she has been working on and a feeling that maybe her heart is ‘asleep’. Don’t worry; it won’t be long before it is awoken.
For those familiar with Daniela Sacerdoti’s books, it won’t be a surprise to learn that along with the romantic storyline there is an underlying sense of the mystical or supernatural, a strong element of folklore and an atmospheric sense of place. The location, on a remote Scottish island at the mercy of the wind and weather, is the perfect place for these different strands to come together.
There is also a strong sense of the past and present intertwining as the present day story of Cora is interspersed with a complementary story from 1745 recounting the experiences of Margaret McCrimmon, caught up in the climax of the Jacobite risings. The narrative moves seamlessly between the two stories with the two women’s lives follow a similar trajectory that involves love and hope for the future, but not before very real dangers have been navigated.
I’ll confess that I sometimes struggle with books that have dual time narratives, often finding the story set in the past more compelling than that set in the present. I’m pleased to say I Will Find You was an exception. I think this is because the main characters in the present day storyline, Cora and Innes, felt absolutely believable as characters. In particular, Innes, for whom the author creates a complex and traumatic back story. His memories of deeply unsettling events from his childhood help to explain his restless spirit, his history of failed relationships and his feeling that he is ‘tainted’.
By the way, I loved the way the book is structured with a Prologue and (sort of) Epilogue framing three sections, appropriately titled (because of the role the sea plays in the book) ‘Low Tide’, ‘Flood Tide’ and ‘High Tide’. For those who don’t know (and I had to look it up), a flood tide is the incoming or rising tide that occurs between the time when the tide is lowest and the time when the following tide is highest.
For those who have read the first book in the series (although this isn’t essential, as I Will Find You works perfectly well as a standalone), there are walk on parts for a couple of the characters from Keep Me Safe. Finally, I need to mention the final section of the book, entitled ‘Book of Souls’ which addresses another theme common to the author’s books, that of the past repeating itself – or perhaps, echoing is a more apt word – down the years.
If you’re a reader looking for a compelling, emotional story with an atmospheric setting and who has a few tissues handy for the end, then there’s good news - I Will Find You has found you!
I received an advance review copy courtesy of publishers, Headline, and NetGalley in return for an honest and unbiased review.