A Bride's Story, volume 10, continues the beautifully drawn and research-enriched tale of the nineteenth century Silk Road. Period architecture and clothing, plains landscape, and closely-observed cultural practices are mangka Kyoko Mori’s historical fiction jam here. The heart of the story is the practice in this period of arranged child marriages, and this one takes us back to one central story, that of married Amir (traveling with her nomadic family) and Karluk, who is about 13 now, though mostly separated from her in his attempt to “become a man.”
We make certain assumptions, perhaps, about this particular cultural practice, but Mori is most interested in how these unquestioned practices are lived, at an almost ethnographic level. There is expressed sweetness in the relationship between Karluk and Amir, and also in the story of the western researcher Smith, who has his own sweet surprise coming for him when he gets to Ankara.
The pen and ink drawing is as always impressive, but in this volume we see hunting practices—including hunting with golden eagles—that gives Mori the opportunity to draw lots of animals and birds, including the slaughtering of them for meat especially in the long cold winters. I suppose this is typical of the best of historical fiction, that you get this feeling of being there, educated about life there and then.