Past and Present is a curated reference survey of the state of pinup art among contemporary graphic artists, tattooists, and cartoonists.
With more than 100 artists from the United States, Europe, Australia, Japan, and China included, this collection offers an unrivaled look at every different direction pin-up art design has taken since the heady days of Bettie Page. More than 200 images from the best practitioners betray the influences of the greats, such as Gil Elvgren and Olivia De Berardinis, but also show new trends , including a revival in 1980s-influenced line work in the vein of Patrick Nagel, and of biomech-influenced approaches. Every image is accompanied by a caption detailing the artist, name of work, and major influences, making this an invaluable source of information and inspiration for all graphic artists and cartoonists in the genre.
In the past, pinup women were considered to be a low bar for artists and were generally taboo in the art community. The current appeal of old pinup art is the unpretentious, often naive, and joyful whimsy that celebrates the sensuality of the women depicted. Whether they're real or imaginary, pinup women are a celebration of feminine sexuality .
The sheer breadth and span of pinup art today is amazing and every major genre is represented within, Past and Present features the best contemporary artists , such as Enric Badia Romero, Carlos Cartagena, Fiona Stephenson, Chris Wahl, ONEQ, David Nakayama, Andrew Hickinbottom, Zach Gardia, Ben Tan, Marta Nael, Jan Meininghaus, David Vincente, Screaming Demons, Syd Brak, Loopydave, Natalie Shau, Jasmine Becket-Griffith, Elias Chatzoudis, and many more.
For the pinup aficionado and artist, this non-stop, eye-popping book is an essential source of inspiration.
Jim Silke was an American graphic designer, screenwriter, and comic book artist. He wrote the scripts for Sahara and King Solomon's Mines. In 1994, he created the comic book limited series Rascals in Paradise. Over the course of his career, Silke was nominated for four Grammy Awards for best album design. He won in 1962 for his cover for Judy at Carnegie Hall.
The art is great but the format and presentation of it is a bit lacking to the point where I feel misled. There is no other information for the artwork other than the artist and the name of the piece. You have no idea when it was made or for any specific reason for it beyond the chapter the pieces were placed in. The book has the word past in its title but all the artists of the pieces are current enough that they have their own websites (contact info in back of book) Each section of different pin-ups mention historical artists and uses for the pin-ups but none are shown, just current artists. The book feels more like it was intended as an advert for the artists work rather than actual historical reference to pin-ups.
I really enjoyed this book/collection. It gave a decent intro to each type of pinup and when showing the examples it left out a lot of violent options it could've used which the viewer can appreciate.
An inconsistent collection. Some really unique and interesting art and some amateurish stuff. Artist I liked Nathalie Rattner Ben Tan Sveta shubina (cool comic strip dot style) Damian Fulton Leila Ataya
What I learned: Neo-Surrealism plays with visions dreams and the subconscious.
The title is misleading because almost every artist are more recent which isn't obvious because there are no date or information except titles and artist names.