“Deathstroke Versus Batman Part 3 of 6: The Seven Waynes”
When a retired superhero gets caught in the crossfire between the World’s Greatest Detective and the DCU’s most deadly assassin, could an entire legacy be wiped out? Lines are crossed when Deathstroke and Batman’s feud takes its darkest turn yet — and there’s no going back!
Standard cover by Robson Rocha, Daniel Henriques, and Brad Anderson.
Formerly (before 1993) known as James or Jim Owsley.
Christopher James Priest is a critically acclaimed novelist and comic book writer. Priest is the first African-American writer and editor for Marvel and DC Comics. His groundbreaking Black Panther series was lauded by Entertainment Weekly and The Village Voice and will serve as the basis for the 2018 Marvel Cinematic Universe adaption.
Besides Black Panther, Priest has written comics for Conan, Steel, Green Lantern, The Crew and edited The Amazing Spider-Man. He also co-created Quantum & Woody along with Mark Bright and co-founded Milestone Media.
After a decade long hiatus he is currently writing comic books again and recently concluded a stint writing the comic book Deathstroke (2016-2019).
In addition to being a writer, Christopher J. Priest is also a baptist minister.
What happens when an unstoppable force meets and immovable object? One of them surrenders, and that is what happened in this chapter of "Deathstroke versus Batman."
O maior ponto positivo do gibi são os espelhos. Todo dialogo tem um significado que se aplica a 2 personagens, mostrando o quanto são parecidos e quais são as diferenças vitais entre eles. A trama do Homem Dínamo foi legal, um pequeno comentário sobre heroísmo "clássico" de forma geral que dá mais substância a mensagem que o gibi que dar sobre heróis, vilões, família e etc. Meu único ponto negativo foi a arte em alguns momentos, o rosto do Damian em uma certa parte ficou horrível.
I like some of what is going on here. The story overall is good, I just don’t care for the presentation that doesn’t feel like it adds suspense or tension and ends of making things confusing as the story jumps around with little details to help readers track what time and space they’re in. And I still can’t figure out what the confessional panels with Robin and others are all about, other than it’ll eventually be part of the “is Deathstroke my daddy?” thing. The artwork is good and the peripheral elements are mostly solid, but there’s something missing or something that just isn’t working.