Very good one-stop start for figuring out this formidable source. Robinson starts with the physical scroll itself, and you learn about gallants providing the ink, for instance, and purity requirements for the hides, quills, and scribe himself (traditionally) who undertakes this lengthy inscription with remarkable scrutiny to the text, and to ancient prescriptions needed to carry out this task with all due reverence. He narrates next how the Torah was compiled roughly between 539-337 BCE, and how its seemingly random at times arrangements do and don't make "commonsense" for various reasons. He's insistent that even the medieval experts didn't assume necessarily that Moses penned it all before he died, and Robinson from an informed Reform perspective makes his case sensibly for multiple perspectives given the inconsistencies internally in the writings and in historical evidence.
Then it's on to the Wellhausen documentary thesis, and the source and form criticism of the last nearly two centuries that's argued four distinct authors for the Pentateuch/ Chumash. This didn't excite me as much as it did the author, but he tells the scholarly quest well, as he does every aspect that follows, including how to approach the study of Torah (wish I had a study partner, as that's the best way; nobody I've asked has taken me up), basics of Hebrew alphabet, and pointers from both Robinson's female havurah readers and rabbinical experts, on which translations and commentaries best suit the beginner. His advice on the range from Orthodox (Artscroll, Matsurah, Soncino but not Hirsch per se?) to literal (JPS, Plaut, Etz Hayim) to more free-ranging (Fox, Friedman) renderings of the Hebrew makes sense, and he offers in addition hyperlinks (ca. 2004) for intelligent resources.
His chapter on feminist approaches is excellent; he convinces you that such demand attention, and he devotes welcome depth to exploring hermeneutics of suspicion, desire, and indetermination in turn. He praises Avivah Gottleib Zornberg's views on Moses which integrate psychoanalytical and literary criticism into her study, and colleagues male and female with similarly sophisticated takes.
But that's only halfway. The rest takes the parshaniyot/ weekly portions read in synagogue, and for each, he offers a few pages of commentary, as well as the order of who's called to the bimah and the sections and also the haftorah additional scripture, so one can use this to prepare if that great honor arises. While these elaborations of the Torah parts can't go that much into the details, they reiterate and expand whenever possible his remarks earlier in this book. Hefty as it is, Robinson coming later in life to the study of Torah, and from a film critic background (he makes some nice analogies here and there to story structure and to apt quotes from the movies; I was surprised his parallel career as a sportswriter wasn't an equally enriching field for comparisons), he's geared towards 21c mindsets.
He offers straightforward explanations (incorporating erudition but not showing off), contemporary sensibilities without coming across as too self-centered, or a prisoner of his outlook, from a Manhattan milieu. But I wish he'd footnoted the books and articles he used at the end of his chapters. He offers a great list of the sources he's drawn on, but this lacks particular pages for the references he puts into the text, more often than not, and this makes tracking down his quotes and the passages originally that he consulted not easy. It's probably an editorial decision to keep the look and flow of this accessible for a wider audience, and that shortcoming aside, it rewards well.
I confess at first I gave this a pass, thinking (I should talk) that due to his name, the author wasn't Jewish, and that it might be from an evangelical or messianic Christian bias. Glad to find myself in error, as peeking at the preview on the A-store site, it enticed me to check it out and read it all in one day. Not that I'd recommend that for the casual inquirer, but the pace and tone reward quiet and attention. They invite immersion into the subject, and for that motivation, this book succeeds.