4.5★
Loved this one, and enjoyed the backstory from the author, who was inspired by the TV series 24 with the intrepid, indomitable, seemingly indestructible Jack Bauer, who dies, is resuscitated, etc. If you’ve seen it, you know.
Cole wrote this originally as a screenplay (and it would make a GREAT one) and finally turned it into a novel. What a good idea that was! I still think it would make the first of many movies about Detective William Oliver Layton-Fawkes, known by his initials/nickname, Wolf.
He’s a big, bloke, apparently attractive to women (some, anyway), and an impulsive, angry man who is driven to mete out violent punishment himself when the justice system fails. Andrea is his beautiful ex-wife, a well-known TV presenter with a new, rich partner, although she still considers Wolf her best friend and most trusted confidante.
Their split is no surprise. As DS Baxter warns newcomer Edmunds, who has transferred from Fraud to this high-pressure squad:
“‘Marriage. Detective. Divorce. Ask anyone in this room. Marriage. Detective. Divorce . . . Oh hello, this is Detective Sergeant Baxter with the . . .’”
See? She didn’t even have time to finish talking to him before she was interrupted, and he discovers the reality of 24/7 policing when hunting a serial killer.
I liked both Baxter and Edmunds. She’s got a longstanding police partnership with Wolf, which his wife always suspected was more, and in many ways it was. Edmunds comes across as a clean-cut straight-arrow with a perfectly nice fiancée who’s not happy about his transfer, so he ends up on the sofa a fair bit, no doubt thinking marriage, detective, divorce until he falls asleep, exhausted. They are all always exhausted.
There are flashbacks to a few years earlier with a case where the killer went free, Wolf went a bit mad, and life took a turn for the worse for him. Now, several people have been murdered and stitched together to the killer’s head. ACK!
When the killer gives the media a list of the next victims and the dates they will die, we meet Andrea. Everything she does seems to escalate the danger and the damage, and Wolf is the last name on the list.
The hunt, the chase, the characters are engaging, and the repartee is fun. I’m quoting from my pre-publication copy, so quotes may have changed in the final version. Early in the piece, the cops tackle a man carrying a plain bag.
“The DPG officer kept the gun trained on the man and backed towards the bag. He cautiously knelt down beside it and then very, very slowly peered inside.
‘We’ve got some sort of hot wrap,’ he told Wolf, as if identifying a suspicious-looking device.
‘What flavour?’ Wolf called back.
‘What flavour?’ the officer barked.
‘Ham and cheese!’ cried the man on the floor.
Wolf grinned: ‘Confiscate it.’”
Wolf is old-school, hard-core police, and sensitive, clever new Edmunds has given him a USB stick.
“He was growing increasingly frustrated, stubbornly refusing to admit that he had no idea how to play the CCTV footage, trapped inside the stupid little USB stick, through the television.
‘There’s a hole on the side of the telly,’ said Finlay, over fifteen years his senior, as he entered the room.
‘No, on the, down – oh, let me do it.’
Finlay removed the USB drive from an air vent on the back of the television and plugged it in. A blue menu screen materialised containing a single file.
But not all modern technology is what it’s cracked up to be when looking over CCTV footage (name omitted to prevent possible spoiler).
“‘What about facial recognition?’
‘You’re joking right?’ laughed Baxter. ‘So far, it’s flagged XX up three times. One was an old Chinese woman, the second was a puddle, and the third was a poster of Justin Bieber!’”
Some black humour about a person in protection whom they don’t really like anyway, (name omitted again):
“‘Sorry,’ said Edmunds. ‘I’ve got a Constable Castagna on the phone for you about XX.’
‘I’ll call them back,’ said Wolf.
‘Apparently he’s threatening to jump out of the window.’
‘Constable Castagna or XX?’
‘XX.’
‘To escape or kill himself?’
‘Fourth floor, so fifty-fifty.’
Wolf smiled at this, and Baxter watched his transformation back into his normal, irreverent self.”
But we never lose sight of what a serious business it really is, especially as the detectives rummage through old files in archives, trying to find links, with “the distressing realisation that each and every one of the uniform boxes represented a life lost, lives ruined, all lined up in a tidy row and enjoying the respectful silence like graves in a catacomb.”
The plot is complicated, the murders are complex, and I admit I got a bit confused here and there, but I think that was my fault, not the author’s. It was terrific and the half-star missing is only because of some occasional lapses of style that probably won’t bother anybody else (and may even have changed in final editing), so I’m rounding it up. 😊
And it would be remiss of me in the extreme not to say you really won't see this twist coming!
Many thanks to NetGalley and Trapeze/Hachette Australia for the copy for review. The quotes I’ve used may have changed in the final version.