Another entry with a good plot that I wish had been strung together by better writing. It also included a bonus prequel short story that seemed to give short shrift to a character who could have potentially offered a worthy antagonist for a full-length novel, so again I'm left both intrigued and disappointed.
This third novel in the "Black City" series follows Nick Medea, the pseudonym of the real Saint George the dragonslayer, once again in 1920s Chicago, as he battles the machinations of his old nemesis, Galerius, the very person who convinced emperor Diocletian to behead Saint George 16 centuries earlier. Nick is joined, as always, by his lady-love Claryce (the reincarnation of princess Cleolinda, whom he saved from the dragon) and his sidekick Fetch (a canine Feirie exile). The plan formed by Galerius touches upon the main storylines of the first two novels in interesting ways, showing how he's been manipulating events in order to draw power to effect further massive manipulations of the world's timeline, resulting in some surprising revelations about the main characters along the way. I found the plot to be quite compelling, but for the third time, I was really disappointed by the writing that connected those plot points.
Nick, the main character, can't seem to get out of the rut of paternalism, trying at every turn to exclude his paramour from participating in his investigations, even though she's both centrally involved and extremely capable of handling herself in dire circumstances (many times showing herself to be more capable than Nick himself) -- this was somewhat acceptable once or twice in the first novel, but when it happens 5 or 6 times in each of the 3 novels, it just becomes a tired motif. As with the first couple of books in this series, Nick seems to fall for just about every obvious ambush possible, only made worse because he hamstrings himself by excluding powerful allies from his plans. The system of magic -- which includes both Feirie-based magic and apparent Christian mythological/hagiographical/angelic-based miraculous intercession -- is STILL not entirely clear, as the magic of this world seems to work or fail to work depending solely on the needs of the plot of that particular page, rather than on any consistent rules, leaving the reader to wonder about the relationship between the Christian God's powers and the Feirie realm's powers. And I'll say it again, the author seems at times more interested in clumsily cramming into the narrative references to 1920s pop culture (cars, actors, appliances, sports teams, etc.) than setting the scene in any sort of organic or natural way.
And don't get me started on the writing mechanics and editing (or lack thereof). There's hardly a page without missing or misspelled words, inverted or awkward syntax, direct/indirect object confusion, punctuation errors -- pick a page of any grammar or style manual, any page at all, and the book violates one of the rules found therein. Knaak seems pathologically beholden to the use of contractions in narrative, so the instances of "I'd" or "we'd" (to contract "would," "did," "should," "had," and others) are legion and very distracting. A decent and inexpensive editorial review -- something that would take maybe a day or two -- would have cured most of these mistakes without sacrificing the author's voice or vision, and it's frustrating to see a novel with a plot I mostly like end up with my 3-star review because the author couldn't be bothered to take that editorial step.
With respect to the bonus short story, it clearly reflects an interlude from before the time of the first novel. While the first half of the short story is essentially a retread of information and activity that exists in other stories (Nick's backstory, Fetch's description, a standard fight with a Wyld that is no different from the 3 similar fights that occur in each of the 3 novels), the second half introduces an intriguing Big Bad character that I thought could have been respected enough by its own author to expand into a full novel. The character is a close connection to both Oberon and Titania, important characters from the other Nick Medea stories, and could have been a prime antagonist (or even anti-hero ally) for Nick, but in a few short pages is dispatched with seeming finality by Nick. Just when I was really getting into the story as a potential tease for a larger plotline in later novels, Knaak pulls that rug from under my reader's feet. So, thanks to the author for making me pleasantly surprised at the new character, and shame on him for creating a good character that gets thrown away in a 30-page short story that leaves a lot of her story unresolved.
TL;DR: Good plot, disappointing writing, for the third time. I may be interested in what happens with the 4th book (assuming there will be one, as the plot certainly didn't seem fully resolved by the end of this one), but it probably won't be at the top of my "to be read" stack.
Thanks to Pyr (and my favorite Book Fairy) for providing me with a copy of this book.