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Poets on Poetry

Ed Dorn Live: Lectures, Interviews, and Outtakes

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“Ed Dorn’s achievement has been to create single-handedly a language of public reference, and to have brought within the sphere of expressive language and poetic experience objects and feelings which had been, literally, unimaginable in those terms. It is in this context that he is one of the masters of our contemporary language.”
—Peter Ackroyd

“Ed was one of the most thoughtful but penetrating thinkers. There was no PollyAnna in him at all. And that’s what I liked about him.”
—Amiri Baraka

Along with Charles Olson, Robert Creeley, Allen Ginsberg, Denise Levertov, William Carlos Williams, and others, Edward Dorn taught at and became associated with the Black Mountain school in North Carolina. Although influenced by Charles Olson, Dorn’s poetry was really like no other’s. The Virginia Quarterly Review called him “an experienced and accomplished poet who has absorbed Olson, Williams, and Pound and moved beyond them.”

This book is especially important for the way it synthesizes Dorn’s views on poetic experimentation, the distinction between consciousness and sensibility, and “heretical” intellection, which is to say the components of his poetics of aggression.

184 pages, Paperback

First published October 22, 2007

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About the author

Ed Dorn

41 books15 followers
Edward Merton Dorn was born in Villa Grove, Illinois. He grew up in rural poverty during the Great Depression. He attended a one-room schoolhouse for his first eight grades. He later studied at the University of Illinois and at Black Mountain College (1950-55). At Black Mountain he came into contact with Charles Olson, who greatly influenced his literary worldview and his sense of himself as poet.[citation needed]

Dorn's final examiner at Black Mountain was Robert Creeley, with whom, along with the poet Robert Duncan, Dorn became included as one of a trio of younger poets later associated with Black Mountain and with Charles Olson.

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Author 21 books10 followers
November 20, 2007
Every poet should read this cover-to-cover, period. Everything you ever wondered about as a poet is addressed at some point in the course of these interviews/talks given over several decades. Sure he can be caustic--it's part of his full range of human personality that makes his approach honest and dazzling and provocative. He doesn't hide behind a blog, or behind of veil of false social or cultural authority--he tells you straight out what he thinks, sometimes rudely, but mostly in extremely engaging attempts at honesty. And I only say attempts because everyone has been and always will be somewhat hindered by their own sense of self.
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