Extended Play: Sounding Off from John Cage to Dr. Funkenstein

by John Corbett

In Extended Play , one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae.
Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world’s most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.

Genres: Music, Nonfiction

360 pages, Paperback

First published January 1, 1994

About the author

John Corbett is a writer, curator, and producer based in Chicago. He is co-owner of Corbett vs. Dempsey, an art gallery. Corbett is the author of several books, including Extended Play: Sounding Off from John Cage to Dr. Funkenstein (Duke U. Press, 1994), Microgroove: Forays into Other Music (Duke, 2015), A Listener’s Guide to Free Improvisation (University of Chicago Press, 2016), Vinyl Freak: Love Letters to a Dying Medium (Duke, 2017), and Pick Up the Pieces: Excursions in Seventies Music (University of Chicago, 2019). As an essayist and reviewer, Corbett has written for numerous academic and commercial publications, including DownBeat, The Wire, The Chicago Reader, The Chicago Tribune, NKA, Bomb, LitHub, and Lapham’s Quarterly. Corbett has edited or co-edited many books, including several on the musicians Sun Ra and Peter Brötzmann, as well as the 125 books and catalogs that his gallery, Corbett vs. Dempsey, has produced, and he has contributed to major museum monographs on artists including Jim Lutes, Charline Von Heyl, Christopher Wool, Albert Oehlen, and Sadie Benning, and essays on artists Rachel Harrison for the Art Institute of Chicago and Bob Thompson for the Museum of Modern Art, NY. Corbett’s work as a music producer includes his label, the Unheard Music Series, which existed from 1999-2006, and Corbett vs. Dempsey, an ongoing label issuing CDs of new and historical jazz, experimental music and improvised music. In 2002, Corbett was invited to be guest artistic director of JazzFest Berlin, and he co-produced the Empty Bottle Festival of Jazz and Improvised Music as well as a weekly series of concerts at the club of the same name. He has organized many musical events and festivals, most recently a series at the Art Institute of Chicago and stand-alone events at the Guggenheim Museum of Art, NYC, and the Menil Collection, Houston. As a curator, Corbett has been involved in many exhibitions at museums including the Smart Museum of Art, Chicago (Monster Roster: Existentialist Art in Postwar Chicago, 2016), the Tang Teaching Museum, Saratoga Springs, NY (3-D Doings: The Imagist Object in Chicago Art, 1964-1980), Sullivan Galleries, the School of the Art Institute, Chicago (Touch and Go: Ray Yoshida and his Spheres of Influence, 2010), and the Institute of Contemporary Art, Philadelphia (Pathways to Unknown Worlds: Sun Ra, El Saturn, and Chicago’s Afro-Futurist Underground, 2009). Corbett taught at the School of the Art Institute of Chicago from 1988 to 2014.

Reviews

[Chris Dadge · Rating 5 out of 5]

Highest possible recommendation

[stephen · Rating 3 out of 5]

so far..
the interviews are great--anthony braxton, alton abraham (late manager and co-conspirator of sun ra's), george clinton.
there is a segment of music journal articles that are more variable, but i think that a function of the breathless music mag tone. i am reading this backwards, so havent got to the first section yet.