I chose this book, aware of the debate around Clanchy's other work, in the hopes of hearing directly from her students. To a considerable extent, this worked. There are some great poems in here and the poets do speak for themselves. My four-star rating reflects this aspect of the book.
However, the 'sameness' of some of the poems made me think about editorial policies; out of the hundreds or thousands of poems which must have been written in her classes, Clanchy has chosen a large number which include 'colourful' nostalgic images of an 'other' place, lots which use one or two words in another language, lots which express a vague longing for 'home' but none which criticise England... On the one hand, I'm sure these are heartfelt poems and some of them are excellent. On the other, what other equally heartfelt feelings are not being shared here? Is that through Clanchy's selection or the self-editorialising of teenage poets in her workshops? I can't, of course, possibly know, but I did develop suspicions.