This is my first taste of Andrew Wilson's historical crime fiction series set in the 1920s featuring the Queen of Crime as a a undercover sleuth working for the British intelligence officer, Davison, after solving the murder of a British agent in Tenerife previously. This is a well told novel that shows detailed research of Agatha Christie's real life, people she really knew, with Wilson skilfully and seamlessly blending fact with fiction. Wilson's Christie is modest, shrewd, anxious and vulnerable, and still not quite over her first husband leaving her. She travels to Baghdad and the ancient city of Ur to look into the death of Gertrude Bell, the famous Arabist and adventurer, after unsent letters are uncovered which suggest she was murdered by someone working at the Ur archaeological site. Christie's visit was to be the source of the well known crime novel Murder in Mesopotamia, and in time was to culminate in her second marriage to the archaeologist, Max Mallowan, who gets a brief mention here.
At Ur, the dig is run by Leonard Woolley, a man who had a tense relationship with Bell, often disagreeing with her. He is married to the larger than life Katherine, an outspoken woman, whose first husband, a military man who worked for British intelligence, committed suicide. She has a reputation for not liking other woman on the site but has made an exception for Christie whose crime fiction she admires. Katharine is not a well liked woman, volatile, afflicted with fits of mania, loves a cat named Tom that is loathed by everyone else, and experiencing strange hallucinations. Others on the site include Lawrence McRae, and his troubled nephew, Cecil, whose parents are tragically dead, Father Burrows, and the site administrator, Cynthia Jones, an extremely capable and well organised woman. Present are the Americans, the charming dig photographer, Harry Miller, and the very wealthy Archer family, Hubert, his wife, Ruth and daughter, Sarah.
When a murder takes place, the chief and obvious suspect is Katherine, but is she guilty? Christie investigates, only to find nothing is as it seems. Wilson does not shy away from portraying the attitudes and norms of this period of history, the overt racism, a colonial power party to spiriting away ancient Middle Eastern treasures, the locals all looking alike and doing all the actual heavy work on the dig, whilst the British and Americans live in their own little exclusive bubble. All of this adds a sense of authenticity to the storytelling, not to mention the accurate portrayal of the real Christie's visits to the Middle East. This is an engaging mystery, one that I think many fans of Agatha Christie are likely to enjoy reading. Many thanks to Simon and Schuster for an ARC.