When we last left the Analog series at the end of its initial entry, Bandwidth, that story was pretty well wrapped up, with the groundwork laid for a follow-up. I expected to drop back into Dag's life and follow him as he handled the ensuing situation. But Eliot Peper had a better idea. Yes, let's follow that lead, but let's look at it from a different angle. So instead of Dag, we're in the head of Diana, the former CIA agent Dag used to get intel and, as we left off Bandwidth, a promising romantic interest.
We may be in a near-future world where ecological disaster has caused tectonic shifts in society, economics, politics, and culture, and the entire world, beyond the borders of its nation states, relies on The Feed -- the internet structured as an amalgam of social media feeds, implanted into people's heads and into the electronics of, well, everything. But Peper never forgets that all else aside, what makes for good storytelling is character. And so Diana, who was an interesting supporting player in Bandwidth, becomes the firebrand protagonist of Borderless.
How does this play out? Imagine if you will a plot twist that requires Diana to get from San Francisco to DC despite a nationwide (worldwide) blackout, where all electronic technology has ceased to function, which because of The Feed means, as we've seen, pretty much everything. All Diana really needs to do to move the plot along is get into an airplane that predates all this technology, say a WWII-era fighter. So in the hands of your average action novelist, this would be one line or one paragraph -- Diana rode her bike to the marina, took a sailboat across the Bay, swam to shore, ran across the airport, and got into the Lockheed Whatever that was waiting for her. Simple enough, 'nuff said.
But Peper takes that one line and makes a whole chapter out of it. Nell, who provides all this for Diana, and who has been a peripheral presence to this point, gets to not only shepherd Diana to the plane, but to reveal her own character (perhaps in anticipation of becoming a major figure in a future entry, since she runs the establishment the series is named for, the bar/club called Analog). We also learn more about Diana in this chapter, even though this is already late in the book. Peper even has the wherewithal to add a couple of objective correlatives to help deepen the literary side of his action story, notably one about a peregrine falcon hunting a pigeon (he makes liberal use, and effective use, of objective correlatives throughout).
Folks, this is the stuff of good writing. And good writing elevates anything, even a good dystopian post-apocalyptic techno-action thriller like this.
Add to that some timely topics -- the ongoing debates about the role of social media in shaping our last election, the issue of net neutrality, and the globalization of society, culture, and commerce, with the concept of nationalism and borders inexorably heading toward anachronism (and currently the hotly contested subject of pushback) -- and you've got yourself one dandy series happening here. Looking forward to more, although the difference this time is that, while the story is brought to conclusion, there is no obvious loose thread leading to the next entry (well, there are a couple of possibilities, but nothing as direct as where we left off in Bandwidth).
Thanks to NetGalley for providing an advance copy of this book for review.