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304 pages, Hardcover
First published February 5, 2019

Elaine is the child of poor Irish immigrants. She is growing up in turn of the century New York City. When Elaine's mother dies from the Spanish flu, Elaine struggles to keep her family together.
Elaine's daughter, Molly, is growing up in 1950's San José, California. She is crushed by the breakup of her parents marriage and desperately attempting to understand her distant mother and learn her secrets.
I really love historical fiction. I find I enjoy YA most often when it has some history to it. It gives the story more depth and perspective. I was really pleasantly surprised to discover that 'Between Before & After' contained dual timelines from the 1950's and 1910's.
I also loved that the timelines were of a mother and daughter with the mother included in the daughters timeline. I really liked Elaine's 1910's story more than Molly's 1950's story. The struggles (including poverty, abuse, and alcoholism) of immigrants in New York in the early twenty century is harrowing. I felt like Molly's story was a little less put together than Elaine's. A few times the dialog in Molly's point of view seemed a little rambling. Also, I really thought the whole miracle thing with Uncle Stephan took away from Molly's story.
I thought the story wrapped up well. It gave a good conclusion without being tied up too neatly. I really enjoyed 'Between Before & After'. A family historical drama with two great YA protagonists. One of my favorite YA's.
Little things I loved about the story: 1950's pop culture (the characters first trip to McDonald's),the homing pigeons and that whole thing with the roses.
“The carnage began with the roses. She hacked at their ruffled blooms until they dropped into monstrous drifts of red on the parched yellow lawn … Only two things kept my mother grounded to us: my uncle Stephen and stories.”
Fourteen-year-old Molly worries about school, friends, and her parents’ failed marriage, but mostly about her mother’s growing depression. Molly knows her mother is nursing a carefully-kept secret. A writer with an obsession for other people’s life stories, Elaine Donnelly is the poster child of repressed emotions.
Molly spends her California summer alternately watching out for her little brother Angus and tip-toeing around her mother’s raw feelings. Molly needs her mother more than ever, but Elaine shuts herself off from real human connections and buries herself in the lives and deaths of the strangers she writes about. When Uncle Stephen is pressed into the limelight because of his miracle cure of a young man, Elaine can no longer hide behind other people’s stories. And as Molly digs into her mother’s past, she finds a secret hidden in her mother’s dresser that may be the key to unlocking a family mystery dating to 1918 New York—a secret that could destroy or save their future.
"We don't always know what a story means up front. In fact, we can't know until we experience the beginning and the end." He picked up a smooth, flat stone and sent it sailing out across the water. It skipped five times, leaving a widening trail of circles, before it sank. "I was looking at that Hansel and Gretel book the other day, the one that was your mom's. Most people don't remember the ending. They think the story ends when the witch is pushed into the oven."
"The children find their way home again."
On the way out, Elaine pointed to the statue of Saint Stephen. A long robe fell to his ankles and in one palm he held a pile of rocks. He looked too young to be a saint.
"That's who Mama named you after." No sense in telling Stephen his namesake had been stoned to death.
Stephen considered the statue. "Lainey, I'd rather he wasn't wearing a dress."