A story of the power of memory, Midnight at the Tuscany Hotel explores the mysteries of the mind, the truth behind lore, and the miracle of inspiration.
After thirteen months at war, Vittorio Gandy is haunted by memories, and his former life is unrecognizable. Once a gifted painter, now he can’t bear the vivid, bleeding colors on a canvas. His young son doesn’t remember him, and his wife, Valerie, is scared of him. But the most disconcerting change is in Vitto’s father, Robert Gandy, who has fallen from being a larger-than-life sculptor to a man whose heart has been broken by the death of his muse—Vitto’s mother—and whose mind has been taken by Alzheimer’s.
When Robert steals away in the night, Valerie, Vitto, and his new acquaintance and fellow veteran John go to the only place Robert might remember—the now-abandoned Tuscany Hotel, where it was once rumored that creatives of all kinds could find inspiration. When they find him there, Robert’s mind is sound and his memories are intact.
Before long, word gets out that drinking from the fountain at the hotel can restore the memories of those suffering from Alzheimer’s and dementia. The rooms once again fill up with guests—not artists this time, but people seeking control over their memories and lives. Vitto desperately wants to clear his own mind, but as he learns more about his late mother’s life and her tragic death, he begins to wonder whether drinking the water comes at a price.
James Markert is a novelist, screenwriter, producer, and USPTA tennis pro from Louisville, Kentucky, where he lives with his wife and two children. He has a history degree from the University of Louisville. He won an IPPY Award for The Requiem Rose, which later became A White Wind Blew. His debut horror novel, The Nightmare Man, written under the pen name JH Markert, will be released in early 2023!
Early reviews for A White Wind Blew:
"Beauifully told...with a historian's eye for detail." -Robert Hicks, author of The Widow of the South and A Separate Country
"Compelling and thought-provoking." -John Burnham Schwartz, author of Reservation Road and Northwest Corner
He’d been staring at her in awe but was afraid to say it—in awe because of her pretty face he wanted to touch but somehow couldn’t or shouldn’t, in awe because of those blue eyes that still looked as bright as liquid paint, in awe because of who she still was, that comforting soul, even as a child, who had always seemed to be a bandage for things in need of bandaging.
Time can be a tenuous dancing partner, Mr. Gandy. And memory the devil. Sometimes the wounds we can’t see leave the worst scars, unless they’re tended to.
Her demeanor immediately relaxed them, her smile a deep breath, her gait showing a grace no Tinseltown set could ever muster.
Juba was a vault stuck inside of a vault and he’d swallowed the key long ago.
My Review:
This was only my second time reading James Markert’s masterful storytelling and I was once again wonderstruck by his intricate texturing and craftsmanship. This man can deftly weave a captivating and sophisticated yet circuitous tale that is not fully comprehended until reaching that last thoughtfully written page. The story was slowly and stealthily crafted with threads of Greek mythology, history, and creative magic while deploying a narrative densely populated with elusive and eccentric characters who navigate interesting twists and turns that appeared ancillary until it was apparent they weren’t. Didn’t I mention he was clever and sneaky?
This was a book that I wasn’t really thinking about, until the time for me to start reading it was upon me.
For me, there was nothing that really stood out about it—not the cover, or the title, or even the description. I was beginning to wonder why I agreed to review it, but with a sigh, I had committed to reading it and thus I did.
As soon as I started reading it, I began to let me misconceptions and preconceived notions fall away, as this book indeed had a lot to recommend itself and I think that there will be a number of people that will love this book!
One of the things that I liked most about this book was the material. I think the premise and subject matter of the story is something most readers can easily relate to and that is the idea of the past. Is it something we should just leave well enough alone?
Right away I felt connected to the plot and the general idea for the book. I think that most readers will find that this notion of the past and reconciling with it, is something we all struggle with so readers will feel an instant connection I think.
The story is well written, it has a very lyrical quality to it which sets it aside and leave readers feeling like they read something elegant and relatable. For me though, I don’t know that I could fully appreciate this book. I personally am just not a huge fan of mythology. I mean, I want to be into it, but it’s just not my thing. In this book there was a lot go Greek mythology and for me, I just couldn’t appreciate it in the way that I think other readers could.
I know that a lot of people really loved this book, and I think there are certainly a lot of positives and things to enjoy, but for me I started to lose interest toward the end. I don’t know if it was the mythology references or not, but for me personally this one just landed as ok. I ended it with a 3 star review which for me falls into the ok category. I think that others might love this one, as it received a ton of high marks on Goodreads, but for me it as just ok.
This is a story about memories and coming to terms with your past, a very interesting premise and something most people can relate to. Should you face your painful memories or should you just bury them deep? Will you be able to come to terms with them even if you dig them up? Will you ever be able to fix your relationship with that one elusive person? SHOULD you do it? Do stories from the past still stand tall or are they completely dated by now? All these questions come up at one point or another.
While I, as a Greek person, appreciated the correct use of Greek myths for the story (I'm not trying to say something shitty like "OMG, Greek myths are SO misunderstood by the media", or that I'm extremely attached to my culture's myths and never want to see them misrepresented or anything, but it's not often that they're THIS well integrated into a story), it was too much of a slow burn for me.
The story moved quickly in the beginning and ending, but the middle sagged quite a lot, like a beer belly on an otherwise lean gentleman. I understand wanting to keep up suspense and looking forward to finally figuring out the mystery, but, in my opinion, it all went on far too long. While that made the book realistic (people not talking about their obvious problems leading to all sorts of misunderstandings is way too common and just as irritating as you can imagine... or as you, yourself, have experience of), it also made it irritating, the kind that makes you hiss "Just get ON with it already"
The characters were decently developed, none of them particularly likeable (to me, at least) The writing was pretty standard, nothing amazing or awful about it.
All in all, while I liked the book, I didn't like it that much, or as much as I expected to like it while reading the first few chapters. You should still give it a try, though.
(P.S. Juba's "Ta leme" KILLED me, it was obvious that the writer must have a Greek person in their life or some knowledge of Greek, because Google would have probably suggested the formal "Εις το επανιδειν" instead)
**I received a complimentary copy of this book from Thomas Nelson through NetGalley. Opinions expressed in this review are completely my own.**
Oh! Okay. So I am not very well educated in Greek mythology or knowledgeable in their Gods, but this book was magnificent. I really had no idea what I was getting into when I started it. I admit ~ I picked it because of the cover. I found this to be such a sweet, feel good story with an underlying mystery to it.
"Midnight at the Tuscany Hotel" by James Markert is a novel of literary fiction. It is another masterpiece of writing from Markert. I have loved everything of his that I've read, and this one I loved, too!
Vittorio Gandy has returned from war, and he has PTSD. His father, the renowned sculptor Robert Gandy, the Renaissance Man, has succumbed to dementia. His wife, Valerie, has been caring for his father and his young toddler son.
When Vitto is in the veterans hospital for war trauma, he meets another veteran named John Johnson who tries to help him. One day, Vitto's wife rushes in and says his father is missing. They all take off to find him and finally do locate him at his father's old hotel, the Tuscany Hotel. Robert seems to have his memory back! He says that the water in the fountain brings back memories. Soon the hotel is full of guests.
There is a lot of Greek mythology in this one in both the statues surrounding the hotel and in bedtime stories. I didn't feel lost with this. The Greek mythology bits were explained well. It is possible that Vitto's parents and their helper Juba are embodiments of Greek gods. You'll have to read it to understand this.
Keith Brown and Carlotta Brenton were the narrators for the audiobook, and both did an exceptional job.
This is actually set mostly in California near Santa Barbara. It is not in Tuscany, though the hotel is called the Tuscany Hotel, and the decor and landscaping evokes Tuscany. An early part of the book was set in Tuscany, Italy.
This is a lovely bit of magical realism, reminiscent of the writings of Gabriel García Márquez. Vittorio recently returned from war and finds his incredible memory and visual connection to colours is more than he can stand. At the same time, his father is showing signs of senility and his memory is crumbling and he wanders away from home. When his Father is found at the Tuscany Hotel in his right mind, Vittorio realises there may be magical properties there. Thanks NetGalley for the ARC/audiobook.
A wonderful piece of storytelling. There were many moments where I was reminded of Songs for the Cold of Heart and that's a great thing. There is a lot of Greek mythology inside. I'm not 100% on my Greek mythology but it's okay, because this is a great story. Really enjoyed my time with it.
This week I took the opportunity to crack open my copy of Midnight at the Tuscany Hotel by James Markert. It’s published by Thomas Nelson and sounded fascinating when I requested it from NetGalley. However, I only gave it a 3-star rating on Goodreads. I waffled back and forth between 3 and 4 stars, but something about the book just didn’t synch with me.
Loaded with mythology, art, beauty, damaged souls, and so many memories, it was an incredibly descriptive work. Colourful, lyrical prose flowed beautifully – Markert has an aesthetic way with words. Differences in theology aside – there were a lot of reliance and parallels to ancient mythology which worked with the artistic references and theme of the novel – the pictures painted in my mind were vivid and from that aspect, I was more than satisfied.
The storyline, however, while magical left me feeling a little lost at the end. (and in the beginning, and in the middle….) Part of me wonders if this was intentional considering the subject of memory (and/or subsequently, memory loss) and the effect on the human soul. At times, it was a little dry and I wasn’t completely satisfied with the ending. Emotions were invoked, but as I set my tablet down when I finished the book I was figuratively scratching my head with a “huh.” It was a good book… but a strange book. It just didn’t hook me as an absolute favourite. One thing I loved, however, was the question of whether we should live our numbered days with fullness, or extend our days and live with less wholeness – is the return of memories lost worth it? My creative disposition appreciated the beauty of the arts so deeply woven throughout. The novel as a whole… enjoyed it? Yes; Liked it? Yes; Really liked it? Just not quite. 3.5 stars from me.
I received a complimentary copy of this book from Thomas Nelson through NetGalley. Opinions expressed in this review are completely my own.
I was very intrigued by the premise of MIDNIGHT AT THE TUSCANY HOTEL and I thought the author, James Markert's characterisation was quality. The book was extremely well written, however, I couldn't get away with all of the Greek mythology and it wasn't really what I had been expecting. I could see that this book would have great appeal for many people, but, sadly, it wasn't for me.
I received a complimentary digital copy of this novel, at my own request, from Thomas Nelson Fiction via NetGalley. This review is my own unbiased opinion.
I thought this book was terrific. This was such a beautiful story about artists and their muses, about memories lost, memories found again, and the truths behind myths and legends. The prose was lush, lyrical and it was indeed a pleasure to read, as it created both suspense and mystique.
It was also incredibly atmospheric, and Markert’s descriptions of the Tuscany Hotel brought it to life for me, so much so that I could picture myself there with all the guests, with its majestic fountains, its grand turrets, and colored doors. I loved the idea of a place where people were able to gather for a second chance at life.
I also loved the theme surrounding memory and the mysteries of the mind; so we have a character who remembers everything, another who is unable to make any new memories at all, and yet another who has lost his memories due to disease. This was such a unique premise and one that hits you right in the heart. There’s also the theme of quality of life vs. quantity of life, a conversation that many of us may have to have as some point in our lives. So in this way, I think that this is not only a powerful book but also a story that has the potential to be transformative.
It was fun how the author incorporated Greek Mythology into the story. At first, I was confused by the amount of mythology that the author presented but it all connected wonderfully and fell into place by the end, and I thought it was brilliant -- how all the mythology details are worked seamlessly into the action of the story. Of course, the mythology angle makes sense that it all starts out with Mnemosyne, the goddess of memory.
Additionally, the mystery surrounding the fountain was enthralling as were the histories and stories of those who drank from it. I also loved watching a son solve the well-hidden mystery of his parents and the healing that came with it.
All in all, I thought that Midnight at the Tuscany Hotel was smart, original, sophisticated storytelling — a beautifully crafted and smartly written character-driven novel where magic can be found in the mundane. This was a strong 5-star read for me, and it was also my first introduction to this author, and I hope to read more by him in the future.
A huge thank you to Netgalley for providing me with an Advance Reader Copy of this book in exchange for an honest review. As always, all opinions are my own.
I can’t deny that I’m a James Markert fan. I’ve read his three of his previous novels and loved each one. My one fear of each new release is that it won’t be as good as the one before. Because there has to be a dud somewhere, right? I mean, no one can consistently produce excellent novels, surely?
Well, I guess I’ll continue waiting for disappointment. Midnight at the Tuscany Hotel is amazing, to put it mildly. Markert takes a World War II veteran with PTSD who can’t forget what he saw in Europe and puts him up against others who would love to have their memories back. Is his photographic memory a blessing or a curse? Vitto believes it to be the latter, especially since his father never seemed to appreciate the way his son could copy famous Renaissance masterpieces from memory.
Questions surround Vitto’s parents, especially about his deceased mother, Magdalena. Who was she? Where did she come from? How did she end up at an orphanage in Florence, Italy? How did Robert meet her? What is their connection to the hotel’s long term bar-tender? And just what is the fascination both Robert and Magdalena have with Greek mythology? While most of the action takes place in the 1940s, readers are also treated to flashback chapters about Magdalena’s past. Gradually, each parent’s story is revealed and the truth becomes apparent, even as you wonder how it could possibly be.
James Markert so vividly describes the wonder of the Tuscany Hotel that I could almost picture it. It’s a novel I’d love to see made into a movie. Besides the setting, the question of how to handle parents with dementia is a key aspect of the narrative. How often have we wished that their suffering would end, or that they could be how they once were? Which is the more important: quality of life or quantity?
There is so much more I want to say about this novel, but much of it would contain spoilers. And, trust me; you don’t want to be spoiled. There are, however, three lines that stood out to me: “Are we living or dying?”; “In need of a son. To give myself to”; and, “They live – right down to their last day.” Read Midnight at the Tuscany Hotel and you’ll be as moved as I have found myself, not only when I finished it but also as I re-read parts of it today for this review.
Thank you to Thomas Nelson and BookLook Bloggers for my complimentary copy of Might at the Tuscany Hotel.
A story of the power of memory, Midnight at the Tuscany Hotel explores the mysteries of the mind, the truth behind lore, and the miracle of inspiration.
⭐️⭐️⭐️⭐️⭐️
Its no secret that I am a big fan of James Markert's books. This was my 4th so far this year. So when he recommended I try this one, I got it immediately. And I can definitely say Midnight At The Tuscany Hotel was absolutely beautiful. By the end, I was literally unable to put it down. Trying to read and make dinner at the same time. And crying. It was ridiculous. I have always loved the stories of Greek mythology, so it was an additional enjoyment for me to have so many of them included and woven into the story. Even my favorite, Persephone, was included. The characters were all wonderful and well written. I actually wanted it to go on forever.
description: For years, guests of the Tuscany Hotel could leave their pasts behind and live among fellow artists. Now guests of a different sort fill the rooms, searching for their memories—no matter the cost.
A lot of Greek mythology in this one, something I usually love. However, although crucial to the story, I found the mythology a bit over the top. The book fits the magical realism genre, mixing miracles and muses and myth. Some books are really hard to review, I'm going for Lark's haiku review style:
Lost your memory? Visit the Tuscany Remember the past.
Didn't love it, but...
Read in December; blog post scheduled for March 22, 2019.
NetGalley/Thomas Nelson Fantasy/Magical Realism. April 9, 2019. Print length: 352 pages.
"Midnight at the Tuscany Hotel” is a novel filled with the light of Northern Italy. You can almost taste the wine and olives in this story. Set in a magical hotel in Southern California, the story frequently flashes back to scenes set in Tuscany. Memory and its loss form the theme of this book, which tells the story of a family dealing with Alzheimers and PTSD.
I enjoyed the setting and theme of “Midnight”. The characters were engaging, and I wanted to know what became of them. 3.5 stars, rounded up to 4!
I received a complimentary copy of this book from Thomas Nelson through NetGalley. Opinions expressed in this review are completely my own.
I enjoyed this book, and I'm grateful to NetGalley for the chance to read and review it. This is the third book I have read this year that is set in the time of post-World War II, and it is the second book that also heavily references mythology. I was drawn to VItto Gandy and felt for him and his family, trying to deal with his PTSD as well as his father's Alzheimer's, especially considering how new of a disease Alzheimer's was at the time. The descriptions of the Tuscany hotel were lush and beautiful, and I appreciated how the author did not spell everything out for the reader, but left many things open to our interpretation. I definitely recommend this book.
Honestly this book is a bit of a neither here nor there kind of a book. But that's not to say that this book wasn't well written. The writing style was quite nice and flowing. I for one love Greek mythology, or mythology of any kind but I felt there was a bit too much of it and that put me off a bit. Overall I found it to be a good book. And a big thank you to NetGalley and Thomas Nelson for giving me a chance to read this ARC in exchange of my honest review.
Love, Love, Love! James Markert is a master of imagery. You feel as though you are walking through the scenes with the characters. This book describes a bright, beautiful, vibrant hotel that has some what appears to be magical/miracle water flowing from the fountain. Tenets move into the hotel with cognitive impairments but quickly regain control of their minds. Definitely worth a read.
In short: I cannot wait to get my hands on another James Markert book. A beautiful blend of history, mythology and a timeless story makes this an unforgettable (pun intended, if you’ve read it) book. Also THAT COVER?!
Midnight at the Tuscany hotel is the first book I've read by this author. I received the book from Netgalley in exchange for an honest review. I didn't know this author or what to expect but it turned out to be a very pleasant and interesting surprise.
Midnight at the Tuscany Hotel is about the Gandi Family that in the past ran the "Tuscany Hotel", a haven for artists, authors, scientists etc who came there to be creative and forget about the rest of the world for a time.
After the second World War the hotel stands abandoned when Vittorio (Vitto) Gandy returns highly traumatized from his war experiences in Europa. He finds his wife and son fearing his erratic and sometimes violent behaviour and his father afflicted by Alzheimer. After he goes in therapy his father has some lucid moments and he reopens the Tuscany Hotel, where the water in the fountain on the Piazza brings temporary relief to those inflicted with memory loss.
Midnight at the Tuscany hotel is a beautifully written book that deals with difficult questions like quantity versus quality of life, would you be willing to shorten the life of your dear ones if that means that they will have a happy and meaningful life in the shorter period, is it better to repress traumatizing experiences or to relive them, etc.
I found the book an interesting mix of the Renaissance, Greek Mythology and life questions.
I don't usually give extremely high scores but full marks for this one. Even if you only read one book in the new year, make sure that it is this one!
“Rumor is, at the Tuscany Hotel, you forget all your worries, so your creativity can thrive,” Valerie is told in James Markert’s novel, Midnight at the Tuscany Hotel.
~ What ~ This three-hundred-and-sixty-eight-page paperback is targeted toward those who enjoy a mystical read about memory, forgetting the past, and accepting outcomes of life. Using the slang word darn, topics of physical abuse and death may not be appropriate for immature readers. The ending includes a note from the author, acknowledgments, twelve discussion questions, another book excerpt from the writer, and the author’s biography.
Set in California after World War II, this story involves shell-shocked Vitto Gandy who returns home from war as a different man. When his aging father with Alzheimer’s disease is missing, the son knows exactly where to find him – at his defunct Tuscany Hotel. Abandoned for years, the hotel that used to be a haven of creativity turns into a magical nirvana where, by drinking its fountain’s water, one’s memory is miraculously restored with a catch.
As Vitto learns about his parents’ pasts and recalls the Greek and Roman mythology he was told as a child and is displayed throughout the statues, carvings, frescos, and paintings in the hotel, he must learn to paint “the real” to find redemption and inner peace.
~ Why ~ Written with well-defined characters, the book shows how often memories fade as age overtakes, wishing there could be a make-believe antidote for the body and mind by the simple act of drinking a magical potion. I appreciated the compassion of some of the characters and how several relationships evolved and changed when memories improved.
~ Why Not ~ Those who do not like stories about mystical waters curing lost memories, humans who believe they are reincarnated gods, and mythological history should avoid this book. Some may not like that the true God, Jesus Christ, and the eternal plan of salvation are never discussed, even though there are touches of Catholicism, confessions, and requests of hail Marys.
~ Wish ~ My number one issue with this book was that its publisher, Thomas Nelson, is normally known to promote Christian concepts and themes, yet this book contains a plethora of mysticism involving gods, goddesses, and the underworld. Being a Christian, I am so disappointed in Thomas Nelson’s recent switch to these types of books that are supposedly “spiritual” without even mentioning a relationship with Jesus Christ. With the last two fictions I have read from this publisher being so far from the Truth, I am leery of reading any more of their published works so have drastically rated this one down. I did think the author did a good job telling his eclectic story; I strongly wish he took a different approach when it came to death and dying.
~ Want ~ If you enjoy a read that promotes belief in something (not Someone) while weaving a tale of memory loss and aging, this might be for you, but I found the gods and goddesses mentioned in it are not the Real Answer when searching for peace and happiness.
Thanks to Book Look Bloggers for this complimentary book that I am under no obligation to review.
The Tuscany Hotel: home of wandering souls, seeking refuge from the cruel hands of time; home of art reborn in its richest forms; home of folklore and memory, of living life at its purest. Vitto returns from war a changed man to a home where he is no longer recognized: his son thinks him a stranger, his wife is distanced, and his father no longer recognizes him. His journey, however, does not end here. One night, circumstances bring him back to the Tuscany Hotel, where he was raised in flourishes of art and music and color among artists and musicians and actors seeking inspiration--and what he comes to discover unravels secrets of his family he never knew existed.
The perfect premise. This is exactly the kind of novel I enjoy: books about a refuge, be it a town or house or hotel, for people of all walks of life and all stories, fantastical or not. Midnight at the Tuscany Hotel, from its appraisal of the fine arts and its intricate weaving of elements of Greek myth into the hotel and its residents' backgrounds, was an incredibly colorful read. Everything worked, at least for me. Markert's writing is evocative and stirring, poetic, and is overflowing with gorgeous imagery and lyrical writing. In a word, this book is rich. Even the characters themselves--like the fiery-haired Magdalena and the hammer-wielding Robert--all seemed to have stepped straight out of a Renaissance painting.
Needless to say, this would make for a stunning film. Midnight at the Tuscany Hotel was exceptionally visual, a celebration of the senses--and I enjoyed every moment of it.
I received a complimentary copy of this book from Thomas Nelson through NetGalley. Opinions expressed in this review are completely my own.
My Rating and recommendation: Since I did not finish this book I will not give a rating or recommendation as that would be unfair to the publisher, author, and even possible readers that may want to check this book out but a poor rating turned them away.
My Thoughts: I enjoyed this book and read until late 80-ish, I stopped reading because of personal views but before that I had enjoyed the book, and I liked the characters and wanted to know more. Chapter 1 opened with an extremely gripping scene of a man returning from war, which I loved! Even though I didn't finish the book I can say that I enjoyed the beginning. Plus, I fell in love with the cover but read my warnings to see if you want to read it for yourself, there are spoilers so read on with caution.
Warnings: Where to start? I was all right with the mentions of Greek gods since they're just myths . . . but when a character had memories of people from hundreds if not a thousand years before, I was disturbed. There was also the fact that the same character remembered when they were a baby, not even a few months old. I couldn't finish it after that and am sad about it as I had enjoyed the book so far otherwise. There are mentions of nude statues.
Disclosure of Material Connection: I received this book free from the publisher through the BookLook Bloggers book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”
Robert, Vitto, and his wife, Valerie were the main characters in this book. For me, this is the order of who I liked the most and formed the quickest connection towards...Valerie, Robert, and Vitto. Valerie is the glue that held the family together. She is the one that took care of Robert while Vitto was away.
Robert and Vitto had a strained relationship with Vitto dealing with PSTD and his father's deteriorating health. Robert would one moment remember Vitto but most times he looked at him like a stranger. Besides seeing this family come together in the end; it was nice to get to meet all of the other people who came to the hotel.
This is a book that many readers will enjoy. Mr. Markert pens a beautiful and heartfelt story within the pages of this book with endearing characters that will strike at your heart in Midnight at the Tuscany Hotel!
Midnight at the Tuscany Hotel starts out as a WWII story of a soldier returning home with battle fatigue, presenting an insightful look into the early treatment of PTSD. It then switches into a somewhat fantastical tale of people flocking to the Tuscany Hotel to restore their memory. Mixed in with this story is several retellings of Greek mythology. Toss in some hanging threads of a mystery and the result is an intriguing story of redemption that borders on quasi mysticism. And this is the main concern—what does the novel really want to be? Historical fiction? A tribute to Greek myths? An exploration of Alzheimer’s? A family drama? A mystical mystery? The novel is a bit of all of these becoming a melange of genres that wander, making it difficult to fully commit to the story. Likable, yet hoped for more resolution in the various stories.
I have read all James Markert's stories and I love some and not so much others. But he is always interesting. Quirky and sometimes odd story telling, he does, even a bit strange at times, but he is always entertaining. I think his first is still my favorite. *I received a complimentary copy of this book from Thomas Nelson Publishers through Net Galley. Opinions expressed here are entirely my own.
I received a free copy of this book from Netgalley in exchange for an honest review.
Midnight at the Tuscany Hotel is a story that deals with the question of whether quality of life is a better choice than quantity of life, and how our memories can help us come to terms with our past.
Plot:
Vitto is a returning WWII soldier suffering from PTSD. His young son doesn’t remember him, his wife, Valerie, is scared of his violent outbursts, and his father, Robert, is suffering from Alzheimer’s, becoming a shell of the great sculptor he used to be.
When Robert goes missing, Vitto and his wife know where to look first: the run-down Tuscany Hotel that Robert and his wife, Magdelena, built together years before as a haven for artists and creative minds to use as a retreat.
When they find Robert at the hotel, he has regained his memories, telling them that the fountain water can cure a broken mind like his. Soon, the hotel is flooded with people suffering from memory issues, and their families, looking for a way to restore their minds and their lives.
But drinking the water comes at a cost, and Robert, Vitto, and the rest of the Tuscany Hotel residents must decide whether getting their lives back is worth the price.
I wasn’t sure about this book when I first started reading it.
It has a slow beginning, and not very likeable characters. Obviously, it’s understandable that Vitto is angry and unpredictable, he’s just come back from war, and his family has completely changed since he left. His son is older than the baby he left behind and barely recognises him. And his father has lost his once sharp mind, unable to feed or clean himself.
But after the first couple of chapters, and once we’re introduced to the Tuscany Hotel, this story really begins, and the slower pace starts to work in its favour. I don’t always like slow burners, I’ve said it before that I prefer to have a book keep me on edge and up all night reading. But this book would never have worked if it was faster. The slow pace adds to the tranquillity and relaxing atmosphere of the Tuscany Hotel and pulls you deep into the character’s lives.
The beautiful writing and lyrical language also pull you right in.
The descriptions of the hotel and its surroundings almost make the setting a character in itself. The colours jump off the page and make everything all the more life-like.
I’m someone who isn’t usually a fan of long descriptions any more than I’m a fan of a slow pace, but the way Markert uses words to create atmosphere and set the scene is so beautiful it’s hard to be bored by it.
The backdrop of Greek mythology was one of my favourite things about the story.
I love a bit of mythology, and I think it’s interesting to read about the mythology of other countries. I don’t know a lot about Greek mythology (mostly what I learned from Disney’s Hercules as a kid, and I don’t know how accurate that was), so I enjoyed hearing all of the stories that Magdelena told Vitto as a kid, who then subsequently tells his own son as a way of bonding with him.
(Side note: one of my favourite parts of this book was when Vitto is telling his son, William, the story of Cronus eating his children, William’s response was ‘Eat ‘em in bites like a cookie? Or in one pop like an olive?’ That made me laugh so much!).
I’ve read a few other people’s thoughts on this book, and it seems to be agreed that Markert got the mythology spot-on, so I’m happy it was one of the things that I enjoyed.
I should know by now not to judge a book I haven’t read...
... yet I still do it.
There are elements of this book that would be considered magic-realism, and thankfully I only realised this after I started reading and was already absorbed.
I’ve read two books previously that are considered part of the magic-realism genre (or at least part-considered). The first is Love in the Time of Cholera which I hated. So much so that I didn’t even bother finishing it, and it takes a lot for me not to finish a book.
The second was The Hoarder by Jess Kidd, and I’m ashamed to say that seeing a comment on the book cover about its magic-realism elements put me off it, and I didn’t enjoy that book as much as I was expecting. I can’t say for definite that it was because of the genre, but I definitely went into the book with a negative feeling, mostly based on the fact that I hated Love in the Time of Cholera so much.
I judged that book by its cover.
So I am so glad that nowhere in the blurb for Midnight at the Tuscany Hotel did it say anything about magic-realism because it definitely would have put me off and I might not have enjoyed this book as much as I did.
So if this book gave me nothing else, it at least made me remember not to be so judgemental about genres, and to maybe give magic-realism another go (just not Love in the Time of Cholera).
Vitto Gandy has returned home from World War II, his mind ravaged by the events that have taken place overseas, things he did and did not do. Vitto returns home to a child who does not remember him and a wife who has been raising a toddler and taking care of Vitto's father, Robert who has been having memory issues- what doctors now call Alzheimer's. When Robert goes missing one night, Vitto knows that there is only one place that he would go- the Tuscany Hotel that Robert and his wife Magdalena built years ago on the California Coast as a creative retreat for artists and scientists. When Vitto and his family find Robert, he is miraculously cured. Claiming that the water from the fountain at the hotel has aided his recovery, Robert has invited others with memory issues and re-opened the hotel. Along with the inexplicable claims of the fountain, stories of Vitto's mother, Magdalena have resurfaced. An anomaly, herself, Magdalena was born with memory issues. The water at the Tuscany Hotel flows freely as more and more people show up for its medicinal properties. However, when the other side of the water's powers are uncovered, the guests will have to decide whether or not to take the good with the bad.
A mesmerizing, magical and mythological testament to the powers of memory. James Markert artfully weaves together the very real issues of post-traumatic stress disorder and Alzheimer's with the magic of miracles and the Greek mythology of Mnemosyne, the goddess of memory. From the beginning, where Magdalena is introduced at an orphanage on a stormy night, I felt invested in her story. Magdalena's character was not present for most of the story, but it was her spirit that kept the rest of the characters motivated. The Tuscany Hotel was created for artists and creators and the writing mirrored that in the descriptions of fresco's, colors, landscapes as well as the minutiae of everyday living. The power of the fountain intrigued me as well as the stories of the people that were helped. Vitto's healing was fascinating to watch as he resisted the pull of the water and looked within himself to recuperate. As Robert and Vitto were able to heal, they slowly teased apart Magdalena's past and the story behind the the fountain. Filled with more tantalizing stories that the one's she often told of the Greek gods and goddesses, Magdalena's written memories aided to unlock more than the past. Emotional and unique, Midnight at the Tuscany Hotel delivers a powerful story of love and memory.
This book was received for free in return for an honest review.
This novel is about a hotel in California that has a fountain at its center, the water from which restores the memories of those who drink from it. The water has some deleterious side effects however, so the restoration of clarity for those with dementia comes with a cost. Robert Gandy, a sculptor by trade, built the hotel for his wife Magdalena, who was born in Tuscany in 1866 but had to escape (for reasons we find out later) when she was seventeen. Along with Juba, another friend from Tuscany, the three took a boat to America and used Robert’s family’s money to build the hotel, which opened in 1887.
The Tuscany Hotel was abandoned after the death of Magdalena six years earlier, but now, in 1946, Robert, who is suffering from Alzheimer’s with intermittent moments of clarity, goes back to the hotel to finish what he considers his life’s work before he dies. Vitto, Robert and Magdalena’s son, who just came home from the war and is suffering from acute PTSD, goes after his father. He is joined by his wife Valerie, their five-year-old son William, and by Juba, who mysteriously knows they are back at the hotel.
The hotel grounds are like a museum, filled with statues of Greek gods and goddesses carved by Robert when he was younger. The walls of the rooms are all painted with pictures from the Renaissance done by Vitto when he was a small child and apparently a child prodigy. Now they all work together to restore the hotel, and Robert puts an ad in the paper declaring that the hotel is reopening. He specifically invited those inflicted with memory loss to come and drink from its magic waters.
The elderly begin flocking to the hotel. They all find their own kind of renewal at the hotel, along with some answers to the secrets that Robert, Magdalena, and Juba had been hiding all those years.
Discussion: The surprising revelations about the mysteries of the hotel did not impress me as well developed, and I found them to be absurd in any event. Also, Vitto’s war memories struck me as over the top and not at all convincing - it seemed as if the author crammed every bad thing that could have happened into this one soldier’s thirteen months at war. The subplot with the newspaper reporter seemed ridiculous as well.
None of the characters were that fleshed out; it felt as if the protagonists' lives took a back place to relating stories about the Greek gods. This overriding theme, which took up most of the narrative space of the book, was not disclosed in the publisher summary.
One must, however, give credit for the lovely cover for the book.