Time for a change follows the grumpiest, most run-down, beat-up son-of-a-gun this side of Anger from Inside Out, hating on his job, life and anything in either of them. He’s stubborn to change, but the universe has bigger plans for him. Whether he likes it or not, his life is going backwards.
The Ups
A master-class in write-what-you-know fiction
A well-balanced tone.
Terrific character development from cynicism to optimism, executed with a deft hand. You won’t even notice it happening
A genuinely heart-warming love story
The Downs
The time-travelling box mentioned in the bio (and on the cover) probably doesn’t get the time it deserves.
A touch too dreary at the start
About a third too long
It’s a Hard Read for an Office Worker (at first)
The Nitty-Gritty Down and Dirty
(What?)
I struggle to watch the first act of The Incredibles (this is relevant, I swear). The reason I struggle to watch it is because Mr Incredible has to give up his passion, his love, his heart and soul to work for an insurance company, telling little old ladies he can’t cover them. As a writer making pennies, working for an insurance company to pay the rent, the first act of The Incredibles felt too real.
I had a similar issue with the first act of Time, for a Change.
The main character of the piece is a project manager for an IT firm that doesn’t care. The cynicism leaked from the page. The monotony smacked me in the face as he – quite literally, because of the chapter-per-day formatting – did the same dead-end crap, every day for the first few chapters.
For me, it was hard to read. For others, maybe mysterious people happy with their day-jobs, it might be a breeze. It was angry and cynical, and I had fears that the whole book would be a semi-autobiographical DOWN WITH THE MAN, WRECK THE SYSTEM, WE ARE COGS IN THE MACHINE journal.
But a Trip to America Triggers Change
Once the plot kicked off, however, it picked up. Terry, our main character, gets to visit the states and immediately starts a delightful relationship with a young woman named Rachel: a bit gothic, a bit reserved, a bit spunky. In the relationship between these two, Eccles shines. The whole tone of the book lifts, this is where it’s hardest to put down. Their banter is funny and weird and believable, and it’s clear – from the moment they first meet – that this is the girl to help Terry centrally locate his excrement.
It’s a beautiful piece of contrast-play by the writer. Without Rachel, the writing sinks into a pattern of ‘today I went to work, then here’s all the dull stuff I did, then I went to my depressing home and had a depressing dinner and went to sleep – or not – at a depressing hour and repeat. However, when Rachel’s involved, it’s all top class restaurants and hotels and life-changing sex and love with someone way out of his league. There were points where I couldn’t stomach the idea of picking the book up purely because I was at a part where Terry was going to work and not getting up to much. These parts of the book were designed to make you feel like Terry. Terry’s miserable, so you will be too. It was a risky move. It paid off.
This is a love story. It’s a change-your-life story. It’s a feel-good story, even if the main character is trying to rebel against it. Eccles knows how to make two characters dig one another. These two people are years apart, and I never thought I’d believe in their relationship the way I did towards the end.
It Doesn’t Spend Enough Time With A Key Selling Point
The front cover boasts a mysterious box that could help Terry change his life. The box – while playing a touching link to the main character’s past – could be removed entirely and the plot would remain mostly intact. This is a downer for a time-travel fan. I was sure the book was going one way (as it strongly hints that it will, with some delicate thread-pulling of time-travel tropes) and then it… didn’t.
Moreover, had he removed these aspects, it would have helped the length of the book. The story could have been told in two-thirds of the time – there was fat Eccles could have cut, easily. Better yet, he could have rebalanced it: less office work, more mysterious box.
It’s Written Well
Because it’s an Indie book, there needs to be some prodding aimed at the spelling, grammar and formatting. Editors are expensive. Being an indie writer is either get rich or get good as self-editing.
Fortunately, Eccles knows what he’s doing.
In other reviews, I’ve seen chatter of glaring errors in editing. They are not glaring, because I didn’t find them. At points, the formatting was a touch confusing, but the book isn’t littered with mistakes as these reviews suggest.
It’s first-person present tense. I’m always a little wary of this because it can go badly. Eccles knows its limits, though, and keeps a tight leash on his point-of-view to limit any shaky narration.
There’s To Be a Sequel
I’m excited for a sequel (even though THE END…? is a bad way to go about such a revelation) and I’m looking forward to seeing what Terry does next.
The tagline for this book was “Can a mysterious wooden box help an IT project manager with his dead-end life?” and I feel it should have been “Can a gothic red-hot spiritualist babe help an IT project manager with his dead-end life?” While I understand it’s a much-less mysterious tagline (and the answer was always going to be WELL DUH), but it would undoubtedly have been more honest. There’s nothing wrong with a good love story.