Don DeLillo returns to the grassy knoll Viet Thanh Nguyen talks to Eleanor Wachtel Reviews by Catherine Bush, Emily M. Keeler, and August C. Bourré Pura López Colomé translates C. D. Wright Alexandria Peary’s invasive species Saidiya Hartman on beauty and the tenement Yves Bonnefoy boards Beckett’s dinghy Jan Zwicky on learning free verse’s verbal music Mark Anthony Jarman rescues a Croatian Madonna Johanna Skibsrud on fact, fiction, and atrocity Valerie Miles charts Bolaño’s America Martha Baillie finds her future self in Paris Janet Hong on the breath of haenyeo Joni Murphy praises the wave Mustapha Safadieh on violence and boredom Cheston Knapp’s best Federer Erica Johnson Debeljak on the landscape of loss Shaun Pett follows Bruce Chatwin to Athos Peter Lewis on Jim Harrison’s search for Machado Michael Redhill achieves “fame” Poetry by Natalie Shapero, Emily Dickinson, Fernando Pessoa, and Yusuf Saadi Fiction by Shailja Patel and Antonio Di Benedetto
I've never before read a journal with such a mix of pieces, styles, and musings. The editors truly try to put a lot of different voices & works together. I do think there is a certain, overall style here: a looking in that looks out while retaining a very personal feel. It a writer's journal.
This really wasn't very good at all, but it wasn't terrible: just uninteresting, unmotivational, overall left me feeling sort of stale. The art was gorgeous and the design was well done, I just did not want to keep reading after I got about halfway. Glad it was thin.