Fujio e Mitsuo sono due operai con la passione per il Jiujitsu alle prese con una violenta epidemia di zombie nella capitale del Sol levante: dovranno affrontare sfide impossibili in una Tokyo post-apocalittica governata da una società feudale che ha legalizzato la schiavitù e ha introdotto arene per incontri mortali in cui combattono zombie e umani.
Yusaku Hanakuma is a Japanese illustrator and cartoonist living in Tokyo. He studied at the premier Setsu Mode Seminar in Tokyo, and is the winner of numerous manga awards, including the GARO Magazine Nagai Katsuichi Award and the 13th Annual Manga Award for Excellence. Hanakuma is famous for his heta uma style (literally, "Bad, but Good") of kinetic and grotesque illustration, and has released numerous titles in Japan, featuring his hapless characters AFRO and HAGE ("Baldie").
In addition to his cult fame as a cartoonist, Hanakuma is a skilled martial artist with a brown belt in Brazilian Jiu-Jitsu, and writes columns on the sport for a variety of publications.
I'm just as sick of zombies as I was over vampires a few years ago but I knew this didn't apply. It's not a "take" on the genre and even pre-dated the fad. The zombies are kind of incidental- a funny way to add intense action to a purely original story and endearing about friendship and camaraderie in troubled times.
His "Heta Uma" (good- but bad) art style perfectly suits the ever-present chaos and horror.
It's REALLY really good- the plot critic in me wouldn't change ANYTHING.
First thing, if you like gross and violence just for the sake of gross and violence, meaningless death just for the sake of meaningless death; if you also like zombies, death-match and dark sense of humor, if zombie-handjob and people losing their heads don't gross you out too much. I think you will like Tokyo Zombie (sub title: Tokyo of the Dead).
The artwork is simple and sometime...to be honest, quite ugly; but strangely I still enjoy seeing 'black and white' zombies drawn with simple ink-line roaming around the streets looking for people to eat a lot. The plot are okay-ish (zombies show up from nowhere and turn Tokyo into a living hell, typical enough) and it keeps my attention for throughout the volume, and some of the humorous scenes make me laugh. That's it.
Un cómic totalmente gamberro sobre una invasión de zombies en la ciudad de Tokio. Con un estilo de dibujo que sólo se puede denominar como manga underground, la historia se va volviendo cada vez más loca hasta llegar a la apoteosis final. He disfrutado como un gorrino, absolútamente genial.
Qué burrada de historia. Qué cosa más gamberra. Si te gustan las películas de zombis con su dosis de gore, el MMA, el humor negro y las películas testosterónicas de artes marciales, este es tu cómic. Si no, mantente alejado de él. Glorioso.
Didn’t think I would like this bc I’m not a zombie guy, but turns out it’s actually just about a guy who loves jiu-jitsu with some zombies in the background. Also the art is perfect, more stuff should aim to be this crude. Someone should really reprint this.
J'avais vu le film qui adaptait ce manga avant et l'oeuvre originale est tout aussi déjantée. On suit deux gars travaillant dans une usine qui à leurs perdues s'entraînent à la lutte. Pas loin de là existe le Fuji noir, une montagne de déchets où tout le monde apporte tout ce dont ielles veulent se débarrasser. Au fur et à mesure les gens commencent à enterrer des cadavres à cet endroit. Mais un jour ces cadavres vont sortir de leur tombe et commencer à envahir la planète. Les deux gars s'en aperçoivent sans trop stresser et prennent un camion pour s'enfuir. On suit leur expédition à travers le pays à rencontrer des dangers puis à se retrouver séparés pour finir bien plus tard alors que la société a créé un nouvel ordre où les riches sont bien protégés et organisent des combats de zombies pour s'occuper. L'oeuvre est très mal dessinée avec beaucoup de génie, c'est cracra et absurde au possible, une oeuvre vraiment à part !
Chiaro, il genere di riferimento dell’autore è l’heta-uma, una corrente che adatta al fumetto l’etica del punk in musica. Il problema è che a furia di levare, qui mancano gli sfondi, le ambientazioni, le fisionomie sono ridotte all’osso, gli snodi di trama sono similmente scheletrici, i personaggi non sono per niente sviluppati. Non c’è praticamente null’altro che uno screen play con una bella copertina.
Ok, Hanakuma mirava ad altro, a una critica del sistema e dell’umanità e della morale comune e ... dopo tante esperienze in qualche modo simili ho l’impressione che questo volume, anche contestualizzato (perché è nel 1998-99, ben prima di Walking Dead) abbia davvero poca forza.
El cómic es canelita en rama, pero se me ha hecho demasiado corto. Zombies, artes marciales y un protagonista con el pelo a lo afro. No necesitas saber más.
Este manga, digamos underground, es una delicia en que los acontecimientos se encadenan con un ritmo que no cesa. Hay que tener en cuenta que Tokyo zombie se publicó originalmente por entregas en las páginas de una revista. Tal vez por eso es tan descabelladamente loco, cosa que ...more
You'll either like the jokes or think they're terrible. I thought they were terrible (particularly the oft repeated "Pig Surfing!"). You'll find the amateur art brilliant or terrible. I thought it was terrible. Half the book is wrestling matches between humans and zombies. The dialogue is awful. Feels like something a 5 year old would come up with. This is one of the worst comics I've ever read.
this has most everything one could want in a zombie comic: class warfare, pigs, martial arts, bunny masks, afros, and lots of blood. an often-hilarious tale of Tokyo gone dead and the rich person's utopia that develops. in the end, there's not enough, uh, meat in the story to keep me satisfied.
The artwork in this reminds me of a Dolan comic. It started off quite funny with zombie handjobs and random deaths but for more than half of the book towards the end is just repetitive zombie fight scenes. Still not a bad way to spend half an hour...
Excellent "avant-absurd" zombie tale (see samehat.blogspot.com). Hanakuma's visual style is every bit as good/bad as I've read. Great self-contained, gross and hilarious story.
Pretty awesome, I am not surprised they made it into a movie as it is the perfect mixture of stupid and awesome that you want out of anaction/horror movie.