The Unpast: The Actual Unconscious

by Dominique Scarfone, The Unconscious in Translation (Editor)

The The Actual Unconscious, the principal text of this collection, was the focus of the 2014 Congress of French-Speaking Psychoanalysts. Three earlier texts show the progression of his thought which culminated in "The Unpast." Scarfone's foreword to this volume begins in this Time was a somewhat neglected theme in Freud's nearly fifty-year long study of the unconscious, and he himself deplored this fact in one of his late Again and again, I have had the impression that we have made too little theoretical use of [the] fact, established beyond any doubt, of the unalterability by time of the repressed. This seems to offer an approach to the most profound discoveries. Nor, unfortunately, have I made any progress here. (1932) One can only speculate about where a renewed effort on Freud's part would have led him regarding the "unalterability by time of the repressed." In the present series of essays, that idea is embraced again, though from a different angle. Instead of subscribing to the general notion of "timelessness" regarding the unconscious, I take stock of Freud's formulation in the citation above. The "unalter¬ability by time of the repressed" points at something more dynamic or more dialectical than the blunt assertion that the unconscious is timeless. Indeed, if the unconscious were timeless, one might wonder how any part of it could be brought into a time-bound form of existence. Timelessness points to an unconscious out of this world, whereas "the unalterability by time of the repressed," suggests a different time does exist for the unconscious, but somehow the repressed is protected from its corrosive effects. The question then what makes the repressed so sturdy?

187 pages, Paperback

Published January 1, 2015

Reviews

[Matt · Rating 2 out of 5]

Read this for a class, genuinely hated most of it. Several very helpful concepts, like recognizing the way material is outside of time and the role treatment plays in connecting it, but bogged down in tedious discussion of Freud's papers without explanation of what was in the papers, so if you haven't read them, good luck. A brilliant image of interactive art at the beginning of chapter 4 will haunt me and improve my clinical work, but the ridiculous love the author has for his own word puzzle, bad enough to use it in chapters 1 AND 4, only made me hate this more.