“They’re from the United States. We’re in America!”
In 1981, the USA is in the grip of a flu pandemic. Time travel is an established reality. Frank and Polly are in love but Frank has succumbed to the flu virus and will die unless he receives life-saving treatment that is expensive and beyond the reach of Frank and Polly’s wallets. To save Frank’s life, Polly signs a contract of future servitude with TimeRaiser, the corporation that sends uninfected people to the future to work for them in exchange for that life-saving treatment for somebody left behind in a dying present. Polly and Frank set up plans to rendezvous in 1993 but Polly is re-routed to 1998. Frank is nowhere to be found and Polly discovers that her present-day country is rather different from the country that she left behind and her basic human rights are as lost to her as Frank.
Canadian author Thea Lim demonstrates an uncanny skill to convey the head-over-heels unabashed love that Frank and Polly share without even once straying into the possible pitfalls of cloying sweetness, prurient exhibitionism, juvenile silliness or self-centered jealousies. And all of that is done with a masterful grasp of the writer’s dictum, “Show, don’t tell”! For example, Polly’s aunt Donna is clearly demonstrated to be a clever fun-loving, but introverted, quiet, and self-deprecating homebody when she suggests that Polly, “Go do something daring so I can live vicariously.” So much from a single sentence!
But her unerring ability to lift a beautiful romance out of the pages of her novel is betrayed by her inability to provide an underlying dystopian narrative that is compelling, exciting, gripping and truly frightening or convincing. It’s obvious that her intent was to pen a scathing critique of the possible outcomes that the USA faces if it continues down the current roads that are being paved by white, right-wing, fundamentalist Christian hatred, misogyny, homophobia, capitalism – the basic stuff of racist Republican voters and politicians. As a reader, my reaction to Lim’s prognostications never exceeded a simple head-nodding agreement. I wanted to be angry, to be frightened, to be truly indignant … but Lim’s narrative never pushed me to those extremes.
That said, it’s a fine story with a creative underlying story line. Unquestionably, a provocative cautionary tale to 21st century USA and its current political situation. I’m glad to have read it and can recommend it to readers who enjoyed the likes of The Time-Traveler’s Wife.
Paul Weiss