In December 1944, the Ardennes Forest on the German-Belgium border was considered a "quiet" zone where new American divisions, fresh from the States, came to get acclimated to "life at the front." No one in Allied headquarters knew that the Ardennes had been personally selected by Hitler to be the soft point through which over 250,000 men and hundreds of Panzers would plunge in the Third Reich's last-gasp attempt to split the Americans and British armies and perhaps win a negotiated peace in the West. When the Germans crashed through American lines during what became known as the "Battle of the Bulge," in December 1944, thousands of stunned American soldiers who had never before been in combat were taken prisoner. Most were sent to prisoner-of-war camps, where their treatment was dictated by the Geneva Convention and the rules of warfare. For an unfortunate few - mostly Jewish or other "ethnic" GIs - a different fate awaited them. Taken first to Stalag 9B at Bad Orb, Germany, 350 soldiers were singled out for "special treatment," segregated from their buddies, and transported by unheated railroad boxcars with no sanitary facilities on a week-long journey to Berga-an-der-Elster, a picturesque village 50 miles south of Leipzig. Awaiting them at Berga was a sinister slave-labor camp bulging with 1,000 inmates. The incarceration at Berga is the only known instance of captured American soldiers being turned into slave laborers at a Nazi concentration camp. Given Up for Dead is the story of their survival. For over three months, the American soldiers worked under brutal, inhuman conditions, building tunnels in a mountainside for the German munitions industry. The prisoners had no protective masks or clothing; were worked for 12 hours per shift with no food, water, or rest; were beaten regularly for the most minor infractions (or none at all); were fed only starvation rations; slept two to a bed in ghastly, lice-infested bunks; and were never allowed a bath or a change of clothing. Of the 350 GIs in the original contingent, 70 of them died within the first two months at Berga; the others struggled to survive in a living nightmare. As the Allies' front lines moved inexorably closer to Berga, the Nazi guards forced the inmates to endure a death march as a way of keeping them from being liberated; many died along the route. Only the timely arrival of an American armored division at war's end saved them all from certain death. Strangely, when the war was over, many of the Americans who had survived Berga were required to sign a "security certificate" which forbade them from ever disclosing the details of their imprisonment at Berga. Until recent years, what had happened to the American soldiers at Berga has been a closely guarded secret.
As an art major, Flint Whitlock graduated from the University of Illinois in 1964 with a degree in Advertising Design, but has always been as much a writer as an artist. His love for military history began at an early age—fueled by his father, James, who served with the famed 10th Mountain Division in World War II. Flint also had an uncle who was a military policeman with the 1st Infantry Division and another uncle who served with the Navy in the Pacific.
Wanting to serve his country, Flint was commissioned a Second Lieutenant through the Reserve Officer Commission Training Program and entered active duty in December 1964. After attending the basic Air Defense Artillery officers' course at Fort Bliss, Texas, Flint earned his jump wings at Airborne school at Fort Benning, Georgia. He was then posted to a Nike Hercules battery in Baumholder, Germany. After two years in ADA, he received a branch transfer to the Quartermaster Corps and spent an additional year with the Supply and Maintenance Agency in Zweibruecken, Germany, where he was promoted to captain.
In 1968, Flint was transferred to South Vietnam, arriving one day before the Tet Offensive in January, 1968. He served for six months as a supply specialist at 1st Logistical Command Headquarters at Long Binh, northeast of Saigon, before being transferred to the 14th Inventory Control Center at the same post. He returned to the States in 1969 and spent a year with the 5th Infantry Division Supply and Maintenance Battalion at Fort Carson, Colorado, before resigning his commission and returning to civilian life.
After a stint as the Public Relations Director for the Denver Dynamos of the now-defunct North American Soccer League, he served as a copywriter, art director, and creative director for several major Colorado advertising agencies. While holding down these positions, he also continued to paint and write, becoming a locally prominent artist of the “photo-realist” genre. His attention to visual detail also translated to the written word, as he sought to convey the emotional and physical aspects of the soldier's experience.
To heighten his understanding of, and appreciation for, what the World War II combat soldier went through, he became involved in World War II re-enactment groups, in which he has been active for over 20 years. As a tribute to his father, he founded the 10th Mountain Division Living History Display Group in 1983 (www.tenthmountain.org). He is also a member of the 10th Mountain Division Foundation Board of Directors and the 10th Mountain Division Resource Center Advisory Committee.
Flint Whitlock lives in Denver, Colorado, with his wife, Dr. Mary Ann Watson, a clinical psychologist and professor of psychology at Metropolitan State College of Denver. They have three grown children: Gillian Lee Whitlock, an actress and make-up artist in Hollywood; Suki Montgomery, a psychologist and member of the counseling staff at Ithaca (NY) College; and Matthew Montgomery, an anesthesiologist in Denver. To keep in shape, Flint skis, referees soccer, and plays tennis.