Olivia and Viola are the twin daughters of some of the galaxy’s most renowned xenobiologists, and they’ve been hauled from planet to planet for as long as they can remember to study new ecosystems. Viola’s illness keeps her mostly bedridden, and Olivia is determined to save enough money to take her back to Earth for proper treatment when they turn eighteen. When a sketchy career opportunity opens up for their father, he unwittingly helps unleash a horrifying new species onto the planet Zagreus. As the colony rapidly descends into chaos, Olivia will have to rely on herself and her knowledge of the planet’s natural defenses to save herself and her sister. Trigger warnings: character death (graphic, on-page), parent/child/sibling death, body horror, bug horror, gore, severe injury, violence, guns, discrimination, slurs, bullying.
I’ve seen a smattering of Alien movies but have never been all that invested in the franchise, and I only picked this up because it’s Mira Grant. Many of the things I enjoy about her writing are present here, but ultimately–and it pains me to say it because I love the genre–I think the novel is hamstrung by being YA. The things I enjoyed about it are severely limited by it being for younger audiences, and the things I didn’t enjoy are very much tropes of YA as a whole. It’s unfortunate, but I accept that I’m well outside the target audience, and I hope it reaches the readers it’s actually meant for. If it leads new readers to Grant’s other novels, so much the better!
Grant excels at writing mad biology, and the details of her new alien world, Zagreus, were my favorite parts of the book. She’s in her element when she’s describing the various plants and wildlife, and it’s especially interesting to see her trying to ascribe actual biological reasons for why the Xenomorphs are made the way they are. It’s fascinating, effective, and probably difficult, given the writers back in 1979 probably weren’t thinking ‘Why would a creature evolve this way?’ so much as 'How do we make this thing as terrifying as possible?’ There’s not as much of that as I’d like, and it’s certainly not comparable to the mad mermaid biology in her adult novel, Into the Drowning Deep.
Olivia is a strong main character, and I like the way she’s forced to rely on her brains and her surroundings in order to escape the Xenomorphs, since she doesn’t have weapons or brute strength on her side. She feels realistically desperate for a teenager facing things that have easily wiped out entire populations, and it’s often luck and quick thinking that save her from a gory death. I like the idea of Viola, but she’s more of a plot device than a character, and we don’t get a lot of page-time with her. Olivia’s love interest, Kora, is… fine, but you know how I am about love interests. There’s entirely too much pining, kissing, and thinking about kissing for my tastes, and I don’t think she brings much to the table other than that. The ending is a bit vague, and after spending so much time with these characters, I would have preferred to wrap things up more conclusively. Thanks to Roberta at Offbeat YA for another wonderful buddy read!
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