La signora Désiris non si spiega alcune entrate misteriose sul conto in banca del marito. Decisa a fare chiarezza, chiama Nestor Burma. Ma quando il detective arriva a casa dei coniugi, li trova entrambi morti. Secondo la polizia il marito ha ucciso la moglie, togliendosi poi la vita: un banale omicidio-suicidio, quindi. Ma naturalmente Nestor Burma non è soddisfatto: c’è di più, sotto questa vicenda. Charles Désiris era un inventore che, tempo prima, era stato licenziato dalla fabbrica di automobili dove lavorava. Quando, per un altro caso, Burma deve trovare la sosia di un’attrice, il detective finisce in un appartamento abitato da un gruppo di maîtresse. Tra di loro trova la donna che cercava, la quale – così si scopre – è proprio l’ex amante di Charles Désiris e, poco dopo, viene rapita da due uomini… Nestor Burma questa volta si ritroverà a indagare nella Parigi notturna, fra gangster marsigliesi e maîtresse, ricatti e tradimenti, bugie e mezze verità… Il detective anarchico più scorretto di Francia torna in libreria con una nuova, imperdibile avventura.
Léo Malet est né à Montpellier en 1909. Attiré par l'écriture et l'anarchie, il décide à l'âge de 16 ans de « monter » à Paris, ou pour survivre il effectue une multitude de petits métiers. En 1930, il fait la connaissance d'André Breton et découvre le surréalisme, dont il devient un familier. Après la guerre, Léo Malet rencontre Louis Chavance qui lui suggère d'écrire des romans policiers, un genre encore inexistant en France. Malet produit alors d'alertes contrefaçons de Hard boiled américains qu'il signe des pseudonymes de Frank Harding ou Léo Latimer. En 1943, il publie sous son véritable nom, 120 rue de la gare, un roman policier très français qui met en scène pour la première fois l'illustre Nestor Burma. C'est en 1953, lors d'une promenade, que Léo Malet aura l'idée de faire de son privé un nouveau « piéton de Paris ». Le soleil naît derrière le Louvre inaugure la série des Nouveaux Mystères de Paris, un an après. Chroniques réalistes de la vie des quartiers parisiens, Les Nouveaux Mystères de Paris donnent définitivement à son personnage ses lettres de noblesse. Avec 55 titres (dont 29 consacrés à Nestor Burma), Léo Malet a bien mérité des Lettres françaises. Il est mort en 1996.
(source: Pocket.fr)
+++++++++++++++++++++++++++ Leo Malet was born in Montpellier. He had little formal education and began work as a cabaret singer at "La Vache Enragee" in Montmartre, Paris in 1925.
In the 1930s, he was closely aligned with the Surrealists, and was close friends with André Breton, René Magritte and Yves Tanguy, amongst others. During this time, he published several volumes of poetry.
He died in Châtillon, a little town just south of Paris where he had lived for most of his life, four days before his 87th birthday.
Though having dabbled in many genres, he is most famous for Nestor Burma, the anti-hero of Les Nouveaux Mystères de Paris. Burma, a cynical private detective, is an astute speaker of argot (French slang), an ex-Anarchist, a serial monogamist and an inveterate pipe smoker. Of the 33 novels detailing his adventures, eighteen take place in a sole arrondissement of Paris, in a sub-series of his exploits which Malet dubbed the "New Mysteries of Paris" quoting Eugene Sue's seminal "feuilleton"; though he never completed the full 20 arrondissements as he originally planned. Apart from the novels, five short stories were also published, bringing the total of Burma's adventures to 38.
The comic artist Jacques Tardi adapted some of his books much to the author's approval claiming that he was the sole person to have visually understood his books; Tardi also provided cover illustrations for the Fleuve Noir editions of the novels, released from the 1980s onward.
That’s it with Nestor Burma and the New Mysteries of Paris. One more of these books has been translated into English but I haven’t been able to find a copy.
This one involves a murder and suicide. Leading to the discovery of another body, the kidnap and murder of a woman, and the death of an old lady via a trap.
The books from the later '50s are not as good as the ones from the late ’40s but they are worth a read. I like the voice of Nestor Burma – his general attitude and his background. The same can be said of Léo Malet – Surrealist poet who turned to writing American style detective novels during the occupation of Paris. He then decided to stop setting the books in the USA and base them in Paris with a French detective… and French Noir was born – or should it be French Black?
Una trama molto complessa, che si mostra tale però soltanto in fase finale. Il lettore, quindi, viene quasi defraudato del piacere di potervisi confrontare. Scrittura elegante e con una nota umoristica piacevole: è un libro da ombrellone.