Jun Nagai, heir to a prominent Japanese spinning empire, takes his new English wife Kate back to Japan after some time in England absorbing Western technology. This is a marriage his arrogant and powerful mother Itsuko, who controls the family business, finds hard to accept and she sets out to destroy it. June, fighting for his independence, is pulled between the two cultures owing loyalty to both. Thrown into a strange and incomprehensible world, where the role of a wife is so different, Kate is soon stripped of all her romantic illusions. Her struggle to retain her individuality and adapt to her new environment after a shattering encounter led her to work as an interpreter. In a bar, she meets Tarnura, a business rival of the Nagais. When escaping from him, Kate finds herself in Kamagasaki, a place she thought could not exist in the modern miracle of Japan. Here she discovers Japan's race of untouchables, the Burakumi, the gangsters, the destitutes and an ancient area of prostitution like no other in Japan. Her terrifying flight through the red light district - the dustbin of a society in which failure has no place - and her recuseThrown into a strange and incomprehensible world, where the role of a wife is so different, Kate is soon stripped of all her romantic illusions. Her struggle to retain her individuality and adapt to her new environment after a shattering encounter lead her to work as an interpreter. In a bar she meets Tarnura, a business rival of the Nagais. When escaping from him, Kate finds herself in Kamagasaki, a place she thought could not exist in the modern miracle of Japan. Here she discovers Japan’s race of untouchables, the Burakumin, the gangsters, the destitutes and an ancient area of prostitution like no other in Japan. Her terrifying flight through the red light district – the dustbin of a society in which failure has no place – and her rescue by Father Ota, a Japanese Christian missionary, brings her to a new understanding of the culture she has married into.
Meira Chand is of Indian-Swiss parentage and was born and educated in London at Putney High School. She studied art at St. Martin’s School of Art and later specialised in textile design at Hammersmith Art School. In 1962 she left England to settle in Japan with her Indian husband. Although she spent several years in India in the early 1970s, she afterwards returned again to live in Japan. In 1997 she moved to Singapore, where she currently lives.
The themes of Meira Chand’s novels explore the search for identity and belonging. Five of her novels, The Gossamer Fly, Last Quadrant, The Bonsai Tree, The Painted Cage and A Choice of Evils, are all set in Japan. Contemporary India is the location of House of the Sun that, in 1990, was adapted for the stage in London where it had a successful run at Theatre Royal Stratford East. Also set in India, but in Calcutta during the early days of the Raj, A Far Horizon considers the notorious story of the Black Hole of Calcutta. Her new novel, A Different Sky takes place against the backdrop of colonial pre-Independence Singapore. The book examines an era that includes the Second World War and the subsequent Japanese occupation of Singapore, and also the rise of post-war nationalism in Malaya.
Meira Chand is an associate member of the Centre for the Arts, National University of Singapore and has been Chairperson for the Commonwealth Writers Prize for the region of South East Asia and South Pacific. She is involved in several programmes in Singapore to encourage and mentor young writers and to raise awareness in the country to the pleasures of reading. She was most recently writer in residence at Mansfield College, Oxford and also at Edith Cowan University in Perth, Australia.
An interesting find at a second hand bookstore. The novel explores the marriage of an English girl and the heir to a Japanese business empire. It is both fascinating and sad, as Kate struggles with all that it means to be a wife in old Japan. Culturally she is ill equipped to fit into a world so different to hers, and her story gives us a unique insight into Japanese life and culture.
I learned A LOT about the Japanese culture, the complexity of it, and how it experienced by an insider and then an outsider. For that I'm grateful. As litterature, I found the book less rewarding, and the ending uninspiring.