The New Selected Poems of Stevie Smith are a must have for any poetry lover!
At first unnoticed as a poet, Stevie worked in a London publisher’s office until 1953. Steadily gaining respect, Smith won the Queen’s Gold Medal for Poetry in 1969. Her poetry speaks with a fiercely comic voice, underneath which lie serious questions about contemporary life.
Her light, comic verse is characterized by her unique use of sound and meaning. Her poems-many of which combine elements from nursery rhymes, songs, and hymns are characterized by a simplicity of diction and a youthful lively wit.
Stevie Smith’s poetry is uniquely dark and comical.
I have heard that Sylvia Plath was a devotee of Stevie Smith, and in her themes of death, angst, and anti-Christianity, I can certainly see the connection. Smith’s collection is varied and bizarre. Clearly a talented poet, she is also clearly a tortured soul. A beautiful example of her work is the poem, Tender Only to One: Tender only to one Tender and true The petals swing To my fingering Is it you, or you, or you?
Tender only to one I do not know his name And the friends who fall To the petals’ call May think my love to blame.
Tender only to one This petal holds a clue The face it shows But too well knows Who I am tender to.
Tender only to one, Last petal’s latest breath Cries out aloud From the icy shroud His name, his name is Death.
Another standout is The New Age: Shall I tell you the signs of a New Age coming? It is a sound of drubbing and sobbing Of people crying, We are old, we are old And the sun is going down and becoming cold Oh sinful and sad and the last of our kind If We turn to God now do you think He will mind? Then they fall on their knees and begin to whine That the state of Art itself presages decline As if Art has anything or ever had T0 do with civilization whether good or bad. Art is wild as a cat and quite separate from civilization But that is another matter that is not now under consideration. Oh these people are fools with their sighing and sinning Why should Man be at an end? he is hardly beginning. This New Age will slip in under cover of their cries And be upon them before they have opened their eyes. Well, say geological time is a one-foot rule Then Man’s only been here about half an inch to play the fool Or be wise if he likes, as he often has been Oh heavens how these crying people spoil the beautiful geological scene.
Some of her poems are quite sharp and short, such as Some Are Born: Some are born to peace and joy And some are born to sorrow But only for a day as we Shall not be here tomorrow.
Other poems border clearly on Edward Lear-like nonsense (complete with drawings), while many poems nearly shout with anger at what Smith perceives are the lies of Christianity. These poems were quite difficult for me to read precisely because I do not feel the same way, and her poems are disconnected from me as the reader.
At her best, this collection shows Smith to be a true innovator in language and feeling. At her worst, she is nonsensical and/or vitriolic. Either way, she deserves to be read more than she is in the United States.
April is poetry month, and although I'm in the middle of a stack of books, I needed a break! Stevie Smith is such a fun poet to read, between the bizarre range of her poem subjects to the accompanying drawings.
Some are silly, some are quite serious. I loved this one:
Forgive me, forgive me
Forgive me forgive me my heart is my own And not to be given for any man's frown Yet would I not keep it for ever alone.
Forgive me forgive me I thought that I loved My fancy betrayed me my heart was unmoved My fancy too often has carelessly roved.
Forgive me forgive me for here where I stand There is no friend beside me no lover at hand No footstep but mine in my desert of sand.
An underrated poet, especially in the US. I haven't read this entire selection, but what I've read is great modern poetry. At the same time, it's kind of a counterpoint to modern poetry. You might even call it "outsider."
OK, Stevie Smith is not the best poet I have ever read and there is a small about of crap in this collection, but many, many of her poems resonate with me. I especially like her technique of seeming to praise something then undermining the praiseworthiness of that thing as the poem rolls on. She writes some very cutting and wise things about religion and there are some rather moving poems about longing. This is a good collection.
A friend lent me this collection, which I've been slowly digesting about five poems at a time for months. Truthfully, many of these poems didn't speak to me, but for every ten poems that didn't touch me at all, at least three followed that punched me square in the face. All I can say is, give this collection a chance. Stevie Smith is talented.
“A unique and cheerfully gruesome voice,” said Robert Lowell of poet Stevie Smith—and what a wit! Smith’s deceptively simple style and sing-song rhymes belie her incisive insight into societal problems and the human condition. No wonder Sylvia Plath became a fan of her poetry and sent Smith a letter in 1962, describing herself as "a desperate Smith-addict,” ironically, just a few months before she wrote her own fatal version of “Exeat.” That said, most of these poems read like ditties dashed off on a lark without the meticulous craft of her contemporaries—a cultivated style, to be sure, but pale in comparison to the likes of Dorothy Parker.
“Oh it is not happy, it is never happy, To carry the child into adulthood, Let children lie down before full growth And die in their infanthood And be guilty of no man’s blood.
But oh the poor child, the poor child, what can he do, Trapped in a grown-up carapace, But peer outside of his prison room With the eye of an anarchist?” —“To Carry the Child”
Favorite Poems: “Egocentric” “A Dream of Comparison” “Was He Married?” “Exeat” “I had a dream . . .” “To Carry the Child” “Voice from the Tomb (I)” “How do you see?”
This is the first book of Stevie Smith poems that I've read. I found myself intrigued by the drawing on the cover and the price was right ($1). I'd have to describe her style as a little darker than I like. The poems that stuck with me (some because I enjoyed, some because they were strange):
Egocentric The Reason All Things Pass I do not Speak Souvenir de Monsieur Poop Autumn If I lie down Conviction (i) The Conventionalist Dirge Happiness Do Take Muriel Out To an American Publisher Not Waving but Drowning Childe Rolandine Why are the Clergy ... ? The Past God Speaks Oh Christianity, Christianity Voice from the Tomb (4) Friends of the River Trent How do you see? Black March Come, Death (2)
Bought this book for a college class and loved it. (The book AND the class. ;) ) Smith has such a marvelous way with language. Everyone should read her poetry; at absolute minimum her Pretty. (I guess someone agrees with me, as I've spotted it in more than one high school textbook.)
This fascinating and funny poet wrote poems about everything - politics, religion, nature, herself, animals - with skill and humor. A must read for poetry lovers.