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A Position in Paris
Paris, 1919. World War One is over, and wounded hero James Clarynton is struggling to face life without one leg, one eye, and the devilish good looks he had before the conflict. Now he must pay for affection, and it leaves him bitter. He’s filling the time by writing a book—but it’s the young man who comes to type it who really intrigues him.
Edmund Vaughan can’t turn down the chance to be secretary to the wealthy James Clarynton. He’s been out of work since the armistice, and his mother and brother depend on him. But he has secrets to hide, and the last thing he wants is an employer who keeps asking questions.
As they work together, their respect for each other grows, along with something deeper. But tragedy threatens, and shadows from the past confront them at every turn. They must open their hearts and trust each other if they are to break down the barriers that separate them.
A heartwarming standalone gay romance with some dark moments along the way.
Trigger warning: the story covers the 1918/19 flu pandemic.
Edmund Vaughan can’t turn down the chance to be secretary to the wealthy James Clarynton. He’s been out of work since the armistice, and his mother and brother depend on him. But he has secrets to hide, and the last thing he wants is an employer who keeps asking questions.
As they work together, their respect for each other grows, along with something deeper. But tragedy threatens, and shadows from the past confront them at every turn. They must open their hearts and trust each other if they are to break down the barriers that separate them.
A heartwarming standalone gay romance with some dark moments along the way.
Trigger warning: the story covers the 1918/19 flu pandemic.
213 pages, Kindle Edition
First published August 20, 2018
7 people are currently reading
87 people want to read
About the author
Megan Reddaway
12 books18 followersMegan Reddaway has been entertained by fictional characters acting out their stories in her head for as long as she can remember. She began writing them down as soon as she could.
Since she grew up (more or less), she’s worked as a secretary, driver, waitress, and flower-seller, among other things, but she always has a story bubbling away at the same time.
Since she grew up (more or less), she’s worked as a secretary, driver, waitress, and flower-seller, among other things, but she always has a story bubbling away at the same time.
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Displaying 1 - 30 of 44 reviews
August 14, 2018
Real Rating: 4.25* of five
MY THANKS TO NETGALLEY FOR MAKING THIS DRC AVAILABLE TO ME.
Romantic historical novel NOT romance. Very satisfying. More when I'm not this tired.
What you will receive on August 20th for your three dollars is a well-written and historically accurate vision of post-World-War-One Paris. What you will experience, via the journal entries of the two men whose love story this is, is a wonderful and tender story of falling in love and finding your soul mate. In a time when that was both forbidden and fraught with peril, that is a whole lot to find.
My full review is up at my blog.
MY THANKS TO NETGALLEY FOR MAKING THIS DRC AVAILABLE TO ME.
Romantic historical novel NOT romance. Very satisfying. More when I'm not this tired.
What you will receive on August 20th for your three dollars is a well-written and historically accurate vision of post-World-War-One Paris. What you will experience, via the journal entries of the two men whose love story this is, is a wonderful and tender story of falling in love and finding your soul mate. In a time when that was both forbidden and fraught with peril, that is a whole lot to find.
My full review is up at my blog.
August 13, 2018
2.8 paris is not a party stars
In the aftermath of WWI, a bitter damaged british young Colonel is living in Paris; he lost one leg and one eye to the war. Rejected by his family for his inclinationations before that, now has resorted to paid lovers. To keep him distracted a friend suggest that he will write a book. Searching for secretary leads him to contract a empoverished and shy british man-Mr. Vaughan.
---------
Why do people marry? I once thought only women truly wanted that tie, and men did it because they fell in love and could not have the woman any other way. But men of our class can support mistresses, yet even the wealthiest men still marry. Is it for children, then—for the man to be sure a child is his, for the woman to know her children will be supported? Or are they seeking something more, something in the relation between the two people themselves, something almost spiritual? Does the unbreakable bond force one to plumb the depths of one’s nature, and does that make it worthwhile?
Would I wish to marry, if I felt about women as other men do? Or—inconceivable—if men could marry men, would any of us do it?
Parkin and his butler, perhaps, but they are sixty.
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Parkin indeed is one of the best :)
Narrated from the journals of both men, this could be a better story, but apart from that kind of style it lacks of time to explore the angst and struggle, to feel the pain, shame , and uncertain. There is so much backstory from both to explore and it no shows.
Nice story, could be better carry out.
+Digital arc gently provided by Netgalley and publishers. The thoughts are my own+
In the aftermath of WWI, a bitter damaged british young Colonel is living in Paris; he lost one leg and one eye to the war. Rejected by his family for his inclinationations before that, now has resorted to paid lovers. To keep him distracted a friend suggest that he will write a book. Searching for secretary leads him to contract a empoverished and shy british man-Mr. Vaughan.
---------
Why do people marry? I once thought only women truly wanted that tie, and men did it because they fell in love and could not have the woman any other way. But men of our class can support mistresses, yet even the wealthiest men still marry. Is it for children, then—for the man to be sure a child is his, for the woman to know her children will be supported? Or are they seeking something more, something in the relation between the two people themselves, something almost spiritual? Does the unbreakable bond force one to plumb the depths of one’s nature, and does that make it worthwhile?
Would I wish to marry, if I felt about women as other men do? Or—inconceivable—if men could marry men, would any of us do it?
Parkin and his butler, perhaps, but they are sixty.
---------
Parkin indeed is one of the best :)
Narrated from the journals of both men, this could be a better story, but apart from that kind of style it lacks of time to explore the angst and struggle, to feel the pain, shame , and uncertain. There is so much backstory from both to explore and it no shows.
Nice story, could be better carry out.
+Digital arc gently provided by Netgalley and publishers. The thoughts are my own+
August 9, 2018
A very sedate love story set at the end of WWI in Paris. James Clarynton survived the war, but lost a leg and an eye. He's set up in an apartment in Paris with lots of money (courtesy of a rich dead relative) but with little to actually do. His friend suggests he write a book and James engages a male secretary, Edmund, to take shorthand and transcribe.
Edmund lives a rather grim hand-to-mouth existence in Paris with his mother and brother Robby, who has tuberculosis. There is a secret about Edmund's family, and he keeps that shame very close to the chest. Edmund has his pride, if little else, and is very closed-mouth about his family and his background, and even his first name, which he doesn't share with James at first. (He goes by E. Vaughan.)
The novel is written in an epistolary style, so we get both James' and Edmund's POV throughout via their respective journals. The pace of the story is very, very leisurely as the two men work together for some time before James learns Edmund's first name, and longer as he slowly discovers more and more about Edmund's family. There are miscommunications a-plenty, and while both men are attracted to the other, it takes most of the book before they kiss, and there is no on-page sex, other than a fade-to-black scene.
I liked the historical setting for this story and James' recovery from his injuries, and how the romance between James and Edmund gently unfolds, but felt the pace was at times excruciatingly slow. Also the epistolary style added another layer of distance in the romance, since we are reading about what happened after the fact in a journal entry, rather than feeling the emotions "live."
Overall, I liked the premise of this story, and I would definitely read more by Megan Reddaway in the future, but this story didn't really come to life for me. 3 stars.
I received an ARC from the author, via NetGalley, in exchange for an honest review.
Review also posted at Gay Book Reviews - check it out!
Edmund lives a rather grim hand-to-mouth existence in Paris with his mother and brother Robby, who has tuberculosis. There is a secret about Edmund's family, and he keeps that shame very close to the chest. Edmund has his pride, if little else, and is very closed-mouth about his family and his background, and even his first name, which he doesn't share with James at first. (He goes by E. Vaughan.)
The novel is written in an epistolary style, so we get both James' and Edmund's POV throughout via their respective journals. The pace of the story is very, very leisurely as the two men work together for some time before James learns Edmund's first name, and longer as he slowly discovers more and more about Edmund's family. There are miscommunications a-plenty, and while both men are attracted to the other, it takes most of the book before they kiss, and there is no on-page sex, other than a fade-to-black scene.
I liked the historical setting for this story and James' recovery from his injuries, and how the romance between James and Edmund gently unfolds, but felt the pace was at times excruciatingly slow. Also the epistolary style added another layer of distance in the romance, since we are reading about what happened after the fact in a journal entry, rather than feeling the emotions "live."
Overall, I liked the premise of this story, and I would definitely read more by Megan Reddaway in the future, but this story didn't really come to life for me. 3 stars.
I received an ARC from the author, via NetGalley, in exchange for an honest review.
Review also posted at Gay Book Reviews - check it out!
April 27, 2020
this was excruciatingly, mind-numbingly dull.
the writing was bland and completely leeched of emotion to the point where there was absolutely no chemistry whatsoever between the characters. there was barely any plot, and the characters had no substance at all. the only vaguely interesting character was louis, and that's just because he actually showed emotion, even if he was ridiculously exaggerated and cliche.
the writing was bland and completely leeched of emotion to the point where there was absolutely no chemistry whatsoever between the characters. there was barely any plot, and the characters had no substance at all. the only vaguely interesting character was louis, and that's just because he actually showed emotion, even if he was ridiculously exaggerated and cliche.
August 14, 2018
This is a historical romance with a difference as everything is written in first person epistolary style through the use of journal entries.
It works quite well as it fits into the narrative style of this slow burn novel, set in Paris just after the end of the Great War as the powers that be came together to hash out the Treaty of Versailles in 1919.
The protagonists are a former Army Lieutenant Colonel, holder of a Victoria Cross and missing an eye and a leg for his efforts, and a young man in reduced circumstances supporting his mother and brother under strained conditions due to a family scandal.
The pace suits the period, it's sombre and languid with brief flashes of emotion and I quite enjoyed it. I think, personally, I'd have preferred there to be more time with the two men together once they'd managed to overcome their obstacles and I'd have liked a bit more on page emotional and sexual contact between them but that's just a personal choice.
What's there works for the story.
#ARC kindly provided by the author in return for an honest and unbiased review
It works quite well as it fits into the narrative style of this slow burn novel, set in Paris just after the end of the Great War as the powers that be came together to hash out the Treaty of Versailles in 1919.
The protagonists are a former Army Lieutenant Colonel, holder of a Victoria Cross and missing an eye and a leg for his efforts, and a young man in reduced circumstances supporting his mother and brother under strained conditions due to a family scandal.
The pace suits the period, it's sombre and languid with brief flashes of emotion and I quite enjoyed it. I think, personally, I'd have preferred there to be more time with the two men together once they'd managed to overcome their obstacles and I'd have liked a bit more on page emotional and sexual contact between them but that's just a personal choice.
What's there works for the story.
#ARC kindly provided by the author in return for an honest and unbiased review
August 26, 2018
I'm a sucker for a good historical MM romance, and Megan Reddaway did not disappoint in A Position in Paris. James Clarynton has been injured in World War I and is doing his best to withdraw from the world. With the loss of an eye and a leg, he's no longer the handsome rogue he was, and he doesn't know what to do with himself.
To rouse himself from his despair, he decides to write a book about the chinoiserie he inherited from his great uncle. That means he needs a secretary, and the man he hires, who will only give his name as E. Vaughn, is not only handsome but intriguing.
This is a slow-build romance. James needs time to adjust to his new circumstances, and Vaughn can't admit his attraction to James while he's still keeping so many secrets. Reddaway draws each character very clearly, alternating diary entries between the two men, so we see not only what each of them is thinking but how they react to each other. I found this a real page-turner and enjoyed seeing both men grow to the point when they are ready to love.
To rouse himself from his despair, he decides to write a book about the chinoiserie he inherited from his great uncle. That means he needs a secretary, and the man he hires, who will only give his name as E. Vaughn, is not only handsome but intriguing.
This is a slow-build romance. James needs time to adjust to his new circumstances, and Vaughn can't admit his attraction to James while he's still keeping so many secrets. Reddaway draws each character very clearly, alternating diary entries between the two men, so we see not only what each of them is thinking but how they react to each other. I found this a real page-turner and enjoyed seeing both men grow to the point when they are ready to love.
September 12, 2019
Nothing Worthwhile is Easy!
An ill-fated family, a bit of depression, and the Book all lead to a romance between Colonel James & Secretary Edmund. I really enjoyed this storyline. I liked the MCs, the setting and even the minor characters. This ebook is heavy on storytelling with just a touch of sexiness.
An aside, I would like to read the story about Claude and the American, next!😊
An ill-fated family, a bit of depression, and the Book all lead to a romance between Colonel James & Secretary Edmund. I really enjoyed this storyline. I liked the MCs, the setting and even the minor characters. This ebook is heavy on storytelling with just a touch of sexiness.
An aside, I would like to read the story about Claude and the American, next!😊
August 12, 2018
A Position in Paris is a beautiful reading experience if you love historical romantic fiction. Told through the journal writings of Edmund and James (alternating accounts) makes for a wonderful duel narrative and peek into their most personal thoughts. Author Reddaway gives us a touching love story between two men in a time that society would not accept them-- but she focuses on the love story and not on societies views. I found this to be very romantic and was pleased that it didn't get bogged down with political viewpoints-- an error that I think many writers make. There are many layers to the story that add color and depth to central plot. Of the many books I've read so far this year, this is one of the few that I will look forward to reading again.
I received an ARC copy from the publisher through NetGalley in exchange for an honest review.
I received an ARC copy from the publisher through NetGalley in exchange for an honest review.
August 20, 2018
After the loss of his leg and eye in the Great War, James Clarynton is convinced that he is useless. If it wasn’t for a sympathetic relative who left him a sizable inheritance James would be just another of the poor men left with nothing but their wounds and regrets. But all the money in Paris cannot chase away the lingering depression. In an attempt to grasp some meaning, he sets out to write a book. But with his injuries he will require a secretary to do the actual writing. On the recommendation of a friend he hires the mysterious Edmund Vaughan…who might just hold the very answer to all of James’ problems.
I think the first thing I should say in this review is that the story uses a narrative framing device that I don’t care for at all. I have a hard time really getting into books where the story is told as a series of letters or diary entries. And here both James and Edmund tell their side of the story thru their journals. While I found the actual scenes they retell to be well written, the story overall suffered from the drawbacks of this narrative method.
Mainly that there was a lot of telling in this story. Especially in regards to the romance. Instead of seeing both characters fall in love, they kinda just declare it, out of nowhere. It was hard to buy their feelings for each other because we don’t really get to see the changes they go through. Edmund does this a lot. He tends to not only declare his state of being out of nowhere, but he to change his mind on the turn of a dime. It was incredibly jarring, and at times confusing.
Not that this book was all bad. I enjoyed the setting, and the characters all had enough of a flair to make them enjoyable to read. And while I was a little confused as to why all these English people had a distinctly French mode of speaking, it did a good job of selling 1919 Paris. A bit more Hollywood 1919 Paris than I would have preferred, but still very entertaining. I would have loved to have more historical aspects filter into the main plot, but I was happy with what we were given nonetheless.
I think people who don’t find this narrative form as cumbersome as I do will have an easier time with this one. I just never got so wrapped up in the story that I was able to ignore it. This is a good story, that just didn’t work for me as well as I had wanted. Things were a little rough at times, but I still found it worth reading.
3.5 stars
This book was provided free in exchange for a fair and honest review for Love Bytes. Go there to check out other reviews, author interviews, and all those awesome giveaways. Click below.
I think the first thing I should say in this review is that the story uses a narrative framing device that I don’t care for at all. I have a hard time really getting into books where the story is told as a series of letters or diary entries. And here both James and Edmund tell their side of the story thru their journals. While I found the actual scenes they retell to be well written, the story overall suffered from the drawbacks of this narrative method.
Mainly that there was a lot of telling in this story. Especially in regards to the romance. Instead of seeing both characters fall in love, they kinda just declare it, out of nowhere. It was hard to buy their feelings for each other because we don’t really get to see the changes they go through. Edmund does this a lot. He tends to not only declare his state of being out of nowhere, but he to change his mind on the turn of a dime. It was incredibly jarring, and at times confusing.
Not that this book was all bad. I enjoyed the setting, and the characters all had enough of a flair to make them enjoyable to read. And while I was a little confused as to why all these English people had a distinctly French mode of speaking, it did a good job of selling 1919 Paris. A bit more Hollywood 1919 Paris than I would have preferred, but still very entertaining. I would have loved to have more historical aspects filter into the main plot, but I was happy with what we were given nonetheless.
I think people who don’t find this narrative form as cumbersome as I do will have an easier time with this one. I just never got so wrapped up in the story that I was able to ignore it. This is a good story, that just didn’t work for me as well as I had wanted. Things were a little rough at times, but I still found it worth reading.
3.5 stars
This book was provided free in exchange for a fair and honest review for Love Bytes. Go there to check out other reviews, author interviews, and all those awesome giveaways. Click below.
August 11, 2018
Note: I received a copy of this book from NetGalley in return for an honest review.
World War I has formally ended, but its consequences are far reaching, affecting the lives of many. James Clarynton lost a leg and an eye when a shell exploded near him, and he’s deeply depressed and unused to not being the handsome, charming man he was before the war. Edmund Vaughan has a secret, one that has its roots in the war and shame not his own, and with a mother and sick brother to look after, he needs employment. When Clarynton decides to write a book to distract himself from his depression, he hires Vaughan to be his secretary, and what starts as a professional arrangement quickly develops into the two men affecting each other’s lives more deeply than they ever thought possible.
This book was a very easy read, so much so that I finished the book in a matter of hours. I’m a big sucker for post World War I and II historical fiction novels, so this seemed right up my alley, especially since I rather prefer romance novels with LGBT protagonists. Clarynton and Vaughan’s relationship had some good tropes - a gentleman and a man of a lower class, one keeping secrets the other wants to find the truth to, a war veteran struggling with the scars internal and external that the war left him with… Plenty to like!
It was written in the form of diary entries, alternating between Clarynton and Vaughan’s points of view. While it was interesting to see where they were each coming from, I found the diary entry style to be limiting, and because of that there wasn’t enough character development. I wanted to see what happened with the relationship, but I wasn’t too invested, and I think that was because the author did a lot more telling than showing. The story would have benefited from being written in third person rather that first person epistolary. That isn’t to say, though, that I think the book was necessarily bad - I think it’s just one of those that people will either love or dislike, based on their own preferences. I would’ve liked it more if it was written to my tastes and if there were more development in the romantic relationship.
A Position In Paris is set to be released on August 20th, 2018.
World War I has formally ended, but its consequences are far reaching, affecting the lives of many. James Clarynton lost a leg and an eye when a shell exploded near him, and he’s deeply depressed and unused to not being the handsome, charming man he was before the war. Edmund Vaughan has a secret, one that has its roots in the war and shame not his own, and with a mother and sick brother to look after, he needs employment. When Clarynton decides to write a book to distract himself from his depression, he hires Vaughan to be his secretary, and what starts as a professional arrangement quickly develops into the two men affecting each other’s lives more deeply than they ever thought possible.
This book was a very easy read, so much so that I finished the book in a matter of hours. I’m a big sucker for post World War I and II historical fiction novels, so this seemed right up my alley, especially since I rather prefer romance novels with LGBT protagonists. Clarynton and Vaughan’s relationship had some good tropes - a gentleman and a man of a lower class, one keeping secrets the other wants to find the truth to, a war veteran struggling with the scars internal and external that the war left him with… Plenty to like!
It was written in the form of diary entries, alternating between Clarynton and Vaughan’s points of view. While it was interesting to see where they were each coming from, I found the diary entry style to be limiting, and because of that there wasn’t enough character development. I wanted to see what happened with the relationship, but I wasn’t too invested, and I think that was because the author did a lot more telling than showing. The story would have benefited from being written in third person rather that first person epistolary. That isn’t to say, though, that I think the book was necessarily bad - I think it’s just one of those that people will either love or dislike, based on their own preferences. I would’ve liked it more if it was written to my tastes and if there were more development in the romantic relationship.
A Position In Paris is set to be released on August 20th, 2018.
August 10, 2018
I think this may be one of those books readers either love or hate. I adored it. I cared about the characters, I liked the historically accurate style of writing, and it had all of the feels . . . and a good portion of angst, which I always appreciate.
It is set in France but it's a very British book. The characters are British, the language is British, the humor is definitely British--very dry and ironic.
Pretty much the whole story is told through the diaries of the two main characters. Because of this, it's written in the language of the period. There are no explicit scenes. One kiss is described, the rest is fade to black. Readers expecting 21st-century language and attitudes could find it overly formal and restrained, but I loved this about it.
James is a British World War One disabled veteran disowned by his titled family and living wealthy but unhappy in Paris. He decides to write a book about art to give himself something to do. For this, at the time, you needed somebody to type for you, so he hires a young Englishman (Edmund) who is in Paris for reasons he keeps secret.
James made me laugh, although he has some dark moments. He acts entitled, but he's also self-aware enough to feel badly about it when it's pointed out. He has a great relationship with his elderly servant Parkin, who has a mind of his own, and there's a lot of affection there on both sides.
Edmund is much less sure of himself, although he can be strongminded when he's clear about something. He's anxious, which is explained by his family circumstances. I thought he was adorable. I loved his little brother Robby too--I want his story next!
YMMV, so this is one where you might want to try out the "Look Inside" feature to see if you'll like it (after publication). I think you'll know pretty much right away if you will like the style or not. If you do, it's an emotional roller-coaster of a story that brings out the transforming power of love in the sweetest way.
It is set in France but it's a very British book. The characters are British, the language is British, the humor is definitely British--very dry and ironic.
Pretty much the whole story is told through the diaries of the two main characters. Because of this, it's written in the language of the period. There are no explicit scenes. One kiss is described, the rest is fade to black. Readers expecting 21st-century language and attitudes could find it overly formal and restrained, but I loved this about it.
James is a British World War One disabled veteran disowned by his titled family and living wealthy but unhappy in Paris. He decides to write a book about art to give himself something to do. For this, at the time, you needed somebody to type for you, so he hires a young Englishman (Edmund) who is in Paris for reasons he keeps secret.
James made me laugh, although he has some dark moments. He acts entitled, but he's also self-aware enough to feel badly about it when it's pointed out. He has a great relationship with his elderly servant Parkin, who has a mind of his own, and there's a lot of affection there on both sides.
Edmund is much less sure of himself, although he can be strongminded when he's clear about something. He's anxious, which is explained by his family circumstances. I thought he was adorable. I loved his little brother Robby too--I want his story next!
YMMV, so this is one where you might want to try out the "Look Inside" feature to see if you'll like it (after publication). I think you'll know pretty much right away if you will like the style or not. If you do, it's an emotional roller-coaster of a story that brings out the transforming power of love in the sweetest way.
Read
December 2, 2023DNF at 25%
Meh.
Meh.
August 5, 2018
Arc review from netgalley
This is truly unfortunate. Well this is unfortunately disappointing, extremely boring and it tries to be melodramatic but fails. The epistolary style does not work it creates an unreliable narrative that even with both mcs journals leaves very large gaps. I can see how epistolary could be very useful but not in this case. There is not enough time given to the actual relationship or courting of each other. They are separated several times which is to its detriment. The constant reprisal of cocaine addicted LouLou is more of an irritant to a story than an actual help to further along the plot. This could have been an amazing story with a well done employeer vs employee angst and drama but it just comes off sour. Complete opposite of similar books like A Gentleman's Position by KJ Charles.
If more time was given post kiss and or forming of the relationship and less truly unneeded separation I may have been more forgiving. But as it is they dont kiss until 77% and are immediately separated by LouLous antics.
What should have been a dramatic and emotional scene at the train station with the journal was ultimately lackluster. Granted i still want Parkins and Williams story in a not journal written style.
This is truly unfortunate. Well this is unfortunately disappointing, extremely boring and it tries to be melodramatic but fails. The epistolary style does not work it creates an unreliable narrative that even with both mcs journals leaves very large gaps. I can see how epistolary could be very useful but not in this case. There is not enough time given to the actual relationship or courting of each other. They are separated several times which is to its detriment. The constant reprisal of cocaine addicted LouLou is more of an irritant to a story than an actual help to further along the plot. This could have been an amazing story with a well done employeer vs employee angst and drama but it just comes off sour. Complete opposite of similar books like A Gentleman's Position by KJ Charles.
If more time was given post kiss and or forming of the relationship and less truly unneeded separation I may have been more forgiving. But as it is they dont kiss until 77% and are immediately separated by LouLous antics.
What should have been a dramatic and emotional scene at the train station with the journal was ultimately lackluster. Granted i still want Parkins and Williams story in a not journal written style.
August 20, 2018
A Joyfully Jay review.
4.25 stars
This story was a sheer delight. First, the entire yarn unfolds as a series of alternating journal entries (with at least one letter thrown in). There is a give and take between the two perspectives that really helped me relish the unrequited love themes and the shame these two character bear. The prose itself can be quite charming as well. At one point, Clarynton takes it upon himself to write a letter to Vaughan using a typewriter. Clarynton, however, is not a typist and cannot figure out how to make capital letters. Reddaway therefore writes the entire chapter without a single capital.
Instead of blinding passion, we have a slow burn between our two MCs. What I think is interesting is how the heat does not revolve around “is he or isn’t he,” but rather “will he or won’t he.” Claryndon seems subtly smitten almost from the first time he meets Vaughan. While it’s understood Claryndon/Vaughan is the ship that shall sail, the careful wording in the first several journal entries by Vaughan left me wondering if Vaughan might be ashamed of his attraction to men.
Read Camille’s review in its entirety here.
4.25 stars
This story was a sheer delight. First, the entire yarn unfolds as a series of alternating journal entries (with at least one letter thrown in). There is a give and take between the two perspectives that really helped me relish the unrequited love themes and the shame these two character bear. The prose itself can be quite charming as well. At one point, Clarynton takes it upon himself to write a letter to Vaughan using a typewriter. Clarynton, however, is not a typist and cannot figure out how to make capital letters. Reddaway therefore writes the entire chapter without a single capital.
Instead of blinding passion, we have a slow burn between our two MCs. What I think is interesting is how the heat does not revolve around “is he or isn’t he,” but rather “will he or won’t he.” Claryndon seems subtly smitten almost from the first time he meets Vaughan. While it’s understood Claryndon/Vaughan is the ship that shall sail, the careful wording in the first several journal entries by Vaughan left me wondering if Vaughan might be ashamed of his attraction to men.
Read Camille’s review in its entirety here.
November 22, 2018
** 4.5 Stars **
Wonderful read!
A Position in Paris is a Gay Historical novel (not a Historical Romance!) that evokes the damage and suffering of men returning from The Great War and the loss of youthful optimism.
It's a slow-paced tale and although it's written in diary entries which is not always immersive, Ms. Reddaway has found a way to tell the story vividly while still staying true to the diary format. There's a dual point of view which is conducive to detailed discussion of the two protagonists thoughts, feelings and emotions. I very much liked the story arc and the historical context made sense. James and Edmund are portrayed in a realistic attitude, their personalities are complex and interesting. One is too proud, the other too stubborn, plus there are untold secrets, not forgetting that they are both scared to talk to each other! The progression of these characters toward each other felt natural. I cannot but recommended this book!
Wonderful read!
A Position in Paris is a Gay Historical novel (not a Historical Romance!) that evokes the damage and suffering of men returning from The Great War and the loss of youthful optimism.
It's a slow-paced tale and although it's written in diary entries which is not always immersive, Ms. Reddaway has found a way to tell the story vividly while still staying true to the diary format. There's a dual point of view which is conducive to detailed discussion of the two protagonists thoughts, feelings and emotions. I very much liked the story arc and the historical context made sense. James and Edmund are portrayed in a realistic attitude, their personalities are complex and interesting. One is too proud, the other too stubborn, plus there are untold secrets, not forgetting that they are both scared to talk to each other! The progression of these characters toward each other felt natural. I cannot but recommended this book!
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July 26, 2018My favourite of my books! Inspired by a novel by Elinor Glyn.
Publication on August 20th.
Publication on August 20th.
August 12, 2018
Galley provided by publisher
I am the first person to admit I have a thing for historical romances (or historical fiction in general, to be completely honest with you). My favorite setting when it comes to historical fiction is easily the first half of the 20th century (I have no idea why), which is why I decided to get this ARC off Netgalley.
This book is set right before the armistice. James Clarynton is a wounded high-ranking military veteran who lost an eye and a leg due to shrapnel. He’s told by a friend to keep a diary just to fill his days with something, which leads to him wanting to write a book. In order to write said book, he asks his friend to hire him a secretary. This friend comes up with a person fit for this position: 21-year-old Edmund. While this book is set in Paris, both characters are British, and the book feels very British too. James is living in an apartment in Paris that he’s inherited from a wealthy relative and also to receive treatment for his wounds, and Edmund is already based in Paris due to him having had a position with the Red Cross there.
I think my thoughts on this book sadly can be summed up as “boring”. I had quite high expectations of this book but sadly this let me down. There were two major things that bothered me; how extremely slow paced this book was and also the format in which it is written. There’s nothing about it that I actively hate but it’s still enough to make me properly annoyed.
There are slow burn books and then there are slow books and for me, unfortunately, this book is the latter. Sometimes there’s definitely a reason for books to be slow and I love me a slow burn romance but to me, this book isn’t any of that. It’s just very slow paced and I’m honestly failing to see a reason for that. The slowness isn’t used to build up anticipation for the coming relationship; instead it’s just there. Their interest in each other doesn’t begin to build up until quite far into the book and they don’t kiss until 77%. You might wonder what happens before those 77% and honestly, not much. They work on the book and that’s pretty much it. Since the kiss happens so far into the book, what’s left of the book is pretty much spent to introduce and resolve some relationship angst. Since this book goes from kiss to angst in like, two seconds, in my opinion the angst is introduced a bit too early with pretty much no build up. Also, since this book leaves itself such short time to resolve the angst, it feels somewhat forced and I end up caring not a whole lot. I think the reason why I’m not really connecting with the story is the format, though.
This book is written as a series of journal entries and letters, mainly from James’s POV. Writing books like this is hard and I have rarely seen it done very well. Written in this style, books are constantly being forced to retell things instead of showing them as they happen, and I think that sort of takes away the reader’s involvement in a story, in a way. To me, this way of telling stories makes me feel detached which eventually leads to me not caring a whole lot about the story nor its characters in the end. I also believe the format affected the pace of this story. Since the journal entries and letters mainly are written by James, there’s not a whole lot of Edmund’s POV which leaves me feeling like there’s a huge gap from his POV. I just think a whole lot in this book could have been so much more, had you gotten to experience the drama instead of having it retold through journal entries and letters. Moreover, this book tries to be very melodramatic but sadly, I end up just not caring a whole lot for either character which I believe is due to the format of the book.
Something I did enjoy about this book was the language. James’s and Edmund’s kiss was also very cute, and I enjoyed the ending too.
I am the first person to admit I have a thing for historical romances (or historical fiction in general, to be completely honest with you). My favorite setting when it comes to historical fiction is easily the first half of the 20th century (I have no idea why), which is why I decided to get this ARC off Netgalley.
This book is set right before the armistice. James Clarynton is a wounded high-ranking military veteran who lost an eye and a leg due to shrapnel. He’s told by a friend to keep a diary just to fill his days with something, which leads to him wanting to write a book. In order to write said book, he asks his friend to hire him a secretary. This friend comes up with a person fit for this position: 21-year-old Edmund. While this book is set in Paris, both characters are British, and the book feels very British too. James is living in an apartment in Paris that he’s inherited from a wealthy relative and also to receive treatment for his wounds, and Edmund is already based in Paris due to him having had a position with the Red Cross there.
I think my thoughts on this book sadly can be summed up as “boring”. I had quite high expectations of this book but sadly this let me down. There were two major things that bothered me; how extremely slow paced this book was and also the format in which it is written. There’s nothing about it that I actively hate but it’s still enough to make me properly annoyed.
There are slow burn books and then there are slow books and for me, unfortunately, this book is the latter. Sometimes there’s definitely a reason for books to be slow and I love me a slow burn romance but to me, this book isn’t any of that. It’s just very slow paced and I’m honestly failing to see a reason for that. The slowness isn’t used to build up anticipation for the coming relationship; instead it’s just there. Their interest in each other doesn’t begin to build up until quite far into the book and they don’t kiss until 77%. You might wonder what happens before those 77% and honestly, not much. They work on the book and that’s pretty much it. Since the kiss happens so far into the book, what’s left of the book is pretty much spent to introduce and resolve some relationship angst. Since this book goes from kiss to angst in like, two seconds, in my opinion the angst is introduced a bit too early with pretty much no build up. Also, since this book leaves itself such short time to resolve the angst, it feels somewhat forced and I end up caring not a whole lot. I think the reason why I’m not really connecting with the story is the format, though.
This book is written as a series of journal entries and letters, mainly from James’s POV. Writing books like this is hard and I have rarely seen it done very well. Written in this style, books are constantly being forced to retell things instead of showing them as they happen, and I think that sort of takes away the reader’s involvement in a story, in a way. To me, this way of telling stories makes me feel detached which eventually leads to me not caring a whole lot about the story nor its characters in the end. I also believe the format affected the pace of this story. Since the journal entries and letters mainly are written by James, there’s not a whole lot of Edmund’s POV which leaves me feeling like there’s a huge gap from his POV. I just think a whole lot in this book could have been so much more, had you gotten to experience the drama instead of having it retold through journal entries and letters. Moreover, this book tries to be very melodramatic but sadly, I end up just not caring a whole lot for either character which I believe is due to the format of the book.
Something I did enjoy about this book was the language. James’s and Edmund’s kiss was also very cute, and I enjoyed the ending too.
August 27, 2018
In Paris 1919, the war is over and for James Clarynton he faces not only adjusting to civilian life again but he must do it minus a leg and an eye. Without his devilish good looks he finds himself paying for affection but it leaves him feeling empty so when a friend suggests writing a book he dives in but needs a secretary. Edmund Vaughan needs work that has been lacking since the end of the war as his mother and brother depend on him so when the need for a secretary becomes available he jumps at the position. Trust and respect between James and Edmund begins to grow into more but when trust is challenged will the pair find peace together?
This is my first Megan Reddaway read and as always a new author can be scary for some but for me its exhilerating. Not only do I have the anticipation factor of each new page but I had the added thrill of will this be an author to watch for or a one-time-wonder? Well, Megan Reddaway is definitely not a one-time-wonder for me, she has definitely found a place on my authors-to-watch list. It probably helped that the first time I read her it is a post-WW1 era story, in my honest opinion there is just not enough of that time period in M/M romance genre so I tend to grab all I come across. A Position in Paris was well worth the grabbing.
Let's take a look at our duo. You can't help but fall in love with both characters, James because he is dealing with a whole new level to living and Edmund because he is caring for his family the best way he can. They both have amazing characteristics that certainly make them adorable, loveable, and just plain likeable but they also both need to be honest with each other. Course, if they were honest with each other about everything then this would have been a very short and not too exciting story so I can forgive the not-so-honesty elements😉😉. Plus, I have no idea what its like to be a gay man in post-WW1 Europe but I imagine that added a separate level of secrecy to their lives as well.
I really won't say too much more for risk of spoilers but I will say that I found it to be refreshing that the book James is writing and Edmund is helping him with is not fiction so it is not a catalyst for their attraction. Yes, their working together helps fan the flames but the content they are writing does not, anywho I just found that to be a pleasant idea. As for the historical element, it is clear that the author has a healthy respect for the era with her attention to detail and that only heightened the reading experience for me. From beginning to end, A Position i Paris is a lovely read with just the right amount of drama, attraction, historical, and romance that kept me completely entertained.
This is my first Megan Reddaway read and as always a new author can be scary for some but for me its exhilerating. Not only do I have the anticipation factor of each new page but I had the added thrill of will this be an author to watch for or a one-time-wonder? Well, Megan Reddaway is definitely not a one-time-wonder for me, she has definitely found a place on my authors-to-watch list. It probably helped that the first time I read her it is a post-WW1 era story, in my honest opinion there is just not enough of that time period in M/M romance genre so I tend to grab all I come across. A Position in Paris was well worth the grabbing.
Let's take a look at our duo. You can't help but fall in love with both characters, James because he is dealing with a whole new level to living and Edmund because he is caring for his family the best way he can. They both have amazing characteristics that certainly make them adorable, loveable, and just plain likeable but they also both need to be honest with each other. Course, if they were honest with each other about everything then this would have been a very short and not too exciting story so I can forgive the not-so-honesty elements😉😉. Plus, I have no idea what its like to be a gay man in post-WW1 Europe but I imagine that added a separate level of secrecy to their lives as well.
I really won't say too much more for risk of spoilers but I will say that I found it to be refreshing that the book James is writing and Edmund is helping him with is not fiction so it is not a catalyst for their attraction. Yes, their working together helps fan the flames but the content they are writing does not, anywho I just found that to be a pleasant idea. As for the historical element, it is clear that the author has a healthy respect for the era with her attention to detail and that only heightened the reading experience for me. From beginning to end, A Position i Paris is a lovely read with just the right amount of drama, attraction, historical, and romance that kept me completely entertained.
August 29, 2018
A man damaged by the war with scars much deeper than what is seen on his skin. Another man struggling to help is family survive while hiding his family's secret. Together these men bring light, solace, and hope for the future, but only if they'll let go of their pride and accept the happiness on offer.
James Clarynton struggles every day. His physical pain is enormous and it's bleeding into his emotional pain. With very little will to live he's given an idea to write a book. When that endeavor brings him in contact with the shy and seemingly plain Edmund Vaughan, he finds a light in the darkness. Edmund is grateful for the chance to earn a salary that will help him support his mother and brother but is closed up tighter than a vault when it comes to sharing any of his personal information with the damaged yet alluring Colonel.
Edmund is the most frustrating with his pride, knee-jerk reactions, aloofness, and hesitation. He was also earnest and sweet to James which helped to off-set some of his less admirable qualities. Only at the very end when he finally opened up to James after James bares his soul via his journal does he begin to make up for his continual distance throughout the book.
I did like James. He was the most interesting by far with his inner struggles and his vulnerability. We get much more from him through his musings and writings and so it's easier to feel for and relate to him. Near the end when he finally figures out what Edmund needs and the eager honesty with which he opens his heart to Edmund is truly endearing. I couldn't help but hope for his every success.
Their romance was a slow-burn...incredible emphasis on the slow. While I grew quite impatient with the slowness, I actually appreciated that it was sensitive to the reality of navigating romantic relations of their type in the setting. It was believable at the same time it was frustrating. With an overall satisfying ending, the plodding feel to the writing could kind of be overlooked in favor of enjoying the story as a whole.
James Clarynton struggles every day. His physical pain is enormous and it's bleeding into his emotional pain. With very little will to live he's given an idea to write a book. When that endeavor brings him in contact with the shy and seemingly plain Edmund Vaughan, he finds a light in the darkness. Edmund is grateful for the chance to earn a salary that will help him support his mother and brother but is closed up tighter than a vault when it comes to sharing any of his personal information with the damaged yet alluring Colonel.
Edmund is the most frustrating with his pride, knee-jerk reactions, aloofness, and hesitation. He was also earnest and sweet to James which helped to off-set some of his less admirable qualities. Only at the very end when he finally opened up to James after James bares his soul via his journal does he begin to make up for his continual distance throughout the book.
I did like James. He was the most interesting by far with his inner struggles and his vulnerability. We get much more from him through his musings and writings and so it's easier to feel for and relate to him. Near the end when he finally figures out what Edmund needs and the eager honesty with which he opens his heart to Edmund is truly endearing. I couldn't help but hope for his every success.
Their romance was a slow-burn...incredible emphasis on the slow. While I grew quite impatient with the slowness, I actually appreciated that it was sensitive to the reality of navigating romantic relations of their type in the setting. It was believable at the same time it was frustrating. With an overall satisfying ending, the plodding feel to the writing could kind of be overlooked in favor of enjoying the story as a whole.
August 20, 2018
A Position in Paris is a heartwarming, moving tale of self-discovery, acceptance, and mildly taboo love in an era and locale where gay couples were barely legal and not fully accepted.
James is my favorite kind of man. Broken. Physically, emotionally, and mentally. He believes the loss of his eye and leg caused by enemy bullets in World War I have left him ugly and unworthy of a relationship he doesn’t pay for. His unsatisfying existence takes a turn for the excitable when a dear friend suggests beginning a journal and finding a passion in life.
The suggestion leads the vastly wealthy James to choose to write a book to fill his waking hours. This decision not only gives him a newfound purpose, but creates the need for a secretary to translate his notes into something intriguing to read.
Enter Edmund. Nine years James’ junior, but cloaked in mystery and bearer of his own wounds. Although they are invisible, they are no less deep. Shame and secrecy follow him, causing him to fight the growing feelings toward his employer. Edmund is certain the truth would not only herald the cessation of his desperately needed income, but also end the limited, but treasured contact he has with James.
Each man battles through their burgeoning emotions and unruly desires until they reach a fevered pitch and find themselves in each other’s arms, lost in a passionate kiss.
Sadly this lasts for an all too brief period of time and the next morning a troubled outside force rips them apart… perhaps for good.
A Position in Paris is a slow burn, historical, gay romance… so many things I love. The writing is beautiful and the craft envy-worthy. The only thing preventing me from giving this five stars is the SLOW in slow burn. I would have loved a bit more sexual tension earlier on both ends. However, I have no qualms in happily recommending this novel as a rich read that will throw you on a roller coaster of emotions.
September 8, 2018
I wasn’t sure what to expect going in, but I wound up enjoying this romance quite a bit.
The story is told in alternating journal entries by the main characters, James and Edmund. Colonel James Clarynton takes up journal writing out of boredom after he loses a leg and an eye during the Great War. To further fill his time, he begins to write a book about chinoiserie, and needing a secretary to help him type up his thoughts into a manuscript, James hires Edmund Vaughn, an attractive but rather mysterious young man. James rapidly falls for the younger man, but he’s unsure whether Edmund would want him with his scars and disabilities. Meanwhile, Edmund wants to keep his secrets from James, even though he’s attracted to him. Both men must negotiate the barriers between them, including those of class, before they can find love.
Setting the book in Paris is a smart choice by the author. The more socially permissive environment in France allows her to explore the romance between the two men without having to deal with the social and legal ramifications that would have affected them as a couple in England.
I liked both Edmund and James as characters, and the slow development of their relationship felt realistic to me with all the issues between them. James can be manipulative, but I think that’s true to a man of his class and wealth in that period. He certainly learns his lesson in the course of the book.
I’m not sure I always totally bought James’s voice. He’s a bit too breathless in describing his emotions (with exclamation points!) in a way that doesn’t quite fit with my perception of an upper-class Englishman. It jolted me out of the story at times. That’s my biggest criticism, though.
Readers looking for a good historical m/m romance should give this book a try.
A copy of this book was provided through NetGalley for review; all opinions expressed are my own.
The story is told in alternating journal entries by the main characters, James and Edmund. Colonel James Clarynton takes up journal writing out of boredom after he loses a leg and an eye during the Great War. To further fill his time, he begins to write a book about chinoiserie, and needing a secretary to help him type up his thoughts into a manuscript, James hires Edmund Vaughn, an attractive but rather mysterious young man. James rapidly falls for the younger man, but he’s unsure whether Edmund would want him with his scars and disabilities. Meanwhile, Edmund wants to keep his secrets from James, even though he’s attracted to him. Both men must negotiate the barriers between them, including those of class, before they can find love.
Setting the book in Paris is a smart choice by the author. The more socially permissive environment in France allows her to explore the romance between the two men without having to deal with the social and legal ramifications that would have affected them as a couple in England.
I liked both Edmund and James as characters, and the slow development of their relationship felt realistic to me with all the issues between them. James can be manipulative, but I think that’s true to a man of his class and wealth in that period. He certainly learns his lesson in the course of the book.
I’m not sure I always totally bought James’s voice. He’s a bit too breathless in describing his emotions (with exclamation points!) in a way that doesn’t quite fit with my perception of an upper-class Englishman. It jolted me out of the story at times. That’s my biggest criticism, though.
Readers looking for a good historical m/m romance should give this book a try.
A copy of this book was provided through NetGalley for review; all opinions expressed are my own.
August 27, 2018
4 Stars
I’m not one to read historicals all that often, at least not one this far in the past. My favorites are the 60’s to the 90’s, my co-blogger Mari is the historical fan, but after reading the blurb for A Position in Paris, I was intrigued and for the most part, I wasn’t disappointed.
I loved the telling of the story, it is written and told through alternating journal entries written by Edmund and James. Although told through these entries, the author still managed to make the story feel as if it was unfolding before my very eyes, rather than simply being told what occurred. This was an interesting and unique way of telling James and Edmund’s story.
I liked both James and Edmund, although I wasn’t sure what to make of them at first. They were both intriguing characters, who had interesting backstories. Both men had been through so much at such young ages and my heart went out to them both.
As far as the romance portion of the story, this is where it fell short for me. This story took slow-burn to a whole other level and spoiler, James and Edmund don’t get together until the very end, and then, bam the story is over.
I was so disappointed that I wasn’t given a chance to see if these men had chemistry or worked together. I also, especially as someone who has never read a story in this early of a timeframe, was interested to see how two men would make a relationship work. Although homosexuality is not outlawed in Paris, at least according to James, I can’t imagine it was accepted or easy to make a relationship work.
These are the things I was missing in this story. Still, it was an enjoyable read with not only interesting main characters, but some intriguing secondary characters as well. Although it left me wanting more, it’s still recommendable!
*copy provided by author/publisher in exchange for an honest review*
I’m not one to read historicals all that often, at least not one this far in the past. My favorites are the 60’s to the 90’s, my co-blogger Mari is the historical fan, but after reading the blurb for A Position in Paris, I was intrigued and for the most part, I wasn’t disappointed.
I loved the telling of the story, it is written and told through alternating journal entries written by Edmund and James. Although told through these entries, the author still managed to make the story feel as if it was unfolding before my very eyes, rather than simply being told what occurred. This was an interesting and unique way of telling James and Edmund’s story.
I liked both James and Edmund, although I wasn’t sure what to make of them at first. They were both intriguing characters, who had interesting backstories. Both men had been through so much at such young ages and my heart went out to them both.
As far as the romance portion of the story, this is where it fell short for me. This story took slow-burn to a whole other level and spoiler, James and Edmund don’t get together until the very end, and then, bam the story is over.
I was so disappointed that I wasn’t given a chance to see if these men had chemistry or worked together. I also, especially as someone who has never read a story in this early of a timeframe, was interested to see how two men would make a relationship work. Although homosexuality is not outlawed in Paris, at least according to James, I can’t imagine it was accepted or easy to make a relationship work.
These are the things I was missing in this story. Still, it was an enjoyable read with not only interesting main characters, but some intriguing secondary characters as well. Although it left me wanting more, it’s still recommendable!
*copy provided by author/publisher in exchange for an honest review*
August 12, 2018
4 stars
I quite enjoyed this one. I am a sucker for historical romance, and the period just after World War I is a very interesting one. So I will freely admit that I was biased to like this one just out the gate. It didn't disappoint.
Some historicals are far better than others at transporting the reader to a different time and place. This was one of the better ones. The journal format worked quite well for me in that regard. I've always had a weakness for the odd book told in letter or journal format and this one definitely successfully scratched that itch.
I liked both the main characters immensely, both of them haunted in their own ways and far harder on themselves than they needed to be. James was an intriguing mixture of confidence and self-doubt and Edmund was both naive and proud in a way that was both believable and terribly likeable.
If I had to pick out some negative points, I might say I might have liked a bit more of an interlude before the conflict, yet I can't say that it doesn't work quite well just as it is. I just might not have minded overall if the book had been a little longer.
To me this is a romance in the slightly more old fashioned sense of the word, while the desire is there and there is an erotic interlude this story seems a bit more focused to me on feelings and understandings. And in this case I found that quite positive. Overall this was a definite joy to read that took me very little actual reading time to devour and which I was thinking about even when I wasn't reading it.
It left me with a pleasantly warm feeling, and I would certainly recommend it to someone who wanted a sweet historical.
An ARC was provided to me through NetGalley in exchange for a review.
I quite enjoyed this one. I am a sucker for historical romance, and the period just after World War I is a very interesting one. So I will freely admit that I was biased to like this one just out the gate. It didn't disappoint.
Some historicals are far better than others at transporting the reader to a different time and place. This was one of the better ones. The journal format worked quite well for me in that regard. I've always had a weakness for the odd book told in letter or journal format and this one definitely successfully scratched that itch.
I liked both the main characters immensely, both of them haunted in their own ways and far harder on themselves than they needed to be. James was an intriguing mixture of confidence and self-doubt and Edmund was both naive and proud in a way that was both believable and terribly likeable.
If I had to pick out some negative points, I might say I might have liked a bit more of an interlude before the conflict, yet I can't say that it doesn't work quite well just as it is. I just might not have minded overall if the book had been a little longer.
To me this is a romance in the slightly more old fashioned sense of the word, while the desire is there and there is an erotic interlude this story seems a bit more focused to me on feelings and understandings. And in this case I found that quite positive. Overall this was a definite joy to read that took me very little actual reading time to devour and which I was thinking about even when I wasn't reading it.
It left me with a pleasantly warm feeling, and I would certainly recommend it to someone who wanted a sweet historical.
An ARC was provided to me through NetGalley in exchange for a review.
June 16, 2023
4 stars
James was wounded during the war in France, losing an eye and a leg. Because of his inclinations, his father told him that he is not allowed back in England, so he settles in Paris after a great uncle makes him his heir. In order to distract himself from how much his life has changed and what he saw and experienced during the war, James starts writing a book. Because his arm is also messed up, James needs a secretary to get it written. To that end, he hires Edmund. Edmund is a man of many secrets, and James becomes intrigued and wants to find out what Edmund is hiding. Edmund worries about what will happen to his family if anyone discovers their secrets. He needs the money to send his brother to an expensive sanitarium in Switzerland. James figures that the rest of his life will be lonely because the only men who are interested in him like to be compensated for it. Edmund admires James, but because of his family's past, he doesn't feel as though he is good for James.
This is the 3rd book that I've read by this author, and I really enjoyed it. The style felt as though it could have been written in 1919. Both James and Edmund were clearly drawn, as were the secondary characters. I did think that the near misses between James and Edmund went on a little too far, where they each thought the other meant something else and couldn't possibly have feelings for them. Altogether, this is an author I would recommend, as the style of writing changes to reflect the story being told.
James was wounded during the war in France, losing an eye and a leg. Because of his inclinations, his father told him that he is not allowed back in England, so he settles in Paris after a great uncle makes him his heir. In order to distract himself from how much his life has changed and what he saw and experienced during the war, James starts writing a book. Because his arm is also messed up, James needs a secretary to get it written. To that end, he hires Edmund. Edmund is a man of many secrets, and James becomes intrigued and wants to find out what Edmund is hiding. Edmund worries about what will happen to his family if anyone discovers their secrets. He needs the money to send his brother to an expensive sanitarium in Switzerland. James figures that the rest of his life will be lonely because the only men who are interested in him like to be compensated for it. Edmund admires James, but because of his family's past, he doesn't feel as though he is good for James.
This is the 3rd book that I've read by this author, and I really enjoyed it. The style felt as though it could have been written in 1919. Both James and Edmund were clearly drawn, as were the secondary characters. I did think that the near misses between James and Edmund went on a little too far, where they each thought the other meant something else and couldn't possibly have feelings for them. Altogether, this is an author I would recommend, as the style of writing changes to reflect the story being told.
December 29, 2018
Apologies for the delay in reviewing. I had read most of the book by early September, and just got back to it and finished it, as I've been planning to do for months.
I enjoyed the book. The protagonists, James and Edmund, had some major issues with communication, but the way their personalities were, and how their backgrounds had shaped them, it made sense that the characters would act and react the way they did. I was also interested in the sympathetic secondary characters, and how they could come to life in just a few lines.
James starts the book in a bad emotional state. In the back of the book, the author lists resources that could help a contemporary reader in a state such as that. James is recovering from physical injuries he suffered in what was then "The Great War" and is now World War I. He's in pain from the physical injuries, but is wealthy enough that he can have all the care and medical help he wants.
The Code Napoleon had modernized French law perhaps a bit more than a century previous to the time setting of the book, and relations between men were not illegal as they were in England. James didn't need to worry about that as long as he was living in France.
I thought the protagonists and their feelings came to life well in their respective journals. I appreciated getting both sides of the story.
Recommended, especially for my online friends who like historical m/m romance.
ARC received from NetGalley.
I enjoyed the book. The protagonists, James and Edmund, had some major issues with communication, but the way their personalities were, and how their backgrounds had shaped them, it made sense that the characters would act and react the way they did. I was also interested in the sympathetic secondary characters, and how they could come to life in just a few lines.
James starts the book in a bad emotional state. In the back of the book, the author lists resources that could help a contemporary reader in a state such as that. James is recovering from physical injuries he suffered in what was then "The Great War" and is now World War I. He's in pain from the physical injuries, but is wealthy enough that he can have all the care and medical help he wants.
The Code Napoleon had modernized French law perhaps a bit more than a century previous to the time setting of the book, and relations between men were not illegal as they were in England. James didn't need to worry about that as long as he was living in France.
I thought the protagonists and their feelings came to life well in their respective journals. I appreciated getting both sides of the story.
Recommended, especially for my online friends who like historical m/m romance.
ARC received from NetGalley.
August 27, 2018
Gentle, slow and somewhat inert historical romance between James, a wounded WWI colonel and Edmund, the secretary he hires to help him write the book that is supposed to give him a reason to live despite losing his leg and his eye. It turns out that the secretary is more inspiring than the book, but Edmund is shy and reluctant to talk about himself, and although James launches a campaign worthy of the British Army to win Edmund over, he hasn't reckoned with family secrets, jealous ex-lovers, and lots of stubborn pride.
A quick, predictable read with lots of pining but almost no physical heat. Neither of the MCs really came alive for me, perhaps because we only get to know them through the pages of their respective journals. I was bothered by the power differential between wealthy James and impoverished Edmund, although that troubling dynamic is finally addressed at the book's conclusion. I was also surprised at how many of James' friends seem to take his homosexuality in stride, but a little research revealed that laws against sodomy were repealed during the French Revolution, and that France has long been considered one of the most gay-friendly countries in the world.
I received an ARC of this book from Net Galley in exchange for an honest review.
A quick, predictable read with lots of pining but almost no physical heat. Neither of the MCs really came alive for me, perhaps because we only get to know them through the pages of their respective journals. I was bothered by the power differential between wealthy James and impoverished Edmund, although that troubling dynamic is finally addressed at the book's conclusion. I was also surprised at how many of James' friends seem to take his homosexuality in stride, but a little research revealed that laws against sodomy were repealed during the French Revolution, and that France has long been considered one of the most gay-friendly countries in the world.
I received an ARC of this book from Net Galley in exchange for an honest review.
October 15, 2018
Great plot/story but average writing = mildly satisfying novel
Megan Reddaway tells the story of WW I veteran James, who lost a leg and his eye to an explosion near the end of the war, and Edmund, who, along with his mom and younger brother, is haunted by impoverishment and echoes of family disgrace, with empathy and sensitivity. The plot is well crafted in terms of pacing and the rippling consequences that arise from circumstance, personality, and the interconnection between characters. But the conceit that this is a narrative through journal entry doesn't work as well as it might; the entries by each of the main characters are indistinct in terms of style, with the main difference being that the war veteran, despite his physical losses, comes across as a manipulative user for nearly half the book. The writing is mostly uninspired albeit there's some sparkle hear and there. It's all a bit of a slog at times with minimal emotional payoff, but it does finally end in something sweet and charming - with the author's intentions in writing the book being clearly authentic and heartfelt.
Megan Reddaway tells the story of WW I veteran James, who lost a leg and his eye to an explosion near the end of the war, and Edmund, who, along with his mom and younger brother, is haunted by impoverishment and echoes of family disgrace, with empathy and sensitivity. The plot is well crafted in terms of pacing and the rippling consequences that arise from circumstance, personality, and the interconnection between characters. But the conceit that this is a narrative through journal entry doesn't work as well as it might; the entries by each of the main characters are indistinct in terms of style, with the main difference being that the war veteran, despite his physical losses, comes across as a manipulative user for nearly half the book. The writing is mostly uninspired albeit there's some sparkle hear and there. It's all a bit of a slog at times with minimal emotional payoff, but it does finally end in something sweet and charming - with the author's intentions in writing the book being clearly authentic and heartfelt.
September 9, 2018
2.5 stars
This should have been great. I love a tdh, tortured soul, scarred hero. It's just a thing I love. What I don't love is when an author makes a hero like this "fixable". Is the psychology behind wanting-to-be-fixed worth exploring, and worth working into a story? It can be, when done right. But here tbh it read (imo) as "hero is fixed, and is now lovable". Even though that wasn't necessarily projected by the 2ndMC, the 1aryMC clearly felt this way and there was no real work-through of these emotions between the two of them.
In short, the story ... and relationship... was beautifully set up, but around 30% it started to go off the rails into missed-opportunity-vile.
Things I loved: 1) The historical accuracy. Beautifully done. Of note, my beautiful great grandmother was a TB victim and this topic is close to the heart. 2) the fact that their relationship wasn't complete trope, and took a couple of unexpected turns. 3) the fact that it actually worked out in a realistic manner.
Otherwise, it was mostly a miss for me unfortunately.
This should have been great. I love a tdh, tortured soul, scarred hero. It's just a thing I love. What I don't love is when an author makes a hero like this "fixable". Is the psychology behind wanting-to-be-fixed worth exploring, and worth working into a story? It can be, when done right. But here tbh it read (imo) as "hero is fixed, and is now lovable". Even though that wasn't necessarily projected by the 2ndMC, the 1aryMC clearly felt this way and there was no real work-through of these emotions between the two of them.
In short, the story ... and relationship... was beautifully set up, but around 30% it started to go off the rails into missed-opportunity-vile.
Things I loved: 1) The historical accuracy. Beautifully done. Of note, my beautiful great grandmother was a TB victim and this topic is close to the heart. 2) the fact that their relationship wasn't complete trope, and took a couple of unexpected turns. 3) the fact that it actually worked out in a realistic manner.
Otherwise, it was mostly a miss for me unfortunately.
June 27, 2019
Set in Paris 1919, wounded World War I veteran, James Clarynton lost a leg, an eye and his looks in the war. He is bitter and is now forced to pay for his affection. He buries himself in writing a book and hires Edmund Vaughan as his secretary. As the two work closely together, they become closer and they begin to feel something deeper than just a growing respect. But each has a few secrets and when they come to light, tragedy strikes and they must trust each other if they are to have a future.
Written as journal entries from both men, we are privy to each one's inner most thoughts. Unfortunately, neither man expresses those feeling to the other one leading to misunderstandings and confusion on both parts. It was amazing to experience their growing affection and finally love for each other. You also wanted to yell at them to wake up before it was too late. How they come together is incredible but to find out you will need to read this wonderful book. You will be glad you did.
Written as journal entries from both men, we are privy to each one's inner most thoughts. Unfortunately, neither man expresses those feeling to the other one leading to misunderstandings and confusion on both parts. It was amazing to experience their growing affection and finally love for each other. You also wanted to yell at them to wake up before it was too late. How they come together is incredible but to find out you will need to read this wonderful book. You will be glad you did.
August 27, 2018
A wonderful story. I found this historical romance deeply moving and sweet. The characters felt authentic to the period, and distinct and interesting. It was a calmer sort of story, but with so much emotion I was very engaged! Not a lot of explicit content, which I prefer anyway. (I like it when the authors focuses mainly on the feelings and interactions of the characters.)
As well, the story didn't revolve around self-hate over being gay. There were lots of things the characters deal with, but that element never dominated the story. Both characters more or less accept themselves for most of the book. Their challenges are related to love, openness, healing, etc.
I'm not making it sound as good as it is. If you like a heartfelt romance, I highly recommend this one. I really connected with it.
As well, the story didn't revolve around self-hate over being gay. There were lots of things the characters deal with, but that element never dominated the story. Both characters more or less accept themselves for most of the book. Their challenges are related to love, openness, healing, etc.
I'm not making it sound as good as it is. If you like a heartfelt romance, I highly recommend this one. I really connected with it.
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