Well done, Jakes. I was waiting for this series to become as horrible as the "Kent Family Chronicles," and, lo and behold, you delivered in the third book. Congratulations on this dubious achievement.
Charles Main is the main (ha, ha) character in this book, so much so that the other characters' parts are significantly reduced. The only character who comes close to having as many chapters as Charles is Madeline. The others, including the characters I liked, have disappointingly small roles: it seems like Jakes just didn't care about them. George? Three chapters plus the epilogue. Cooper? Barely two chapters; most of what he does is told secondhand in Madeline's journal (more on Cooper later). Ashton? Four or five chapters. Virgilia? Maybe three chapters. Brett and Billy only appear briefly before they're shunted off to California, then return for the 1876 Centennial with a bunch of kids. You get the idea.
For practically the whole book, it's just Charles, Charles, Charles. Charles visiting his son. Charles becoming a trader. Charles being racist against Native Americans. Charles participating in a slaughter of Native Americans (likable, isn't he?). I was indifferent to him in the first book, sympathized with his trauma in the second book, and got thoroughly sick of him in this book. Jakes also introduces a new character: Charles' new love interest, Willa Parker, who's probably the closest thing to a Mary Sue you'll find in a historical novel. She's beautiful, an exceptional actress, is always participating in causes, has very modern views on Native Americans and relationships, everybody she meets loves her...and all at the tender age of nineteen. And yes, all Jakes' male characters' love interests are annoyingly perfect (I'm looking at you, Constance), but at least they're the same age as their lovers or husbands, and they mature and change at least a little. Willa is ten years younger than Charles, and Jakes is always gushing, via Charles, about how mature and sophisticated she is; clearly, to Jakes, she doesn't have to grow and change. I could not bring myself to care about her and actually hated her at times, though not as much as I hated Charles. And this was the character Jakes replaced Judith, Constance, Virgilia, and Brett with. He actually expected us to love this stupid character over the characters we'd gotten to know over the trilogy.
Speaking of Constance, she dies in this book, in a way that disgusted me. Bad enough that Jakes brought back Elkanah Bent in the first place (seriously; he practically died in Book 2. Leave it at that, Jakes), but Bent murders Constance. He climbs through her bedroom window, threatens her, questions her, slits her throat, and writes his name on her mirror in blood (yes, really). And that's how Constance's life and character arc end. No farewells, no fanfare, no reflections on her happy life with George: just a brutal throat-slitting. I'm just thankful Jakes didn't make Bent rape her.
There are more wonderful moments. How about Stanley shoving Isabel against a wall and it being treated as okay? (Hey, she was a "shrew" and a "harpy," so she had it coming, right?) How about detailing the terrorism of the KKK and focusing more on how they threaten Madeline, a white octoroon, than on the hundreds of black people they've probably killed? How about Cooper's fifteen-year-old daughter marrying a 24-year-old soldier and it being treated as sweet and romantic?
But what made me angriest is how Jakes treated Cooper. You know, Cooper, the first Main to realize what was wrong with the Southern way of life? The same Cooper who was completely anti-slavery? He's so out-of-character in this book that he could have been written by a teenage fanfiction writer. He's a racist Southern Democrat who hates Yankee soldiers and freed slaves, works hard to drive carpetbaggers out of South Carolina, and is shocked (shocked, I tell you!) when white men give up omnibus seats to black people or when black people show up at the South Carolina legislature. Unless you go through a traumatic incident, you do not suddenly change your political beliefs like that. I don't care if people get more conservative as they get older; you don't do that. I don't care if Cooper's son died in the previous book, because the last book showed that he was healing from the trauma and becoming himself again--and then he does a 180 in this book. And yes, I know Virgilia becomes more mellow, but she doesn't change her politics: she still believes in equal rights for black people and even marries a half-black man. If Cooper felt apathetic, or if he was struggling between his previous beliefs and his grief at the South's destruction, that would be one thing. But no: we're actually supposed to believe he wants previous slaveholders back in power.
George even says, "I've known for a long time that Cooper was a Main in name only." A long time, huh? Was it back when Cooper finally left the plantation thanks to the brutal treatment of a slave? Was it when he married Judith, an anti-slavery Unitarian? Was it when he was full of grief about secession? Was it when he sheltered Brett when she wanted to marry a Yankee soldier? Why do I get the feeling Jakes forgot Cooper's previous characterization?
And what about Judith? At least in the second book, she argued with Cooper about his behavior. Here, she's a good, submissive little waifu who apparently stays with him no matter how atrociously he behaves. Apparently, she's stuck with him, when she could flee to Mont Royal for shelter or live as an independent woman. And the rest of the Mains and Hazards just abandon her. They don't invite her to the Centennial, they don't offer to take her to Pennsylvania or Mont Royal, they don't even write to her. Forget Cooper's or Ashton's hatred of their family and the Hazards; Judith should be the one who hates the Mains and the Hazards. A**holes.
After a blandly awful first book and a decent second book, I didn't think the third book would drive me into full-blown fury. But Jakes surprised me. He managed to write a third volume that I hated as much as the "Kent Family Chronicles". The only way to make this book tolerable is to pretend it doesn't exist. The series ended with "Love and War," and that's that.