Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . To better understand the possible futures of art, you need to know the stuff in this book. - Sarah Cook, new media art historian, curator and co-author of Rethinking Art after New Media. In the 1960s many artists, composers, musicians and architects began to embrace open systems that emphasise organism over mechanism, dynamic processes of interaction among elements, and the participants role as an inextricable part of aesthetic experience. This anthology traces this radical shift from its roots in systems and information theories, cybernetics and artificial intelligence to current cutting-edge science. It also explores the ways in which systems-based art projects can create self-generating entities and networks, alter our experience of time, change the configurations of social relations, cross cultural borders, and interact with threatened ecosystems. Artists surveyed Roy Ascott, Brian Eno, Frank Gillette, Hans Haacke, Newton Harrison & Helen Mayer Harrison, Ken Rinaldo, Toms Saraceno, Sonia Landy Sheridan, Christa Sommerer & Laurent Mignonneau, Woody & Steina Vasulka, Stephen Willats and Iannis Xenakis. Writers Jack Burnahm, Geoff Cox, Boris Groys, Francis Halsall, N. Katherine Hayles, Caroline A. Jones, Bruno Latour, Niklas Luhmann, Humberto Maturana, William J. Mitchell, Nick Prior and Francisco Varela.
Although I was expecting more recent texts, it is a formidable historic panorama on the subject. The editor did well chaining articles from some authors and showing later developments quoting those same articles.