The muted watercolors in this graphic novel paint the world of eastern European totalitarian state, trying very hard to be modern suppressing individual freedom. It feels as though it was set in the past (dial up phones, no internet or computers) so maybe 60s or 70s, and gives me some of the bureaucratic vibes of a state like cold war era Romania, Syria under Assad, or Iran after the fall of the Shah. From the obscurity of a languishing northern seaside town, Francesca (a landscape painter of no particular renown) is plucked to paint the mural in in the capitol's newest edifice to the greatness of the state--a pool and fitness center that is supposed to be a shining beacon of the nation's advancement. Francesca's confusion and frustration with her increasing difficulties with the censors, and as the government continues to shine a spotlight on her, they grow more paranoid. Francesca slips unconsciously into the very types of rebellion the government is trying to prevent. The suppression of controversy stifles her art as she tries, and fails, to please the people in power. I felt all of the characters were well rounded, and the pathos just the right amount. Is obedience the answer? Is rebellion the answer? Can you ever control the message of an artwork?