The war experiences of a young Ukrainian woman fighting for the Soviets in World War II, told from her point of view.
Packed with lots of history and information, this graphic novel is an exciting and engaging treatment of this topic (WWII from the viewpoint of a young Ukranian woman who drives tanks in battle) - from start to finish. VanSant pulls no punches in this story. The reader sees and reads about the despicable mistreatment of citizens caught up in the war zone, the casualties to soldiers in explosions and gunfire, the intimacy of upper level officers (who often took on "camp wives"), and the hatred for others because of their ethnicity or religion. None of this is gratuitous, rather these serve to pull the story along. He very carefully explains technical jargon and strategies in terms that are understandable for the layman within the story. Katusha begins as an empathetic, naive young woman and is transformed into a hardened soldier, willing to follow orders yet maintains her humanity. It is amazing to see this strong woman grow in self-confidence as her family is separated during the war, reunited at times, and ultimately move on with her life after the war. After the family is separated, VanSant brings readers up to speed on each by weaving in a few pages about her mother, her brother Vasily, and her friend Zhenya in "meanwhile" updates through the second half of the book. This reader wished you had not included the flashforward on p. 542; it was jarring and serves as a spoiler about Katusha's future (she lives) and could have been inserted between the raising of the Soviet flag on p.599 and before we learn about the futures of people Katusha fought beside on p. 560.
VanSant's artwork is outstanding. I was able to identify characters not only through the text, but visually. Incredibly, several frames are photo-realistic. I felt visually transported to a different time and place -- like a fly on the wall. The inclusion of maps of the areas described in the story was helpful to see relationships in direction and distance between cities and rivers. Also, by including some Russian and German words within the text (often with translations), a sense of "place" was reinforced.
I hope when this is reprinted, a few errors are corrected. First, the city of Kharkov in the story is identified as "Kharkiv" on maps; while both spellings are correct, they should match in the book. Also, on the first map (opposite the title page), shouldn't the country be labeled "Soviet Union" or "USSR" -- not Russia -- since these events are taking place in the 1940's? It is correctly labeled on p. 2. On p. 188, the name of Stalingrad is incorrectly written on the sign; the 4th letter should be an "L", not a lower case English "n", as in Сталинград - disregarding that there is a mix of upper and lower case letters on the sign. On p. 304, there is a typo in the text box at the bottom of the page; it should read "pride was restrained" (not "restrined"). On p. 348, wouldn't Milla have called the German soldier an idiot/moron/dumb ass in Russian or Ukrainian - "ідіот" or "дурна дупа" -, rather than using the German "dumbkauft"? If you meant it as an insult to the German spoken in German, it is misspelled and should be "dummkopf".
I celebrate this book's publication, as there is precious little available in the U.S. on this topic, much less written for readers young adult - adult. This would be an outstanding title for a book discussion.
Highly recommended for grades 10-adult. Librarians should note a few illustrations show naked backs, bottoms and breasts of characters and includes some swearing in context.