The transformative power of friendship, storytelling, and writing are the themes of this insightful and rewarding coming-of-age novel for older girls. It’s 1972, and twelve-year-old Joan has just moved to California from Connecticut. Her dad has started a new job in San Francisco, while Joan, her brother, and her mother attempt to settle in at their new home. It’s a challenge for all of them. Joan’s dad is an irritable, driven, and generally angry guy, more committed to his job than his family. He may have been eager to move from one coast to the other, but no one else apparently was. There’s a lot of tension in this family, and Joan’s parents argue a lot, ostensibly over money. Author Pat Murphy doesn’t overdo the dysfunction, however. Both parents show concern for Joan, and though dad is a less sympathetic character than mum, there’s nuance in the portrayal of each.
Joan tries to assist her mother with unpacking boxes and getting the new house in order, but when she breaks a glass tumbler, her mum sends her out to explore the neighbourhood. There’s a wild area at the back of the property, including an old orchard, a wooded space, and a creek. Joan goes down an old dirt road and encounters something else: a very unusual “wild girl” Not quite a feral child, Sarah, refers to herself as “The Queen of All the Foxes” or “Fox”, for short—not in the informal North American sense of an attractive young girl, but in a kind of imaginative identification with a light, clever creature of nature.
Joan and Fox hit it off right from the start. Fox paints Joan’s face with the same clay markings that she wears. For Fox, “war paint” sends the signal that she’s not to be messed with. She sees this as necessary because neighbourhood kids taunt her and vandalize her “outdoor living room” with its armchair and shelves for crockery positioned in the lower branches of nearby trees. Reticent, obedient Joan, who has learned over time to blend in (mostly so she won’t set off her angry dad), is emboldened by the clay face markings. She also takes the name of a wild creature, a mutable one: “Newt”.
Fox has family troubles of her own. Some years back, her mum abandoned her and her dad, Gus, a pierced and tattooed sci-fi writer. Not long after, father and daughter moved to the ramshackle old house left to them by Gus’s uncle. Gus is an easygoing philosophical guy, who offers Joan another type of parental support. He introduces her to the idea of keeping a journal. Writing things down, he tells her, helps a person figure out how she feels.
When the girls start school in the fall, Joan sees just how far on the periphery Fox is. Joan is a good student and she takes Fox under her wing, helping to integrate her a little more into school life. The two write a fantasy story together, based on their own biographies. Their work is noticed by a Berkeley creative writing teacher, and a summer course with this eccentric young woman helps the two understand how observing and thinking like a writer can help them negotiate the challenges in their own lives. Noticing, questioning, and recognizing the subtext in the things people argue about prove to be very helpful skills.
I think this is a fine piece of work. Obviously geared towards girls from about ten to thirteen, like the best children’s literature, it resonates for older readers, too. I’ve had this book sitting on my shelf for years. I’m glad I finally got to it.