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G. K. Chesterton's fictional amateur detective, the genial Father Brown, was greeted with huge enthusiasm when he first appeared in The Story-Teller magazine in 1910. Depicted with Chesterton's characteristic elegance and wit, this unworldly but perceptive priest-sleuth soon became a major figure in the world of whodunit fiction and continues to charm readers today.
This anthology contains 24 Father Brown short stories, including 'The Blue Cross', 'The Secret Garden', 'The Wrong Shape', and 'The Three Tools of Death', in which the unassuming Father exercises his formidable powers of intuition and analysis to solve a range of crimes.
470 pages, Kindle Edition
Published July 31, 2018
This was a strange collection for me, and I think explains Chesterton a bit better, to me at least. The only other Chesterton I've read is The Man who Was Thursday which has the subtitle of "A nightmare" and that is how it read for me, not necessarily "scary" or "unnerving" just extremely disjointed and confusing. With the first, I would say third of this book I had the same feeling, I couldn't follow the story very closely (in generally I "see" books I'm reading as movies in my head, but these were more like sketchy stage plays, I could follow a section of dialogue, but when the scene changed or something else happened I would be lost) and just found the story a little confusing with no chance of figuring out the mystery. Then, right around The Sins of Prince Saradine something clicked and they were clear again! Which makes me very curious if Chesterton got a new editor or a fellow Inkling stepped in to help him polish his style more or some such at that time... or if my brain just adjusted to his style. The upshot being, at the beginning of the book, I didn't intend to continue reading Father Brown stories, but now I do!
Content notes: Mild, occasional British swearing, mostly just stated that a character swears; some offensive/derogatory language either from unlikable characters or because the word's meaning has changed, so was not meant to be offensive but would be considered so now. Affairs and romances are discussed, but never luridly. If the mystery involves a death, the method of death is described and sometimes characters are killed on page, but though detailed descriptions are included they are not graphic.