Just before he reached the cathedral square, he came across the tall medieval building which housed Eborby Old Books. As he stepped inside the dimly lit shop with its uneven floors and mysterious crooked staircases leading upwards to more delights, he felt a thrill of anticipation – the thrill of the hunt.
In the second of the DI Joe Plantagenet murder mysteries, set in “Eborby” (Eboracum being the Saxon name for the settlement that became York), Joe and DCI Emily Thwaite and their team investigate the murders of two young women found strangled, the big toe amputated and a vintage doll left at the scene, closely resembling the unsolved Doll Strangler murders in the 1950’s, at Singmass Close, the former site of a Ragged School and old doll hospital. The original killer had taken four victims and suddenly stopped, the details never fully released to the public. So how had the copycat killer known? To find out, Joe must comb through the case files of the original unsolved crimes, to see what was missed.
The name of the recent victim, teenager Karen Strange, is found with her bag, but in the first twist in this serpentine story Karen is alive and well, the dead girl identified as her friend, Natalie Parkes, both attending the same private school, identical handbags somehow switched. Joe is sent a book on the original Doll Strangler case and tries to find the author. From there it gets murkier, further complicated by the disappearance of Michele Cardin, catching a train to London, only belatedly reported missing by her businesswoman mother.
It’s a hallmark of Kate Ellis’ writing that the identity of the copycat killer is not revealed until the very end (I never guessed it), the detectives running in ever-decreasing circles, along with a supernatural element in keeping with one of the most haunted cities in Europe. The personal lives of Joe - (who trained for the priesthood) and Emily (struggling to balance work/family pressures, but with an understanding husband) - are there, but not allowed to undermine the investigation, the local accents thick but not impenetrable. Overall, a fine read, and I will search out more of her work.