The Mammoth Cheese is a good illustration of an ambitious mess being more interesting than a safe success. Say what I will about the somewhat long and meandering narrative, Sheri Holman, at the very least, never bores me!
In the backdrop of rural Three Chimneys, Virginia, Sheri Holman tackles no less than (and in no particular order): politics and media, the value and drawbacks of tradition and community, and the meaning of "rebellion" in everyday contemporary American life. These themes emerge from a many plot threads concerning various residents of the town, involving, at various points: fertility-drug-induced multiple births, Jefferson impersonators, the Civil War legacy of the South, the 'organic' movement, and cows.
Lots of cows. This is a good thing, actually, as Holman's got a great sense of place and fitting her characters to their place. I definitely felt like I knew intimately the ins and outs of independent dairy farming and small-town pastor brownnosing and-- and more simply summarized the burdens of living in a community where tradition is so fatalistic. Her many characters are excellently drawn individually (and I note a particular skill with developing insidiously repellant villains), though she struggles somewhat when they interact.
As in The Dress Lodger, Holman's most obvious weakness is the jarring tonal clashes that result when her plot threads finally collide. At these moments of conflict, her authorial voice often slips--here, Margaret's ideals of clean living sometimes become tract rather than commentary-- or the drama of the moment overwhelms logical plot progression (especially noticeable away from the Dickensenian sensibility of Dress Lodger). Yet despite these flaws, the ambition of Holman's undertaking is at times breathlessly exciting, and her patience pace yields moments of real dividends. I'll definitely by following what Holman writes next. Rating: 3 stars