From the ForewordThese pieces are selections from work done in the Thirties, a decade so changeable that I at first thought of assembling them under the title, "While Everything Flows." Their primary interest is in speculation on the nature of linguistic, or symbolic, or literary action--and in a search for more precise ways of locating or defining such action. Words are aspects of a much wider communicative context, most of which is not verbal at all. Yet words also have a nature peculiarly their own. And when discussing them as modes of action, we must consider both this nature as words in themselves and the nature they get from the non-verbal scenes that support their acts. I shall be happy if the reader can say of this book that, while always considering words as acts upon a scene, it avoids the excess of environmentalist schools which are usually so eager to trace the relationships between act and scene that they neglect to trace the structure of the act itself.
I read this the first time when taking a PhD level class in rhetorical criticism at Indiana University in 1998. My first copy burned up in an office fire and I decided it was worth buying and reading again. Still interesting and challenging material. Although my field is theology and not primarily language it has a lot offer that relates to my work. Glad to have it back in my life.
In the long essay from which the book takes its title, Burke, a historical materialist, analyzes stylization in linguistic communication (including literary discourse) in terms of a variety of contexts, such as human biology, social groups and individual psychology.
Great literary criticism. I feel as if he sometimes muddled his points and occasionally described them in a too abstract and techincal way, yet they were solid and well-defended nontheless.