Jessa Meats is -- words fail me. I’ve been working on this review for days and I’m not sure I can encapsulate how much I feel about this book, nor how highly I can commend the author’s work. To start, it was a riveting read, with hopping narrative tension and great pacing. I fell in love with Crystal, and my heart ached for Thomas. I read a couple of other books, then circled back, and read it again.
Having slavery, rape, racism, and torture all in one book is a big ask for a lot of authors, but the way these themes are handled is with dignity and respect -- and a deft hand. The PTSD of characters is handled well, and both the overt anti-racism/social justice themes and the deeper themes of trauma, and wars fought on the shoulders of children -- those were so well woven around and together. The underlying narrative question of people being blind to trauma and violence that leaves no visible scars has the underpinning of the blatant “werewolves can heal, so vicious corporal punishment is reasonable” and the deeper elements of not seeing the violence we are acculturated to, and the trauma of memories and emotional/psychological violence being invisible to the naked eye.
Through all of this, the narrative that confronts rape and slavery is approached from the perspective of young black woman and a werewolf in chains. In this book, Jessica Meats manages to walk the tightrope of making tightly paced coming of age story, with the cutting analysis and commentary on intersectional racism, and cultural bigotry. The intersectionality is woven around the mystery as she tries to search out an save her brother Danny, who was bitten and sold into the werewolf slavery system. Her history with Danny allows for a couple of frank discussions about rape and consent in power dynamics, and shows that the author isn’t fooling around with a dubcon power structure between Crystal and Thomas. The consent-forward approach to the sex scenes was uplifting in an era of #metoo and the fact that consent can be sexy, but it MUST be explicit. As a survivor of rape trauma, I wish I had Thomas’ nose, to be able to read his partner as well as he can read Crystal’s sincerity. In that respect, this novel was even healing for me. Further, in a world that is still built on the foundations of slavery and colonialism, where the structures of labor exploitation affect so much of so many global cultures, this book manages to weave the matter-of-fact history of our timeline into an urban fantasy setting. Days later, I can not only recall some of the on-the-nose aspects of a critique of abject wealth inequality but on the second read-through, I caught more!
There is a clear narrative perspective, and the characters have a narrative perspective that is different from the underlying authorial narrative of the book. In reading the book, I can tell the author thinks of Crystal as brave, and writes a compelling, relatable, and flawed young adult. Crystal has complex character development and growth over the book, she is really coming into her own as a young woman and a small business owner by the end of the novel, but it also feels like she is digging in for a fight. Thomas has found something bigger to fight in the course of his character development, and more to hope for than just survival.
There are believable character pivots in the text. While the main pairing is M/F, Crystal is Bi, and her mom is in an F/F longterm relationship. As someone used to reading a lot of romance novels, an M/F pairing with one partner being explicitly Bi, out, and having an accepting partner? That is a gem right there.
So much of our literary culture has been defined by the voices that shaped the 1700’s, or as is flippantly said in many a meme: “old dead white dudes”. Crystal comes from a position of some privilege, having a lawyer for a father, and an inheritance. Most of the things she is able to DO while moving the plot forward have underpinnings of an understanding of the multifaced nature of privilege and disadvantage. Crystal grew up as upper-middle-class and black. She is a bisexual woman, and the story at different points shows the intersectional nature of a very complex set of social pressures and prejudices. Her inheritance of a house and some money makes the inciting incident in the novel, and Crystal’s career choice both possible. Being her own boss, let her set a schedule of hours that allowed the plot to drive forward at pacing that made for more character development, as she neglected work to find Danny and drive places with Thomas. This novel is not a fetishization of violence like Shades of Grey despite being even darker in tone and content. This novel is a conversation about social structure, about inherited culture, about assumptions, and legal vs ethical. Crystal isn’t a perfect Mary Sue, and David Mattherson isn’t a mustache-twirling nemesis. Most of the character motivation for Emily can be inferred from Luna and from Thomas’ related on-screen experiences, and THE AUTHOR TRUSTS US to make those inferences.
If this is how Jessica Meats is starting her career as a professional author, I can’t wait to see what is ahead, because I know she will deliver.