梦里花落知多少（三毛“遗爱”之作，一个人的爱有多深，牵挂和不舍便有多长。） (三毛作品系列 5)

三毛集 #4

by 三毛

加纳利的月光清明如水，星星很淡很疏，群山如巨兽般守护着荷西；台北的夜空中，那些十彩流丽的霓虹灯，兀自照耀着孤寂的三毛。命运无常，却也让三毛懂得，一个人的爱有多深，牵挂和不舍便有多长。 她以一支笔坚持看守个人文字上的简单和朴素；从遥远的撒哈拉到敦煌戈壁，她不随波逐流，也不诠释人生，只做生活的见证者；她是我们心中浪漫、洒脱、真性情的永远的三毛，永恒的传奇。
《梦里花落知多少》真实地记录了爱人荷西意外离世后，三毛所经历的黑暗时光，然而哀恸过后的她愈发坚强，文字也愈发透着深情与力量。 有些本来是含义美好的名词，用得滥了，也就变成庸俗不堪了。才子才女满街走是一个例子，银幕、荧幕上的奇女子频频出现也是一个例子。我本来不想把这种已经变得俗气的衔头加在三毛身上的，但想想又没有什么更适合的形容，那就还是称她为奇女子吧。“奇”的正面意思应是“特立独行”，按辞海的解释，即志行高洁，不肯随波逐流之谓也。——作家梁羽生
我认为三毛作品之所以动人，不在文字的表面，不在故事的机趣，也不在作者特殊的生活经验，而是在这一切背后所蕴藏的作者的那颗爱心。我喜欢她对所见到的悲苦小人物的那种感同身受的入微观察，我更欣赏她路见不平拔刀相助时对人性恶的一面的鞭笞。这是我们现代散文中所少见的，很少有作品能够给我这样的感受。——诗人痖弦
被文明捆绑着的人，多惯于世俗的繁琐，迷失而不自知，读三毛的作品，发现一个由生命所创造的世界，像开在荒漠里的繁花，她把生命高高举在尘俗之上，这是需要灵明的智慧和极大的勇气的。——作家司马中原
三毛对生命的看法与常人不同，她相信生命有肉体和死后有灵魂两种形式。她自己理智地选择追求第二阶段的生命形式，我们应尊重她的选择，不用太悲哀。——作家倪匡
十几年过去，她虽不落地，却也生了根，她变成了一个女子，能烤蛋糕，能洗衣服，能在沙漠中把陋室住成行宫，能在海角上把石头绘成万象，她仍浪漫，却被人间烟火熏成斑斓动人的古褐色。——作家张晓风
很多人批评三毛，认为她只是在自己的小天地作梦，我不以为然。基本上，文学创作是一个人性灵升华的高度表现，她既能升华出这样的情感，就表示她有这样的层次，这比起很多作家，我觉得她在灵性上要高出很多。——演员、作家胡因梦
通常我和一个人见面，很容易记住对方的穿着打扮，但是和三毛却不一样。我被她的气韵所吸引。她那柔软多情的声音，她对情感的纤细和敏感，她不惜一切的追求她向往的爱情，她也喜欢谈论人世间的爱恨情仇和悲欢离合。虽然我们见面不超过十次，但是每次她都能带给我强烈的感受。——演员林青霞 三毛（1943~1991），本名陈懋平，因为学不会写“懋”字，就自己改名为陈平。
旅行和读书是她生命中的两颗一级星，快乐与疼痛都夹杂其中，而写作之初纯粹是为了让父母开心。她踏上广袤的撒哈拉，追寻前世的乡愁，和荷西在沙漠结婚，从此写出一系列风靡无数读者的散文作品，把大漠的狂野温柔和活力四射的婚姻生活，淋漓尽致展现在大家面前，“三毛热”迅速从台港横扫整个华文世界。
然而荷西的突然离世，让她差点要放弃生命，直到去了一趟中南美旅游，才终于重新提笔写作。接着她尝试写剧本、填歌词，每次出手必定撼动人心。直到有一天，她又像儿时那样不按常理出牌，流浪到了遥远的天国。

Genres: China, Fiction, Travel, Chinese Literature

330 pages, Kindle Edition

First published January 1, 1981

About the author

　三毛，原名陈懋平（mào）（后改名为陈平），汉族，浙江舟山人，1943年3月26日白羊座出生于重庆黄桷桠。卒于1991年1月4日，享年四十八岁。“懋”是族谱上属她那一辈分的排行，“平”是取之她出生那年烽火连天，父亲期望这个世界再也没有战争，而给了这个孩子“和平”的大使命。后来这个孩子开始学写字，她无论如何都学不会如何写那个“懋”字。每次写名字时，都自作主张把中间那个字跳掉，偏叫自己陈平。不但如此，还把“陈”的左耳搬到隔壁去成为右耳，这么弄下来，父亲只好投降，她给自己取了名字，当时才三岁。后来把她弟弟们的“懋”字也都拿掉了。
　　1964年，陈平进入文化大学学习。获张其昀特许，进入院哲学系当选读生，成绩优异。1967年赴西班牙留学，后去德国、美国等。1973年定居西属撒哈拉沙漠和荷西结婚，并以当地的生活为背景，写出一连串脍炙人口的作品。1981年回台后，曾在文化大学任教，1984年辞去教职，而以写作、演讲为重心。1991年1月4日在医院去世，年仅四十八岁。
　　她极其单纯，在单纯中却有一种惊人的深刻。无论是做人还是写作，笔调自然轻快，不经意间说着最在意的人和事。
　　她的足迹遍及世界各地，她的作品也在全球的华人社会广为流传，在大陆也有广大的读者，生平著作和译作 三毛的丈夫，荷西十分丰富，共有二十四种。
　　三毛英文名叫ECHO，三毛本是笔名，从三毛的《闹学记》序中只提及“三毛”二字中暗藏一个易经的卦，上乾（三个阳爻，类似汉字“三”）下坤（三个阴爻就是中间断开，毛字竖弯勾）——否卦。卦象：上乾下坤，否卦，天清在上，地浊在下，天地之气不相交。闭塞不通，阻隔，事不顺畅。“大人否亨，内小人而外君子。”但三毛本人又曾说过：起初起此名，是因为喜欢张乐平先生的三毛流浪记（后拜为干爹）；另有一个原因就是说自己写的东西很一般，只值三毛钱。
　　三毛的丈夫是荷西·马利安·葛罗 （Jose Maria Quero Y Ruiz），他比三毛小6岁。
　　荷西的国籍是西班牙。 职业是潜水工程师，后意外身亡。

San mao (三毛) (March 26, 1943 – January 4, 1991), literally "three hairs" though it is not considered to have a meaning, was the pseudonym of the popular Taiwanese author Chen Mao Ping. She adopted her pseudonym from the acclaimed caricaturist Zhang Leping's most famous work "Sanmao", which tells the story of a Shanghai street child named "Sanmao". In English she was also known as Echo, the first name she used in western European languages, or Echo Chan, based on the homonymous Greek nymph.

Sanmao's books deal mainly with her own experiences studying and living abroad. They were extremely well received not only in Taiwan but also in mainland China, and they remain popular reads today. From 1976 to the time of her death in 1991, Sanmao published more than 20 books. She also translated the comic Mafalda from Spanish to Chinese.

Reviews

[Leying Zhao · Rating 5 out of 5]

看过很多次 初中看时还哭了 三毛的每一本书都带给我感动

[Barack Liu · Rating 4 out of 5]

208-Meng li hua luo zhi duo shao-Sanmao-Essay-1981
Barack
2019/02/20
2020/06/18


- before marriage beard asked me a very strange words: "You want how much of a husband?" I said: "see not pleasing to the eye, then, millionaires do not marry; see Italian billionaire is also Marry." "Speaking of which, you always want to marry a rich man." "There are exceptions." I sighed. "What if you follow me?" he asked naturally. "Then just forget the money you have enough to eat . " He thought for a while, and then asked: "Do you eat more?" I answered very carefully: "Not much, not much. You can eat less in the future."

"How Much Do You Know About Flowers in Dreams" was first published in Taiwan in 1981. It mainly records San Mao's grief after Jose's death and the process of slowly walking out of the haze. The sentimental atmosphere lingers throughout the book is a representative of San Mao's later style.

Sanmao was born in Chongqing Huangjue (jué) Ya (yà) in 1943 and died in 1991. It used to be named Chen Mao (mào) Ping and later changed its name to Chen Ping. He studied at Taipei Cultural University, University of Madrid, and Goethe Institute in Germany. In 1948, he moved to Taiwan with his parents. In 1967, went to Spain to study. In 1973, he settled in the Spanish Sahara Desert and married Jose. In 1979, her husband Jose was killed in an accident during diving. On January 4, 1991, he hanged himself to death. Representative works: " Story of the Sahara ", "How much do you know about the flowers in your dream", "Crying Camel", "The Rainy Season Is Not Coming", etc.

Part of the catalog
1 Phoenix
2 Tomorrow
3 Clouds are in the green hills and the moon is in the sky
4 return
5 Dreams outside the dream
6 Flightless Angel
7 The Return of Deja Vu
8 How much do you know in the dream?
9 A boy's love
10 My writing life

I have friends of Jose San Mao Zhi Lian been discussed. It can be clearly seen that there are obvious differences between us.

DM: Sanmao and Jose are probably the most desperate and full encounter of all worldly love.
They showed me the Sahara Desert, which is blooming because of friendship, and also saw the unscrupulous and complementary nature of youth.
Probably the last time, it was Yu Ji who drew her sword on the banks of the Wujiang River...
In this long history, there has never been a lack of earth-shattering encounters, but only loss reminds the constant flow of people: friendship is never a simple matter, natural disasters cannot be avoided, not to mention man-made disasters where there are people.
You and me, you can only try to bless the world and try to be a good person. Don't touch what shouldn't be touched, don't be greedy for what shouldn't be. Perhaps that way, if history runs over, we will not become bad people who think we are good people.

Me: There are actually many examples of this, not just the overlord Yuji and Sanmao Jose. Lu You, Tang Wan, spring as old, empty and thin, tear-stained red sharks. Peach blossom falls, leisure pond pavilion. Although the mountain league is there, the Jinshu is hard to trust. Cangyang Gyatso and his unknown lover have both peace and harmony in the world.
Recently, I just finished reading "Love in the Time of Cholera", and I have thought a lot about the topic of love, and I feel it. What you mean here is falling in love without being together, and there are many, many types of love tragedies, such as unrequited love. For example, although it is not a parting, it is an objective obstacle in other aspects.
Secondly, these well-known examples are only a few of them. In fact, I think more of them happen to ordinary people. Does terminal illness count? Are natural disasters such as earthquakes and tsunamis counted? The countless ordinary people described in "Poor and uncertain riverside bones are still in the dreams of spring boudoirs", their feelings are not necessarily lighter than Jose Sanmao, and the life and death they suffer may not be lighter than that of the overlord Yuji. Anonymous is not known.

DM: You and Tang Wan, Tang Wan back Reproduction: the world situation thin, human evil, rain sent yellow dim easy to fall. Xiao air dried, tears left. I want to comment on my thoughts, and speak alone. Difficult, difficult, difficult! People become different, today is not yesterday, sick souls are often like swings. The sound of the horn is cold, and the night fades. Afraid of people asking questions, pretending to be happy with tears. Hide, hide, hide! But Lu You is Mabao. He listened to his mother's advice and believed that Tang Wan had delayed his future and failed Tang Wan first. Afterwards, I want to be a confidante. Not a lover. Cang Yang is even more outrageous, his poems are moving, but he always carries fairy qi, without red dust and smoke. Is his unknown lover a lover or a faith? Love is naturally poetry, pots and pans, love for concubines, and red land. If it's just swaying in the air, such as those two of Huadie, do you really think that if you don't have the unswerving friendship between you, there will be life and death together? Unrequited love is even more involved... People say that all love, one person is gone, and the other person has done her duty for her. But if there is no responsibility, there are really a few people in this world who are willing to prove this unswervingly with a dead end. I look down on the spring girl you mentioned. A love, a face of life and death, a dream of a spring girl, do you really think this is love? This is captivity, the naivety of one person using blood to keep another person in captivity. She has never seen those fighting in his eyes, has never seen the sea of swords and flames he walked barefoot, has never protected him comprehensively, why do you love him?

Me: When we talk about historical figures, we must combine the historical environment at that time and the historical limitations of the characters themselves. From today's perspective, yes, because mothers do not want their wives to be Mabao. But in a social environment where filial piety was a very important part of moral cultivation at that time, parents’ orders must not be violated. This is why Jin Yong would write that Xiaolongnv would leave Yang Guo on her own initiative after listening to Huang Rong's persuasion, because she knew that if she was with Yang Guo, the social vision at the time would inevitably ruin Yang Guo. Yang Guo doesn't care, but what if it is someone like Guo Jing who takes "the great man to serve the country and the people" as his mission? Therefore, Yang Guo can risk the world's bad faith, and Guo Jing, in order to keep his promise, will go far beyond the Great Wall to marry Princess Huazheng. Similarly, if Lu You broke with his mother because of Tang Wan, he might also be ruined. This might be more terrifying than killing him. The reason why ancient scholars value reputation is because official career is almost the only way for them to realize their ideals and ambitions of ruling the country and the world. I don't intend to excuse Lu You, but think that his inner suffering may not be weaker than Xiang Yu. To the death of a person who still remembers "the king's master will decide the Central Plains Day, the family sacrifice will never forget to tell Nai Weng", if his future is ruined, wouldn't it be more terrible than killing him? Jiao Zhongqing and Liu Lanzhi in "The Peacock Flies Southeast" are also tragedies similar to Lu You and Tang Wan, and they are only representative of how many such tragedies of the time.

As for Cangyang Gyatso, he should also be considered in the historical background. His identity is the reincarnation of the fifth Dalai Lama. This sixth Dalai does not mean that he is quite right and does not want to be inappropriate, but he has to be. How many believers in Tibet need him to teach them as a living Buddha? The name of his lover in his hometown is now unverifiable. It is said that even if he became a Dalai, he still took a huge risk to secretly leave the Potala Palace to meet his lover at night, and was finally discovered by other lamas. His lover ended up miserably. Isn't he painful? His body responsibility and burden are ordinary people can not body will. And because of his identity, he cannot have love. Isn't this cruel to him? When I went to Tibet before, I once went to a Tibetan teahouse in Lhasa where it is said that Cangyang Gyatso had secretly dated his lover. There are many legends about his love tragedy. It is not that he does not love, but that he cannot love. Lu You is faced with secular power, and Cangyang Gyatso is faced with religious power. The two are not separated from heaven and human, but are better than death.

As for the soldiers in the war, are they willing to abandon their families and children? How many people are forced into the army? Not to mention the past, the turbulent situation in China in the past 100 years, how many young people have lost their lives? Their fate was affected by the troubled times, Xiang Yu still has the possibility of making a comeback, but he gave up, and these people don't even have the right to choose. There is a saying, "Anti-Japanese war, anti-Japanese war, a bullet is a boy." The boy was in love. The girl was in the year of Huaichun. During the Battle of Songhu, the horror was so terrible. A Chinese regiment might be on board. The front lines were all dead within a few hours. These young people may be similar to ours or even younger. Could their lovers in their hometown feel like a knife? It's just that they don't have Sanmao's writing and the opportunity to express it. These pains can often only accompany them into the cemetery.

DM: Although we are much more civilized than that era, we are not less exposed to secular pressure or belief pressure, or other pressures. For example, material pressure is probably the secular pressure of this era. But do you really think that a couple separated under material pressure is true love? Suffering unspeakable pain? What you said about war...I admit it, but Hua Mulan can disguise herself as a man and join the army for her father. If she really can't let go, fighting side by side is not an impossible way. A lot of staying together is a hero's end, but even then, those who work hard at the end to prove love itself will become the benchmark. But those who give up their efforts on their own, let people be considerate of their difficulties, yes, I understand and be considerate. But I don't think it is worth praising, worth remembering.

That is all the discussion part. Different people have different opinions on things like love, and our views have a lot to do with our own worldview.

All living beings may have many, many ordinary loves. But since it is ordinary, it is natural that fate has given them good luck. With such a difficult journey, they have already taken up their luck, so don't think about the path of Qingshi's name. Between the lines of this collection of essays, San Mao expresses his deep nostalgia for Jose and his uninteresting interest in being alive.

Some people don't believe in love, some people believe in love; some people regard love as a necessity of life, and some people think that love can be met but not sought. Some people don't care when they have it, and some people can't help themselves after losing it.

I often wonder, what is love? This kind of feeling is more complicated than family and friendship . It often starts with friendship and eventually evolves into a special kind of acquired affection.

Maslow’s five-layer needs theory speaks: physiological needs, safety needs, social needs, respect needs and self-realization needs. The latter three are essentially inseparable from the three important human emotions of family, love and friendship. These three are also issues worthy of everyone's life thinking.

" More than a year ago, a journal asked me to write a manuscript, and the title had been specified: "If you only have a life span of three months, what will you do? "I thought for a long time, but I haven't answered this test paper. After hearing about this, Jose also asked me curiously-"What will you do?" "At that time, I was kneading dough in the kitchen, I raised my hand covered with white powder, touched his hair lightly, and said slowly: "Fool, I won't die because I have to make dumplings for you. Too! "After finishing this sentence, Jose's eyes suddenly dimmed, and his arms came up from behind me to hold me until the dumplings were on the table. "Are you nervous?" "I asked him with a smile, his eyes suddenly red, and he smiled, and then he sat down opposite me silently. Later, I thought about the draft, and my answer was still that simple and simple. Stubbornness: "I want to guard my home and protect my husband. A responsible person has no right to die. " "

A person lives in the world, there are people who love him, and those who love him. In fact , he didn't even have the right to choose to end his life. Because he is not alone in this world . He can't just think about himself. The more we get from this world. The more we have to bear. Did you choose to live a single life because of this? Or are you willing to start a family for the sake of family happiness ? I don't know which is better. let it go. When you are single, you can enjoy the unfettered free time, and when you have family bonds, you can enjoy the happiness of family.

" I am willing to be the last one to die in the circle of life of my father, mother, and husband. If I go first and leave this bitter cup that I have tasted to my parents in the world, then I will die because I I understand the love, and how deep my love is, how long my cares and dissatisfaction are. Therefore, I have no choice but to be a temporary phoenix, although my wings are broken and my feathers are off, I don’t have a partner to compare, but the broken heart is still a treasure for my parents. No matter how painful or hurt, if they refuse to let me die, I no longer have the idea of giving up on them. ”

From 1979, Jose died , 1991 San Mao himself . San Mao endured it for 12 years. But it is what makes her change her mind , finally decided to abandon the original promise, decided committed suicide it ? Or is it that in 1991, her parents had already passed away ? Or is it true that she committed suicide because of Jose?

" Father, mother, Jose, I love you more than my own life, and ask God to see my sincerity, give me a long time in the world, and protect the happiness and age of my parents. Then I, in this responsibility Under the circumstances, I no longer talk about disappearing and dying lightly. Jose, you promised, you have to wait for me over there. With your promise, I have one more hope. "

One can live in the world without being emotionally connected. We need love from others, also need to enjoy to love others fun .

[Qi · Rating 5 out of 5]

Heartbreaking.

[Jacky · Rating 4 out of 5]

梦里花落知多少

其实在看之前，已经在网上看过一些别人对这本书的简短评价了。他们总是推荐这本书在读完三毛绝大多数的作品之后再读，因为这个时期的三毛是她“最脆弱，最绝望，最伤心”的。而每次吃中饭的时候，嘴里一边混杂着菜和米饭，眼中瞟着的却都是餐桌上另一旁的kindle，每次吃饭的时候看一篇。饭一顿顿的吃下来，而书也就这样一篇篇的看下来了。

不知道心里是否有想过，这样去看三毛的书，算不算是一种浪费呢？毕竟读完了她那么多本的书，早已树立起她在自己心目中的形象：一个追求自由的知识分子，浪漫而又洒脱，热情又有原则，待人处事又是那样的善良，每次看她的小故事，总是崇拜又崇拜，她的亲和力，总是让她走到哪里，就是被喜欢到哪里。更别提她的语言能力，能够口说中文，德文，西班牙语，日语，英语，周游世界。这般闯荡世界的生活，不是哪个渴望追求自由的年轻人的梦想，而这些都是三毛现实的一部分。

不过，也许正如三毛所说的，每个读者心中的三毛都是不一样的，我看重的不一定是别人看重的。

这次打星星的时候，也没有如往日对待她的书籍一样给五颗，其中大概是因为阅读的过程中心中曾产生的疙瘩，又或者说是一种不解。那样一个追求自由，灵魂不羁的她，怎么能这般一落千丈，坠入深渊，并且愿意一直停在深渊而不出来呢。这便是我看她前面几篇故事产生的感觉，也许这种停留的感觉，在她的眼里，是对逝去丈夫的深情，也许正是不被世人理解的独特感，更加加强了她的坚持。而她在最脆弱的时候，父母的陪伴，每每看到，都能湿润自己的双眼。

记得在看第一篇背影的时候，那时正好是清明节，上山去看四年前去世的外公，天下着毛毛细雨，我居然体验着和三毛一样的丧亲之痛，可我年纪未到，仍旧无法深深体会，仍是不懂。

在正处最好的青春年华的自己看来，那一句句“不想活了，不如就这样让上帝带走”，心里怎么能够不对她感到惋惜。不过说到底，这也是三毛的选择，是我这个还未体验到丧失挚爱之痛的人，目前所无法理解和感同身受的处境吧，也因此，我在心底里对她更多的是同情。

如果说开头几篇是低谷，中间则让我看到了希望。那也许是我最喜欢的“美国留学篇”，看她那样快乐的笔法，让我怀疑这是否是她年轻时候写的作品，先前的痛苦仿佛在此刻不再存在，外加上自身本来就对语言学习很喜欢，因此那几天吃的那几顿饭也变得特别香，甚至吃完之后还不想走，还想沉浸在那欢乐的课堂中。不得不说，三毛她身边总是凝聚着她最亲近的朋友，让我好生羡慕，那么多那么多国家的朋友。可遗憾的是，她总是在跟他们做告别。

走完了留学，是遗爱篇。对那刹那间重燃起的爱情火花的告别，对挚爱的屋子的告别，对另一个祖国和家的告别，离别真的是走到哪里，这个主题就跟随到哪里。不过对她来说，有舍才有得吧，失去了挚爱之后，人生最大的目的或许就是陪伴在父母身边。为此，她的决绝和果断，仿佛是过去三毛的一闪，只是换了对象。

然后是回到祖国，又讲起了她的“收集癖”，讲起了与朋友，最后与父母的故事。温情充满了字里行间，隐隐收起了对丈夫的思念，只是偶尔会提及，仿佛是遥远的记忆一般。可谁知道，在现实的她的心里，这份伤痛到底是隐去了呢，还是深深藏在了心底，我更相信后者，否则又如何解释她后来的自缢。可看完了这些故事，怎又能想到她会是这样的结局，怎么能先父母而去，怎么能丢弃心中仅剩的牵挂，我不是她，我无法理解。

当然，我更喜欢和希望看到的是，重新拾起生活的三毛。这或许也是绝大多数人的想法，但是，也许就如一个真实的人一样，她当然能够一直做着好事，但谁不想着偶尔做点坏事。好与坏，本来都是存在的。想必经历过这般大风大浪的三毛，她也肯定明白，但是仍旧选择了这样一条道路走下去吧。

[Siyu · Rating 4 out of 5]

I like her writing style - her honesty, use of words, sentence structure, and the way she depicts events. But more importantly, I admire the way she views her life and the fact that she lives to love. "我的写作生活，就是我的爱情生活；我的人生观，就是我的爱情观". I feel the same way at this exact moment.

[Jing · Rating 4 out of 5]

“人生那么短，抢命似的活是唯一的方法，我不愿慢吞吞地老死。”
直击内心！

致敬三毛，集坚强、善良、洒脱于一体的有趣的灵魂。

[Reading · Rating 5 out of 5]

Echo Echo ……

[Emma · Rating 4 out of 5]

这本书是哭着看完的，大概是年少太感伤。他俩的感情一度成为我的阴影，深爱一个人若是离去，人生该有多悲伤。

[洋葱圈]

读的第二本三毛，但更喜欢撒哈拉的故事，可能因为那本书里的三毛充满着生机活力，而失去了荷西的三毛却像丢了魂一样，努力生活也变成了一种负担。好几篇文章读起来都能真切感受到三毛的痛。

[Sherry Zhang · Rating 2 out of 5]

很喜欢三毛的撒哈拉的故事，所以选择读梦里花落知多少作为第二本三毛的作品。和撒哈拉完全两种风格，撒哈拉里的三毛是灵动的，有意思的，但梦里花落里的三毛，悲从中来。 荷西的死毋庸置疑改变了三毛的创作风格，但梦里花落更像是随笔，写给自己，留给日后。每一篇于读者来说很难确定是在一种什么心态时写下的，当天发生了什么，离荷西离世过了多久，这些都无法从文字中获知，更多的是三毛的情感流露。

[Lok Guan Lim · Rating 4 out of 5]

比较平淡的一本书，讲述了三毛在失去苛西后的生活。书中的前半段可以看出来三毛的情绪不稳定，但是后半段就正常许多了

[Albert Flask · Rating 5 out of 5]

看哭好几次 真诚是真正的必杀技 真的是至情至性的人

[Yellow Mint · Rating 4 out of 5]

三毛，你真的好爱荷西。你说荷西死后你的作品才长出了血肉，但我觉得你其实已经跟他一起走了。

[CP · Rating 5 out of 5]

的确是充满悲伤的一本书，但是三毛依然给了读者很多勇气。她在丈夫去世之后，周游了各个地方，去重新寻找自己，直到最终选择了一个新的生活。她很爱自己的丈夫，她也在教会我们怎么爱这个世界。多么美好呀。

[Anna Ng · Rating 5 out of 5]

好浪漫好浪漫好浪漫的人啊
读的我心里暖暖的
出了学校以后反而更珍惜她的灵气

[Carol Chen · Rating 4 out of 5]

刚刚看完三毛和荷西在撒哈拉里的有趣甜蜜时光，再看这本真的太疼了。一边和三毛一起感受这样的绝望，一边又觉得这样的绝望也很幸运-因为证明她真正的饱满的活过，比所有藏着掖着自己的人都要活得值得。
（还有她这种想要抓住人生的感觉真的非常relatable 太有共鸣了)

[Johnathon Yeo · Rating 5 out of 5]

三毛这名年我年小时听了多次， 终于在中年时看完了她的一本作品。

Artists of the 80 -90’s revel in the classics and worldliness yet value freedom and naturalism at the same time. These are movements I remember. Yet regretfully, they were not incorporated into the literature I read as a young adult.

[Daisy · Rating 5 out of 5]

tears

[汪先生 · Rating 3 out of 5]

2015-03-23 08:41:17
三毛与荷西的爱情透露着自己特色的风格，消沉的意志每一个拥有再失去的人都会明白都会理解都会知道是怎样的刻骨铭心，撒哈拉的炙热也比不过火热的红心，不知后来三毛如何，若是走不出来看不淡放不下，人生便终了，纪念这本朴实而华丽的爱情日记。

[Chen Wen · Rating 4 out of 5]

曾经读过三毛和荷西在沙漠里的浪漫故事，可这却是在悼念荷西死后的日子。我对你的爱与思念就像云在青山月在天，理所当然的飘在那里，当忙碌于手上的事情时或许可以间歇忽略它的存在，可是猛抬头却发现，啊它并没有消散啊，仍是不声不响的遮住了山峰，遮住了星星。还有就是，世界那么大，人生有意思的事情那么多，婚姻就是找个人一起去看看，一起玩一辈子。