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らんま½ ワイド版 [Ranma ½ Wideban] #11
Ranma ½. New Edition, Vol. 11
Un padre e un figlio, un panda e una ragazza, acqua fredda e acqua calda, arti marziali e ecco gli ingredienti di Ranma ½, una serie che poteva scaturire solo dalla mente vulcanica di Rumiko Takahashi! Una delle opere di maggior successo della “principessa del manga” arriva in digitale con il volume 11!
352 pages, Paperback
First published April 18, 2017
1 person is currently reading
48 people want to read
About the author
Rumiko Takahashi
1,586 books2,143 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
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Displaying 1 - 11 of 11 reviews
June 19, 2025
Das war nicht einer der besseren Bände. Die Geschichte rund um den Kirschblütenkuchen, den Akane bäckt, um herauszufinden, ob Ranma der richtige für sie ist, war ganz lieb. Aber der Rest war echt viel Slapstick ohne Herz. Leider.
January 20, 2025
Belli i primi due capitoli: Tecnica sventura ryoga e Maledizione ultima notte anno!
Inutile e noioso il quello del Vecchio e fiori di pruno.
Mi hanno lasciata indifferente i capitoli del litigio dei fratelli Kuno e quello della lotta tra Genma e Ranma.
Miglior capitolo di questo volume quello dei petali di ciliegio che mostrano il vero amore. Ranma è veramente carino e si sta un po’ svegliando!
Inutile e noioso il quello del Vecchio e fiori di pruno.
Mi hanno lasciata indifferente i capitoli del litigio dei fratelli Kuno e quello della lotta tra Genma e Ranma.
Miglior capitolo di questo volume quello dei petali di ciliegio che mostrano il vero amore. Ranma è veramente carino e si sta un po’ svegliando!
July 1, 2024
La mejor pelea Ranma vs. Ryoga y muy probablemente también de toda la serie.
De bonus, varias historias cortas entre simpáticas y tremendamente graciosas como 108 propuestas de matrimonio o El primer AMOR de la porrista.
De bonus, varias historias cortas entre simpáticas y tremendamente graciosas como 108 propuestas de matrimonio o El primer AMOR de la porrista.
February 21, 2025
4 ⭐️ praticamente solo per la storia sul marchio dei fiori di ciliegio. La tenerezza di Ranma mi ha steso.
Però ammetto che anche lo scontro del proiettile del ruggito del leone mi ha steso, a colpi di depressione proprio hahaha
Il piccolo Ranma avrà sempre 4⭐️ per me🥹
Però ammetto che anche lo scontro del proiettile del ruggito del leone mi ha steso, a colpi di depressione proprio hahaha
Il piccolo Ranma avrà sempre 4⭐️ per me🥹
This entire review has been hidden because of spoilers.
March 27, 2020
Les sentiments d'Akane et Ranma sont de plus exprimés !
May 19, 2024
Viel zwischen BlaBla...nur die Kapitel mit den Kirschblütenweckerl hat mir wirklich gefallen.
May 30, 2024
Well, I wish Kuno and Mariko the best for their future
December 5, 2022
I’m in love with ranma 🫶🏻
July 16, 2024
¡El feroz Shishi Hokodan y otras historias de delirios! Lástima que la pelea de porristas de combate queda inconclusa hasta el proximo tomo.
October 16, 2019
Ryoga ha scoperto una terribile tecnica per sconfiggere Ranma nella quale, per vincere, si deve.... deprimere. Che poi a deprimersi in questo volume non c’è solo Ryoga, ma anche il padre di Ranma: con un figlio così forte cosa può fare il povero uomo che un tempo era il suo idolo? Ci sono poi grandi ritorni, come il demone gatto che vuole assolutamente Shampoo come sua compagna e poi i fratelli Kuno che coinvolgono Ranma e Akane nelle loro dispute familiari. E sul finire viene introdotto un nuovo sport marziale, ossia il cheerleading marziale eseguito dalla graziosa Mariko. Ranma non resiste ad una sfida, ma riuscirà a battere la ragazza dal tifo portentoso? Un volume molto ricco di episodi e situazioni che mi è molto piaciuto. Bella la parte del padre di Ranma che è stato sempre un po’ sullo sfondo quando meriterebbe più spazio e qui infatti scopriamo i suoi aspetti inediti. E poi un po’ iniziava a mancarmi Kondaichi, ma sopratutto bello che vediamo i fratelli Kuno insieme cosa che non succede spesso, ma i due fanno davvero scintille! E poi il cheerleading marziale mi ha conquistato che voglio vederne ancora nel prossimo volume ;)
June 30, 2025
Libro de historietas con ISBN propio.
Incluye extras exclusivos de esta edición. Tomo 11 de 20.
Incluye extras exclusivos de esta edición. Tomo 11 de 20.
Displaying 1 - 11 of 11 reviews