actual rating: 4.5 stars
“She isn’t just a face. Isn’t just the most beautiful woman in the world. She’s got thoughts and feelings and ambitions and drive. She’s got her own hopes, her own fears. The storytellers take away a lot of agency, saying she ran off because a goddess cursed her with love. But she could have stayed. You always have a choice, no matter what you feel. She made the choice to leave it all behind. To do what was unsafe and unexpected. She decided to be selfish.”
Tell Me How You Really Feel is Aminah Mae Safi’s sophomore novel, a sapphic enemies-to-lovers romance told in two different points of view: Sana, a Muslim Indian/Iranian cheerleader with goals of being a surgeon, and Rachel, a Jewish Mexican who is completed dedicated to her ambition as a filmmaker.
This novel has essentially been marketed as if Rory and Paris got together on Gilmore Girls, and it is exactly that, with women of color and executed in the best way possible.
“Sana cheered because she loved to. There were very few times in Sana’s life that she didn’t care what everyone else thought about her. But cheerleading was one of them. She didn’t care if anyone else liked her or they didn’t because of it.”
Sana Khan was born into a family that unintentionally expected her to be perfect. She has spent her entire life living up to this expectation of perfection, sacrificing her own personal desires for duty. And in her story, she and her family are forced to pay the price that this ideal of perfection has caused.
“For Rachel, there had always been something otherworldly about stepping onto a set, seeing all of the props and the set pieces and the camera equipment and thinking - I am the god of this world.”
Rachel Recht has dedicated her entire life to her passion - filmmaking. She will go to any length to further her path to being a director; she is filled with ambition no matter the cost. And in her story, her future as a filmmaker is put at risk unless she finishes her project on-time and perfectly.
Tell Me How You Really Feel is a tale of feminism and romance. It is a tale of feminism the way feminism is needed - in the eyes of women of color and gay women, of gay women of color. It is a tale of romance in a way that is beautiful and enjoyable and flat-out romantic.
Not to mention the brilliant parents in this novel. While Rachel’s mom is out of the picture and Sana’s dad is...not the greatest, Rachel’s dad and Sana’s mom are brilliant.
“You have no more control over the circumstances of your birth than who you love,”
Though Rachel’s dad is not in the majority of the novel, the impact he makes is lasting. His love for his daughter is obvious and it is beautiful.
“Sana knew her mother sympathized with female directors. As a woman who had clawed her way up from carpenter to art director to production designer, Sana’s mother couldn’t help but understand what it was to be in a woman in a largely male space. But Mom tended to say that the leeway was millimeters for women where the male directors got miles.”
Sana’s mom, Farrah Akhtar, is not perfect. But she is a brilliant example of feminism, of a hard-working woman, and a mother filled with love for her daughter.
“Option B involves my kissing you and taking it from there.”
“Option B. Please.”
And the chemistry between these two girls was palpable. I loved their romance. I loved their banter. I loved their journey. Two teen girls who are flawed but who have a connection and find each other against all odds is the romance I always knew I needed, and I finally got.
Also, I’ve seen a lot of criticism about Rachel’s character - that her hatred of Sana was uncalled for, but I disagree. 14-year-olds aren’t meant to be fully emotionally mature and intelligent, and Sana asked Rachel out when she was fourteen and insecure and dealing with a ton of family crap. Sometimes, teens make stupid decisions and hold stupid grudges and that’s not unrealistic. It is realistic for characters, teen characters especially, to be flawed and make mistakes and in my opinion, this book shows that in an absolutely brilliant manner.
My one issue with this novel was complete avoidance of the word “gay” or “lesbian” or “queer.” It is completely okay to choose not to use a label, but neither character makes a decision to not use a label. Rather, it feels like the author goes to any length to avoid any identifying term, and I really would have loved to read a story with two gay or two lesbian or two queer women of color. (This is the only reason I docked half a star.)
But otherwise, from way this novel screams women power, challenges microaggressions in reference to sexism and homophobia, and follows two ambitious teens - I loved it start-to-finish.
disclaimer: i received an ARC in exchange for an honest review, this in no way impacted my opinion.