In modern-day Ireland, there appears to be one last ethnic minority group whom it is acceptable to mock, pillory, shun and ostracise from society. That group is the indigenous tribe known as “The Poor Ould Fellas”. This, at least, is the argument of Declan Lynch and Arthur Matthews in this hilarious – and occasionally poignant – illustration of Ireland’s most marginalized people.
Who are the Poor Ould Fellas? There are men of simple, miniscule pleasures. They are men who “don’t necessarily want more of anything, they just want less of everything”, clapped-out old lads who “are already half-dead and who weren’t very alive in the first place anyway”. They can be “a bit odd”. But, the one characteristic that defines them above all else, is that they just want to be left alone.
As for the simple pleasures that are keeping them (barely) alive, the Poor Ould Fellas are almost umbilically linked to their Free Travel Cards. When they could still get away with it, they might have engaged in mild levels of drink-driving (“to have ‘two or three glasses of Guinness’ and then drive home in a vehicle which probably can’t go faster than 20 miles an hour anyway on a lonely country road, so lonely there would be nobody around for them to kill”). Their music listening habits don’t extend much beyond Big Tom, Philomena Begley and Johnny McEvoy, but their primary form of entertainment are the death notices on local radio stations. They are the last people in the western world to maintain an affinity for Oxtail Soup. And when it comes to personal grooming, the Poor Ould Fellas are impervious to the charms of Nivea for Men, their one stylistic attribute being a penchant for wearing caps (“as distinctive a statement in its own way as any form of African headdress”).
As to their dislikes about the modern world, these are interminable. You will never see a Poor Ould Fella streaming on Spotify or “trying out a few craft beers”. You will not see them creating snapchat stories by taking pictures of their own dinners. Nor will you see them signing up to LinkedIn “so they can do a bit of networking with other Poor Ould Fellas”. They nurse a never-ending abhorrence of Ryan Tubridy, ‘The Smoking Ban’, and Conor McGregor. They are driven demented by modern tap fittings in public toilets and left bewildered by the concept of razors with more than one blade in them.
Virtually every page of this fantastically-funny book contains a genuine laugh-out moment about the daily petty indignities that must be endured by the Poor Ould Fellas of Ireland - “the only minority whose ancient ways can be utterly disrespected”. The Poor Ould Fellas might appear to be a tribe specific to Ireland, but the writing by Declan Lynch - and the wonderfully deadpan illustrations from Arthur Matthews - are of such a quality that this book should be enjoyed by any reader. And that reader will leave this book feeling a deep sympathy for the Poor Ould fellas, that they have it right, that modern life is indeed rubbish, and that we are all drowning in a sea of bullshit.