First Ranma & Co. enjoy a trip to the beach, despite all the COLD WATER. Then, camping out in the woods turns out to have a lot of hazards, not the least of which is the toxic cooking of Akane, Ranma's reluctant fiancee.... Finally, Ranma competes in two bizarre tests of skill. Who will triumph in the Anything Goes Martial Arts Tea Ceremony and the no-holds-barred Martial Arts Fast Food Restaurant Takeout Race?
Rumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
As usual, fun art, great humor, and plenty of action. I was pleased to see more of Ryoga, and I also enjoyed the new characters introduced in this one. Kuno, the ultra-serious classmate introduced in book one, also gets to return. Much fun :-)
It is bad enough that Ranma turns into a girl when splashed with cold water, but getting turned into a cat that just funny and at the same time how many more forms is Ranma going to go through in this series. A must read.
I continue to enjoy my journey with this series. I find the shenanigans really entertaining, and it's a nice break from a lot of the serious things I read. If you are looking for a break from life, try this series out!
The more I read this the more convinced I am that this is Takahashi's best series. It's just so finely tuned and streamlined in what it is trying to do. It's a delightful send up of both martial arts and harem manga tropes in one neat little package. It builds off what she learned from Uresei Yatsura and is improved by the fact that all the characters have their flaws but still manage to be likable.
I'm reading a few volumes back to back so unless one of them surprises me I'll just repeat this review for the next few volumes I read. Wonderful and hilarious as always and has me flying through each volume to get to the next.
El que más me ha divertido hasta ahora. Los chistes son orgánicos, funcionan, la aparición de Mousse es divertida, la bisabuela también, la tensión con Akane es palpable y lo mejor es... RANMA GATO. ME ENCANTA RANMA GATO.
Ranma's dad is awful what with totally traumatising his then 10 year old son by throwing him into a pit of hungry cats covered in food... and then doing it again multiple times to somehow make it better again? Shampoo, great grandma and Mousse are just weird additions to the volume.