I’ve been working together with teachers in my school district to find new resources about the Progressive Era, and ways to teach that better to our students. It’s a topic that’s usually undertaught in our schools for various reasons, and some of the resources we’ve found can help bring that past to light for kids.
One of the books we used this month was Factory Girl, by Barbara Greenwood. She’s written several other history books for young readers, including The Last Safe House: A Story of the Underground Railroad and Gold Rush Fever: A Story of the Klondike, 1898. Her method is to interweave a fictional story about a young person with interstitials and sidebars about historic events from the same time period. It can be jarring for some readers, but it presents a broader view of history than the historic fiction would on its own.
Factory Girl is the story of Emily Watson, living in New York City in the early 1900s. She works in a garment factory, and her job seems simple—just clipping threads from blouses. But that job is eleven hours a day, where she’s standing in a hot, airless room, with hundreds of other women. She’s only twelve years old, and earns less than five dollars a week. She’s working to help support her family, and has an overseer that threatens her with dismissal with every huff. She’s caught in this horrible moment of history, where she wants to help her family, wants to be loyal, but is essentially being tortured to do it.
Interspersed with Emily’s story are non-fiction passages that make reference to the chapter of her story just finished—these include information about child labor in general, the garment factories and the various jobs that girls would have within them, the tenement neighborhoods, immigration, and social reformers. The jumps from fiction to non-fiction can be abrupt, and the first few times it happened, I didn’t like it. I wanted to continue Emily’s story, and not be interrupted by the non-fiction. I felt like it was ill-timed commercial breaks: “And now, a word from Jacob Riis!” Eventually, I got used to it.
Ultimately, this is a good fiction/non-fiction mashup that provides poignant insight into the terrifying world of a century ago. You can’t read about the plight of the poor and the immigrants and the sweatshops without making connections with today. Sure, we got rid of Child Labor in the United States (officially, at least), but when I look at my clothing tags and see that they were made in Bangladesh, or Vietnam, or the Dominican Republic…who made them? Like the best books, it had me thinking about my own life, and both how lucky I have it, and the responsibilities I have to others. If you’re interested in history or the ideas that changed the world, Factory Girl is a good read.