I think there is a glimmer of a fine story buried beneath a pile of sloppy writing.
I’ll start with a positive, which is that I found it fun that Uriel needlessly announces things before doing them directly to his enemy, which I recall being a detail about the Ultramarines in one of the Night Lords novels. i’m not sure if this was done on purpose or simply for fun, but I thought it was an interesting connection, and a fun characteristic of Ultramarines, if that’s the intention.
On the subject of Uriel, however, I would ask a reader of this book who they perceive the main character to have been. There are so so many side characters thrown into chapters constantly to detail the planet this book takes place on, most of which I unfortunately found extremely uninteresting. The local politics of Pavonis were boring and got in the way of explaining a lot of other details of the story, which I’ll get to. Furthermore, because of this, Uriel is barely in this book, which I find strange considering that it is considered the first Uriel Ventris novel (which I am aware that is a modern byproduct, but at the time of this books publication it was still intended to be the first of perhaps many Ultramarine novels, and the Ultramarines are in less than half of this book.) I thought it was a little ridiculous that it took around two hours for the story to be about an Ultramarine killing something. I am more inclined to think of Barzano as the main character, given how the slow reveal of his true nature throughout the book was way more interesting than anything that had to do with Uriel (it is also funny that for an extremely long time the center stage Ultramarine is one of the guys in Uriel’s group, I can’t recall his name, and the entire time they’re in the palace or whatever I was basically screaming internally where in the Emperors name is Uriel). However, Barzano does not really change as a character, nor does he accomplish anything relating to some loose form of a hero’s journey, discounting him as the main character. This leaves Uriel, who also does not exhibit a hero’s journey, as from the very start of the story he is depicted the same way as he is at the end; there is no change in Uriel from beginning to end. His character desires to prove himself a capable leader. There is no scene that details him as incapable and requiring growth, he is described as carrying whatever battle occurred before the book starts to victory, and is elected (I guess by Calgar?) to become the new squad or company commander, whatever it is he’s leading. I suppose the only thing Uriel overcomes is his own self doubt, however that is not interesting, nor is it entirely relevant in all of his sections of the book. It is especially stupid to me that he is able to defeat the Dark Eldar guy on the second go, simply because I guess now Uriel believes in himself, and also Barzanos dagger he drops is important. I do not find that the characters in this story were well written.
I also found the story occurring to be very confusing, mostly due to the extremely large amount of worthless side characters constantly introduced needlessly. If the author had focused on developing a few characters, ideally JUST Uriel and Barzano, keeping the amount of names to a minimum, I think events would be much more followable.
There are a lot of things about the events of this novel I don’t understand. Why is the Nightbringer, if it is so so powerful and awesome, hibernating beneath the surface of this planet? Why do the antagonists learn of it at all, and come to the idea that they would somehow be able to take its power? There was some detail that the power was in the Nightbringers ship but then at the end it turns out the Nightbringer is its own entity and is very evil? Why did the evil Pavonis guy have a Dark Eldar aiding him at all? Literally what happened at the end, how did Uriel defeat it? Barzano was dying and said hey Uriel you still have that random piece of the Nightbringers own ship on you and then Uriel holds up a meltabomb and says, out loud “check this out,” and then the Nightbringer just disappears, and in the epilogue is shown to be eating stars again. Nothing was even resolved in this book. Also, why was there a random guy at the start who suggests to Calgar that they know about the Nightbringer and the odds they’re sending Uriel, a newly promoted captain, and a very small and ill equipped amount of Ultramarines to deal with? The Ultramarines are literally like the biggest Chapter in the Imperium, if Calgar already knows about the Nightbringer I find it insanely foolish that he would be like mmmmm this will be Uriel’s greatest test. Also I am pretty sure the guy in the prologue sees the rogue Mechanicus priest Barzano info dumps about, but then we don’t see him again? (Rereading my review I remembered the evil Pavonis guy was the head of an evil church, and I suppose that church would have been an offshoot of the following the rogue Mechanicus guy started, which Barzano explains. That still does not really lead me to understand how the existence of the Nightbringer is discovered, much less how the Nightbringers power would be taken and used to make the evil Pavonis guy immortal).
Another thing that made no sense is the authors depiction of the Ultramarines. Perhaps Space Marines were a bit conceptually weaker at the time this novel was written, and sure every author of Warhammer fiction is going to perceive the setting in their own way, but Uriel literally struggles to overcome a trench and bunker held by local planetary PDF forces, who are not even Imperial Guard, and are suggested to be much poorer in combat than Imperial Guard. But then later Uriel is able to defeat the Dark Eldar guy and also scare the Nightbringer away.
I listened to this book as an audio book, which is why I am failing to appropriately name all names, and I have no desire to relisten to sections, because I just didn’t like this book that much. However, I do like Graham McNeill and want to continue with his Ultra books, so I will. I think overall there is something decent buried beneath something that must have been written terribly quickly and lightly edited after.