Allerseelen: Ein Spiel in Drei Akten ...

Tooneel-Studies #4

by Herman Heijermans

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

152 pages, Paperback

Published July 30, 2018

About the author

Herman Heijermans (3 December 1864 – 22 November 1924), was a Dutch playwright, novelist and sketch story writer, who is considered to be the greatest Dutch dramatist of the modern era.

Heijermans began his literary career in 1893 as a theater critic for De Telegraaf. His fierce criticisms often stirred controversy. Heijermans soon decided to start writing plays himself, most of which revolved around social and ethical issues. His first big success, Ghetto, is set in the Orthodox Jewish community of rag merchants, while his most successful play, Op hoop van Zegen (The Good Hope) was a strong indictment of the exploitation of Dutch fishermen.

In addition to his plays, many short stories - most of them written under the pseudonym Samuel Falkland - and several novels are part of Heijermans' oeuvre. After his death of cancer in 1924, the SDAP organised a funeral procession between Zandvoort and Amsterdam, which attracted a great amount of admirers.