Cinderella fantasy - chauvinistic, misogynistic fantasy spun for young girls which teaches them, someday a man will come and fix everything wrong with your life, thus you are not capable of improving your life so just keep pretty and alluring for this eventual man.
Promises, the Next Generation, spins the same tale MM style. To make this narrative work a lot doesn’t make sense, like Quick letting his adopted son, and Vaughan allowing his adopted brother, to live in near poverty. Kell working a penny ante job despite the fact that both his adoptive father and brother are wealthy and could get him a job that pays better than the pittance he earns at the dojo. This would make sense if Quick and Vaughan were evil stepfather/brother, but they’re spun as heroes (of course, being former MCs).
Now, to go with the grossly offensive Cinderella fantasy, Via has decided to turn a MM relationship into a facsimile of a traditional FM relationship, complete with the “so which one of you is the wife” aspect as Ty increasingly treats Kell like the little woman.
Ty is a misogynist who’s been convinced his slut shaming means he respects women. Let’s be clear, men treating women like Queens who should keep their treasures hidden is not romantic, it’s the epitome of the Madonna/Whore complex. To complete the slut shaming vibe Kell is, inexplicably, a virgin (Ooh, Ms Steele) as, of course, anyone who doesn’t save themselves for their man is a whore. An expectation Ty does not place on himself, of course, misogynists never do.
Ty’s equally misogynistic father has taught him the complete gamut of double standards and toxic masculinity that is the core of the King/Queen paradigm, complete with “your (wo)man’s beauty is only for you, but you strut as much as you want.”
After several chapters of slut shaming hard, Ty decided he didn’t need to keep his gross views to one gender, he could expand and started treating Kell like a woman he expects to don a bastardised version of a burkha, whilst (sh)he keeps a tidy home and cooks.
Back to those inconsistencies that make little sense, Ty, despite his very middle class childhood, is living in the “hood.” It’s explained has necessary because all of Ty’s money goes to keeping his mother in a nursing home. Yet Ty has flashy watches and designer clothes. Later, when he’s putting his “rescue Kell from his shitty life and evil step father/step brother” plan into full effect he has tons of money, enough to build a house. Has he turfed his mum out of Paradise Gardens Sunset Villa or was the “projects” aspect just so Via could shoehorn in her casual racism by making Ty “gangsta.”
Don’t even get me started on the cringeworthy “hood speak.” This one was a desperately bad swing and a miss.