Somehow I missed the break for the previous volume as I was reading the chapters, and there doesn't seem to be a correlation of chapters to volumes online. I also remember very few things about what happened in these two volumes, because my mind is more than a bit scrambled at the moment. This in any case a loose review of volumes seven and eight.
The previous volume started out strong, with Hitler giving a haircut to the forty five year old manager. I don't recall why that scene was important, but it left an impression, probably because of the Hitler thing. The previous volume was mostly about how an epiphany about what you want but don't dare do affects you. In the protagonist's case, the protagonist being our Akira Tachibana, a seventeen year old whose passion for running got cut short because of an injury, she got forced to realize that she could come out of her injury if she went through rehabilitation, but she's frozen in place. Back when she suffered her injury, she was so depressed about her body betraying her out of nowhere, that her mind fled into an infatuation with the first person who was kind to her, this being the forty five year old manager of the place Akira now works at. But if she returns to running now, not only she will have to face that she'll likely won't be able to run like she used to, but she will also have to abandon her weird "love" for this manager guy, and that's the only thing giving meaning to her life at the moment.
Early in the previous volume, distraught at the realization that she needs to make a choice, she told her mother to throw away her running shows and outfit from back then. Akira even snapped uncharacteristically at her mother. Every time someone forces her to address her frozen emotional state she gets angry. By the end of that sequence, though, that involved visiting some hot springs with her aunt, she decided to keep her running stuff for now. I thought that would have a bigger repercusion for the ongoing story, but it didn't, as Akira's mind didn't seem to change significantly.
Regarding the manager, who is a frustrated writer, we got more of his relationship with his successful author friend from college. The author has gotten a movie deal but isn't happy about it, because he isn't writing the stuff he was passionate about back in college. I wonder if that relationship will spur the manager to write something significant of his own, but it hasn't yet.
The protagonist and the manager get closer, as she helps him prepare a birthday party for his ten year old son. We get more examples that the manager is a mess. He has the common sense of a teenager, which gets particularly annoying at the end of the eighth volume. Although he's a good guy, there's really not much for Akira to have fallen in love with if he hadn't been nice to her that one time. More importantly, though, the manager realizes and has to face that he has fallen in love with her, a seventeen year old, although he's a middle-aged fellow. A terrible situation for a grown man to be in.
There was a subplot going on with the ditzy coworker of the protagonist, who is in love with a very extroverted guy who happens to want the protagonist instead. The girl is lovely, if on the annoyingly extroverted side, but she complements that young guy well. However, the guy doesn't see it that way. When she confesses and presents her gift to him, a scarf she had been knitting for weeks, he rejects her and runs away, the prick. But that's in character, as the guy has been portrayed as something of a clueless idiot from the beginning.
The biggest thing that annoyed me was the manager attempting to destroy his own infatuation with the protagonist by avoiding her conspicuously at every turn, even though they were supposed to be at least friends. That angers and saddens the protagonist. Her being an assertive, no-nonsense kind of gal, she confronts him, and the manager cowardly suggests that he's simply being troubled by some unmentioned things that in no way involve the elegant, beautiful seventeen year old he has fallen for. The outcome of that whole thing remains unresolved at the end of this volume.
I like that the characters are flawed, confused, and in general just trying to get by in their little lives. That's what you can expect of a slife-of-life story, and it's always pleasurable to read.