The death of the town’s beloved mayor in a seedy motel causes Fenway Stevenson to turn over a lot of rocks to get to the truth, including some deeply buried rocks of her own. The usual suspect is located quickly, but is he the right suspect? Then someone tries to kill a key witness, who disappears, further complicating the case. Fenway has to solve the mystery while facing an upcoming election, and the meddling of her annoying J.R. Ewing type father.
I enjoyed this book, although less so than the first in the series. The plot in this one was too pat – while interviewing the dead woman’s son, Fenway finds a note saying “if you’re convicted, she lives, no cops.” Fenway and her not-boyfriend, the sheriff, figure out one of the man’s children has been kidnapped, and agree to keep law enforcement out of it for the time being. Wait, what??? A thoroughly law and order sheriff willy-nilly decides to “keep the cops out of it” on the thinnest of reasons? Excuse me, you are the cops, sir. Then a hole opens up in his schedule when he’s placed on administrative leave for killing a man during a hostage crisis. Now he has lots of time to investigate the potential kidnapping. Two more drawbacks: the author used “smirk” (my least favorite descriptive term ever) at least nine times, which is about eight times too many; and he repetitive use of “Eric The [sic] Sommelier’ three times in five pages when describing a tertiary character in the same scene. I think the author could have used a better editor.
But the plot still held my interest. Watching Fenway work while fending off her annoying father and dealing with intense personal feelings the case brings up was entertaining. Fenway does take stupid chances, which made me want to slap her, but her actions do stir up an action-packed ending that made the time on the recumbent bike fly by.
There are things I like about this series – a racially/sociologically balanced cast of characters that reflect real life; the balanced and not heavy-handed way of dealing with societal issues, the likeability of the characters, and seeing Fenway come into her own. This particular story just felt a little too .. convenient and like the author had a decently formed story, but couldn’t come up with a believable hook to move the plot along, so plucked something from Column A in a how-to-write-a-mystery book to kick the party off. Will I read more in this series? Maybe, if I come across them, but I won’t go out of my way to get the next one.